IMDb रेटिंग
6.6/10
9.5 हज़ार
आपकी रेटिंग
एक युवा गृहिणी की दुनिया तब उलट पलट हो जाती है जब उसको एक आत्म-मुक्त, ब्लाउज़ सेल्समेन से प्रेम हो जाता है.एक युवा गृहिणी की दुनिया तब उलट पलट हो जाती है जब उसको एक आत्म-मुक्त, ब्लाउज़ सेल्समेन से प्रेम हो जाता है.एक युवा गृहिणी की दुनिया तब उलट पलट हो जाती है जब उसको एक आत्म-मुक्त, ब्लाउज़ सेल्समेन से प्रेम हो जाता है.
- पुरस्कार
- 1 जीत और कुल 6 नामांकन
Mahée Paiement
- Mrs. Dymbort
- (as Mahee Paiment)
Victoria Barkoff
- Selma Levitsky
- (as Vicky Barkoff)
Joe Perrino
- Ross Epstein
- (as Joseph Perrino)
फ़ीचर्ड समीक्षाएं
I like movies with a good character-centered plot and this certainly qualifies. So many Hollywood movies have a distinctly evil antagonist and a pure protagonist. There is no "bad guy" in this movie. All of the people have a side that I could relate to, but they make mistakes along the way.
In all a very good film
In all a very good film
The first time I watched this movie, I think I was just captivated by the excellent performances. Viggo Mortenson, like William H. Macy and James Caviezel, is one of those whose roles are understated but so well executed and you anticipate their next work. Diane Lane is gorgeous, and I think that somehow is supposed to drive a pitiful feeling from us that a woman of so much beauty is shackled down to a normal existence. Liev Schreiber's role was the most successful of the principles. The real sympathy in this movie DOES go to him for spending the duration of it separated from his family, and his philandering wife, simply keeping his tv-repair job.
Rule #1 about this movie, don't see it with your significant other. The passionate scenes of a cheating spouse copulating with a free-spirited, self-centered vagrant under a waterfall will make both of you uncomfortable. The scene that bothered me most was the actual moon-landing, where while he's quarantined to the shop repairing TVs so everyone can watch the event she's making it with the blouse-man on the bus. As others have said in this forum, the main point at the end of the movie is that she was misunderstood by a caring husband, her needs weren't satisfied (we never mention his), and ulimately he'll have to forsake his matured take on life if he's ever going to have his wife back.
It was the equivalent of watching Dharma and Greg with explicit adultery, where once again the responsible spouse has to pick up the pieces and try to understand their act-before-thinking partner. This isn't a statement of gender specifics, I'm well aware that plenty of men are unfaithful and self-centered as well. I'm just tired of people in this country deciding we can be married and never compromise on anything. It simply won't work that way. Marriage is a give and take, and in order to function right we need movies that emphasize communication. A movie that tries to justify infidelity isn't going to enhance anyone. I love my wife dearly, and I don't need to see a movie like this one as a cautionary tale of what could be if her needs are left ungratified. See it if you like, but I could mention PLENTY more "chick flicks" which will leave you with a warm or sorrowful feeling at the end worth seeing, rather than an akward feeling that neither of you want to discuss.
Rule #1 about this movie, don't see it with your significant other. The passionate scenes of a cheating spouse copulating with a free-spirited, self-centered vagrant under a waterfall will make both of you uncomfortable. The scene that bothered me most was the actual moon-landing, where while he's quarantined to the shop repairing TVs so everyone can watch the event she's making it with the blouse-man on the bus. As others have said in this forum, the main point at the end of the movie is that she was misunderstood by a caring husband, her needs weren't satisfied (we never mention his), and ulimately he'll have to forsake his matured take on life if he's ever going to have his wife back.
It was the equivalent of watching Dharma and Greg with explicit adultery, where once again the responsible spouse has to pick up the pieces and try to understand their act-before-thinking partner. This isn't a statement of gender specifics, I'm well aware that plenty of men are unfaithful and self-centered as well. I'm just tired of people in this country deciding we can be married and never compromise on anything. It simply won't work that way. Marriage is a give and take, and in order to function right we need movies that emphasize communication. A movie that tries to justify infidelity isn't going to enhance anyone. I love my wife dearly, and I don't need to see a movie like this one as a cautionary tale of what could be if her needs are left ungratified. See it if you like, but I could mention PLENTY more "chick flicks" which will leave you with a warm or sorrowful feeling at the end worth seeing, rather than an akward feeling that neither of you want to discuss.
I have been waiting to see this movie for some time. I was not disappointed. As a woman, from a woman's perspective, I found this to be uncomfortably accurate. I was floored by Diane Lane's performance as a bored "yet not, not in love with her husband" woman who was willing to find new love, to fully be loved by the "blouse man". The love scenes were incredibly truthful and believable, and I just thought this movie was absolutely flawless in it's portrayal of what would have really happened between "Marty" and "Pearl". I thought Diane Lane was awesome, as well as the understated acting feel of the beautiful and beyond sexy, Viggo Mortensen. I cannot say enough how authentic and beautiful I thought this movie was. I give it a 10+. I thought it was a masterpiece, perfect and breathtakingly beautiful, it was human imperfection at its best. It truly made me feel love for each man, I felt sorrow for her decision.
