The Governess

I quite enjoyed this movie. Sure, my mind wandered a lot because the story is hardly gripping. I'm also positive I won't remember much about it next week, except that Minnie Driver's talent and beauty is stunning. STUNNING. I did also feel that the leading man was poorly cast. He did not seem to me a person that a young, vibrant woman would fall for. I'm sure the script called for a older man, but age wasn't the problem. He just didn't seem to fit in with Minnie Driver. Nonetheless, the whole movie was excellently shot and wonderfully acted and extremely high quality, but conversely it's regrettably forgettable. (That's a nice phrase, no?)

I found this movie to be quite beautiful, and it opened a period of history seldom explored in films. It tells the tale of a Jewess in 19th Century London who must disguise herself as a gentile to obtain employment as a governess. Her joy for life and her searching mind attract her to her employer, who is trying to discover a way to "freeze" the photographic image. It is very much of its time. Minnie Driver is excellent, very sensual and convincing. Tom Wilkinson is incredibly strong and attractive. The dark colors and the general sense of gloom are very well depicted. I thought it was a marvelous film.

I thought this movie was beautiful. It was somewhat overlooked in America when it was released in 1998, partly because it had to compete against some higher profile British films and partly because it is not commercial. It could not be sold to the general public for a very sad reason - most movie goers have absolutely no sense or knowledge of history. So, the story of being a Jewess in mid-19th Century England and Scotland would seem too odd to them. In addition, the average person might have difficulty in grasping how amazing photography was to people in those days.

For those who do have knowledge of history, I highly recommend this film. Some might say that Rosina [Minnie Driver] is too much of a modern character, but intelligent women, rebellious women and highly sensual women have ALWAYS existed, regardless of the morals and hypocrisies of the times they lived in.

Apart from being a well-acted, well-constructed film, "The Governess" should be seen by those interested both in Judaica and Romance studies. The film offers a unique occasion of hearing judezmo, the archaic Spanish spoken by Sefardi Jews, and getting acquainted with their splendid musical tradition (Classic songs, e.g. "Cuando el rey Nimrod", performed instrumentally and by Ofra Haza). It is also quite interesting to observe e.g. the characteristic head-dress worn by the protagonist when still in her London environment, and customs of the London Sefardi community as portrayed here.

"The Governess" is Mary Blackchurch's (her 'Christian' name) story. It is set in 1830s (we learn from the Daguerre reference) in London and the Scottish Isle of Skye, where she becomes a governess to help the family after her father is murdered. If we are to believe Ebert's instincts, it is the author's life story, much as "Boyz N the Hood" is.

Being a photographer, I was 'hooked' when the film turned in that direction. Although not historically accurate, it certainly does a good job of depicting the trial and error used back in the 1800s to master a photographic process in which the resultant image could be "fixed". There was a British Cavendish, Henry, but he was not into photography. In this film, Mary accidentally helps discover a fixing process using ordinary salt water. Mary and Carles develop a bond, become lovers, Mary talks of their "future" together, Charles pulls away, "You consume me. I cannot be consumed."

I cannot say too much about how fine a performance Minnie Driver gives here. Especially the scene near the end when she basically is willing to do anything, give anything, to avoid rejection by Charles. Failing, she returns to London, giving nude photos to Charles' wife, and taking along enough chemicals to get her started in her own photographic studio.

Charles looks her up, she does a portrait, but the love she professed had been shattered beyond repair. She had given her whole self to Charles, had been rejected, and she moved on.

This is a really fine film, different, but enjoyable in the vein of "Dangerous Beauty", another period piece where the female protagonist is empowered. The infidelity in "Governess" is certainly not glorified, but used in the context of a weak husband whose marriage was a routine formality, and a young girl who knew no boundaries, and found a soulmate for the first time.