Eye of the Beholder

This has got to be one of the worst movies I've ever seen. I honestly can't complain about the acting because, simply, the script didn't call for any. The plot was unbelievably, unthinkably thin, it makes...well, let me put it this way: Think of the movie with the thinest possible plot ever. Got it? Now make it 10 times thinner, and you have an idea of this film. And what happened to the dialogue? Did anyone else notice this? I swear, there's maybe about 10 lines in the whole film. Well, I guess that's good, because it is deaf-friendly. Not that ANYONE would ever want to see this. It might be worth it to see Ashly Judd naked, but if you want that, you can see "Double Jeopardy," "Norma, Jean and Marilyn," or...hell, any movie with her! Just make sure that if you do rent it, skip right to the end of the second scene, and then the bathtub scene. Then stop watching.

I know people have already explained things from every viewpoint, but I still want to give my own opinion (fancy that).

I loved this film.

Granted, I wouldn't want to watch it endlessly for weeks on end, but I thought it to be a very original work of entertainment (yes, I meant entertainment). I'm so damn bored of all these pointless, predictable movies that seem to be overflowing the film industry. There's no real...art to them. Eye of the Beholder, while tedious and slow-paced in parts, was not like that. Some of that was due to the acting.

I've been a fan of Ewan McGregor for awhile now. I'll admit he was the reason I rented this movie in the first place. But after I saw it, I appreciated the whole aspect of it- not just him. Hell, I even went and got a copy of the bloody book.

I'm not saying you must, should or will even enjoy the movie. (Though, looking at the majority of the lot, most didn't). What I AM saying is that you should at least watch the movie and decide for yourself.



BloodyHell

(By the by- does anybody happen to know what sort of camera (model) the 'Eye' used? (The long silver one) I've been looking for one just like it...)

I am surprised that this has got such bad ratings. Admittedly, it's not great, but it's not that bad either.

Started off really well and had heaps of potential. However, after a point it loses focus and starts to drift. Still, a decent and intriguing story.

Good performances from Ewen McGregor and Ashley Judd.

I had not seen this movie when originally released because of bad reviews. I did however recently pick up the DVD in the $5.99 rack at Target mainly because I really like Ewan McGregor and Ashley Judd. They did do their usual fine job of acting but I must admit that the plot was convoluted and illogical and the first time through watching it normally, I was disappointed in the lingering confusion.

I then watched the one deleted scene and the alternate ending and it changed my whole perspective. Sometimes alternate endings do not really change much but this was the most dramatically different alternate ending I have ever seen. It wrapped up everything for me and made the whole thing crystal clear and satisfying.

I can not imagine why they left out this long segment that does not so much result in an alternate ending per se, but rather fills in a lot of the holes that I had in my head. It is worth your time to rent the DVD and see this alternate ending. It may change your mind about the movie.

Despite over 300 comments, some people are still posting saying that it was beyond them and what do the rest of us see in it. Those naysayers should actually read the posted comments.

I watched the film twice, read Marc Behm's book and then watched it again. I would like to see the original film version, 'Mortelle randonnée'(1983) (it has a really good soundtrack album by Carla Bley), but so far have not found a video-rental shop that has a copy. Like the director, Stephan Elliott's major film, 'Priscilla, Queen of the Desert', 'Eye of the Beholder' is a road movie about eccentrics, one of whom is into wigs and changing her appearance. Like Marc Behm's script for 'Charade'(1963) it is about a spook who is looking after a young woman who doesn't really know what is going on. I can't think of any parallels with Marc Behm's Beatles film 'Help!'(1965). Actually Behm has 13 IMDB credits, and most of them are difficult to find. As are his other novels.

The major improvement over the book is the addition of the hi-tech snooping equipment. The book's Eye is an old-fashioned gumshoe who simply looks though bedroom windows and the like. Also the making the lost daughter's ghost more solid is an interesting effect. We don't have to know that the girl is dead to think of the image of her as a ghost. I didn't notice that she is played by two actors. The problem is that Ewan McGregor is too young for the role. At the end of the book he dies of old age. I think that the book captures his slipping into obsession better, and part of the picture is that Joanna Eris is about the age that his daughter would have been. A side-effect of his computer tools etc, is that it becomes more unlikely that he would not be able to find his ex-wife and daughter. But as the film makes him a Brit in the States, they would be back in Britain.

Obviously the script had to drop a lot of the incidents in the book. In the film it is extremely implausible that he is able to get a room next to Joanna in the New York hotel. In the book he tails her for several months through a few murders, which would give him a chance to take a sublet in the building.

The rich blind man is called 'Forbes' in the book. Given the real-life family of that name, it was probably best to change it.

In the book the scene where Joanne is identified in the restaurant where she is working, takes place in New Jersey. In the film it is said to be Alaska, although we know that it is somewhere in Quebec. Why didn't the film say that it was Quebec. Then the crew would not have to work so hard hiding all the French signs. I presume that in 'Mortelle randonnée' all the places were changed to places in France (where apparently Marc Behm lives).

An ironic detail. The book has several cross-dressing incidents: the Eye does nanny-drag to continue his surveillance; Joanna and a woman friend not in the book do male drag to rob banks and filling-stations, and the Jason Priestley character, Gary, is a cross-dressing fetishist. I suppose that the director of Priscilla feels that he has done the topic.

I would have liked the film to have kept the incidents where Joanna almost recognizes the Eye, including the time when she hires a detective to capture him.

The film has a lot more in it than most thrillers. It avoids the cliches, challenges the viewer, but doesn't really gel. There are too many nagging questions afterwards.