A WALK ON THE MOON as written by Pamela Gray ("Music of the Heart") and directed by actor Tony Goldman conjures up more atmosphere for the year 1969 than any film to date. Remember Woodstock, the Jewish summer retreats in the Catskills, hippies, face and body painting, threats from the Vietnam era and promises of space habitation by the famous first walk on the moon? It is all faithfully created here as the background for a lovely little sentimental tale about family and fidelity.
The Kantrowitz family - Pearl (Diane Lane), Marty (Liev Schreiber), Alison (Anna Paquin), Daniel (Bobby Boriello) and Marty's mother Lilian (Tovah Feldshuh) - are spending their usual summer away form New York in a Catskill settlement bungalow along with other Jewish families of the same ilk. All seems swell, except that Marty must spend the weekdays returning to his job as a TV repairman, leaving the family under Pearl's and Lilian's care until his weekend visits. A hippie blouse salesman Walker Jerome (Viggo Mortensen) peddles his wares to the settlement and casually but inevitably Pearl feels an attraction to Walker, the man of adventure who represents all the lost dreams of becoming a mother and wife at the too early age of 17. Life has slipped her by but feels salvageable in Walker's advances.
Woodstock is close by and Pearl and Walker spend a day of hippie love-in in the crowd, not knowing that teenage Alison is also there observing their free love antics. This crisis event affects the family's unity and the way Pearl faces her moment of indiscretion with Marty and her children builds to a terrific climax.
Diane Lane, Viggo Mortenson, Liev Schreiber and Tovah Feldshuh completely inhabit these simple characters and pull us into accepting all aspects of the predicament of this family crisis. The confrontation among Lane, Schreiber and Mortenson is a trio of acting not to be forgotten. Tony Goldwyn has paced his film beautifully and proves that he has as great skill as a director as well as an actor. The cinematography by Anthony B. Richmond is as recreative of a special time on our history as has been captured. This little film will stay with you long after the credits are over. Grady Harp
The Kantrowitz family - Pearl (Diane Lane), Marty (Liev Schreiber), Alison (Anna Paquin), Daniel (Bobby Boriello) and Marty's mother Lilian (Tovah Feldshuh) - are spending their usual summer away form New York in a Catskill settlement bungalow along with other Jewish families of the same ilk. All seems swell, except that Marty must spend the weekdays returning to his job as a TV repairman, leaving the family under Pearl's and Lilian's care until his weekend visits. A hippie blouse salesman Walker Jerome (Viggo Mortensen) peddles his wares to the settlement and casually but inevitably Pearl feels an attraction to Walker, the man of adventure who represents all the lost dreams of becoming a mother and wife at the too early age of 17. Life has slipped her by but feels salvageable in Walker's advances.
Woodstock is close by and Pearl and Walker spend a day of hippie love-in in the crowd, not knowing that teenage Alison is also there observing their free love antics. This crisis event affects the family's unity and the way Pearl faces her moment of indiscretion with Marty and her children builds to a terrific climax.
Diane Lane, Viggo Mortenson, Liev Schreiber and Tovah Feldshuh completely inhabit these simple characters and pull us into accepting all aspects of the predicament of this family crisis. The confrontation among Lane, Schreiber and Mortenson is a trio of acting not to be forgotten. Tony Goldwyn has paced his film beautifully and proves that he has as great skill as a director as well as an actor. The cinematography by Anthony B. Richmond is as recreative of a special time on our history as has been captured. This little film will stay with you long after the credits are over. Grady Harp
What one would do if their wife screws up with a salesman? I couldn't get the intention of director to portray walker as gentleman. I mean, Cmon... He made out with a married woman and didn't say a word to her that it's wrong. Poor Marty and kids have to suffer the fantasies of disgusting young lady. She should NEVER NEVER be forgiven.
How can one commit such heinous act and get away with it? Divorce must have been the perfect ending.
क्या आपको पता है
- ट्रिवियाDiane Lane wanted Viggo Mortensen to be in the film so much that she gave up part of her salary so that the production could afford him.
- गूफ़During the scene where people are watching the moon landing, the TV image shows the Moon's surface taken from the LEM as it descends and lands. This video was not available for viewing until after the astronauts returned to Earth.
- भाव
Alison Kantrowitz: I never have to listen to you ever again. I saw you. I was there. You should have seen yourself. You looked disgusting! I'm the teenager! Not you! You had your chance.
Pearl Kantrowitz: No. I didn't.
Alison Kantrowitz: Well then why do the rest of us have to suffer just because you fucked up your life!
- क्रेज़ी क्रेडिटThe producers wish to thank ... The Merchants of St-Viateur Street ...
- साउंडट्रैकMore (Ti guardero nel cuore)
Written by Riz Ortolani (as Riziero Ortolani), Norman Newell, Nino Oliviero, Marcello Ciorciolini
Performed by Bobby Darin
Courtesy of Capitol Records
By arrangement with EMI Music Special Markets
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is A Walk on the Moon?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $1,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $47,50,660
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $78,709
- 28 मार्च 1999
- दुनिया भर में सकल
- $47,50,660
- चलने की अवधि1 घंटा 47 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें