अपनी भाषा में प्लॉट जोड़ेंA puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.A puppeteer discovers a portal that leads literally into the head of movie star John Malkovich.
- 3 ऑस्कर के लिए नामांकित
- 49 जीत और कुल 79 नामांकन
Octavia Spencer
- Woman in Elevator
- (as Octavia L. Spencer)
Reginald C. Hayes
- Don
- (as Reggie Hayes)
फ़ीचर्ड समीक्षाएं
Originality is one thing that I very much admire in cinema, and it's also the reason I rate Being John Malkovich so highly. Charlie Kaufman has taken an amazingly weird premise and twisted round a suitably offbeat story to create a movie that is as bizarre as it is as it is compelling, and it's definitely a major highlight of American cinema in the 1990's. Charlie Kaufman may have scripted his most acclaimed film in 2004 with Eternal Sunshine of the Spotless Mind, but if you want to see his best work - you need look no further than his first feature. Quite how anyone could have thought of this premise remains a mystery, but I'm certainly glad that Kaufman did. The story revolves around a portal that leads directly into the head of the actor, John Malkovich. After discovering this portal, puppeteer Craig Schwartz shares it with his colleague and crush, the beautiful Maxine Lund. Things start to get complicated when Craig's wife, Lottie, becomes involved and it turns out that Craig's not the only one with a crush on Maxine.
The usually presentable John Cusack and Cameron Diaz are completely unrecognisable as this film's leading couple and both give career highlight performances. Catherine Keener fleshes out a threesome of leads. She is seductively sexy, and delivers a performance that reflects the quality of this film on the whole. And, of course, John Malkovich stars also. The fact that it's John Malkovich who is the title actor is what really makes this film. Had the film have been, say, 'Being Tom Cruise'; it wouldn't have had nearly the same impact. Malkovich is a big actor, but he's not THAT big and the fact that it's him takes the film away from the mainstream and allows it's offbeat indie roots to stay intact. Kaufman ensures that the story works by constantly adding new and weird events into the plot, and this in turn ensures that we never know what's coming next. Of course, this is exactly what you want from any film. The elements of the story aren't bound tightly enough to really make a lasting impression where substance is concerned; but it hardly matters, as there's enough offbeat invention in this film to more than adequately mask that fact It's easy to call this movie pretentious or silly; but it's also pointless. Being John Malkovich is a modern classic.
The usually presentable John Cusack and Cameron Diaz are completely unrecognisable as this film's leading couple and both give career highlight performances. Catherine Keener fleshes out a threesome of leads. She is seductively sexy, and delivers a performance that reflects the quality of this film on the whole. And, of course, John Malkovich stars also. The fact that it's John Malkovich who is the title actor is what really makes this film. Had the film have been, say, 'Being Tom Cruise'; it wouldn't have had nearly the same impact. Malkovich is a big actor, but he's not THAT big and the fact that it's him takes the film away from the mainstream and allows it's offbeat indie roots to stay intact. Kaufman ensures that the story works by constantly adding new and weird events into the plot, and this in turn ensures that we never know what's coming next. Of course, this is exactly what you want from any film. The elements of the story aren't bound tightly enough to really make a lasting impression where substance is concerned; but it hardly matters, as there's enough offbeat invention in this film to more than adequately mask that fact It's easy to call this movie pretentious or silly; but it's also pointless. Being John Malkovich is a modern classic.
I give my nine points for originality and the quality of production though, not the likeability of the characters. John Cusack and Cameron Diaz play Craig and Lotte Schwartz, a married couple that are going through the motions and don't seem to realize it. Cameron Diaz is made up to be so dowdy looking that she is initially not even recognizable. They live in a basement apartment crowded with animals (Lotte is an animal lover who works at a pet shop). Craig is a puppeteer who cannot find work in his chosen field and even gets beat up on the street for staging what one beefy dad thinks is a sacrilegious puppet show.
At the suggestion of his wife, Craig goes looking for a regular job, and due to his fast hands he gets a job as a file clerk at LesterCorp. There he meets Maxine, a pretty but sociopathic young woman who, fortunately for society, seems to have no violent impulses, because if she did believe me she would follow them. Craig falls for her. Lotte falls for her. And they both make a play for her simultaneously when she comes over for dinner one night. She rejects them both.
Maxine made it clear from the beginning she considered Craig a pathetic loser, but she needs him to exploit something that Craig discovered - a door that leads to a portal in which anybody who enters gets to "become" John Malkovich for fifteen minutes. At the end of the fifteen minutes the person is spit out on the side of the road at the entry to the New Jersey Turnpike. As a team they reopen Lestercorp at night and charge people 200 dollars apiece to "become John Malkovich". Neither of them knows what this portal is doing there behind a file cabinet and why it leads to Malkovich, but they initially don't care past its monetary value.
It is part drama, part comedy, and even part horror and completely weird. And what the portal is doing there is all wrapped up in Dr. Lester, owner of Lestercorp, who is the only likeable character in the film, and even he has more than a bit of a Dr. Frankenstein/God complex.
Also featuring Mary Kay Place as the object of Dr. Lester's lust who has convinced him he has a terrible speech impediment - he does not, John Malkovich as himself, and Charlie Sheen as himself and Malkovich's friend. It is great seeing Charlie Sheen when he was still healthy.
Very highly recommended. But the plot is so weird you just have to let go of your reason and go with it.
At the suggestion of his wife, Craig goes looking for a regular job, and due to his fast hands he gets a job as a file clerk at LesterCorp. There he meets Maxine, a pretty but sociopathic young woman who, fortunately for society, seems to have no violent impulses, because if she did believe me she would follow them. Craig falls for her. Lotte falls for her. And they both make a play for her simultaneously when she comes over for dinner one night. She rejects them both.
Maxine made it clear from the beginning she considered Craig a pathetic loser, but she needs him to exploit something that Craig discovered - a door that leads to a portal in which anybody who enters gets to "become" John Malkovich for fifteen minutes. At the end of the fifteen minutes the person is spit out on the side of the road at the entry to the New Jersey Turnpike. As a team they reopen Lestercorp at night and charge people 200 dollars apiece to "become John Malkovich". Neither of them knows what this portal is doing there behind a file cabinet and why it leads to Malkovich, but they initially don't care past its monetary value.
It is part drama, part comedy, and even part horror and completely weird. And what the portal is doing there is all wrapped up in Dr. Lester, owner of Lestercorp, who is the only likeable character in the film, and even he has more than a bit of a Dr. Frankenstein/God complex.
Also featuring Mary Kay Place as the object of Dr. Lester's lust who has convinced him he has a terrible speech impediment - he does not, John Malkovich as himself, and Charlie Sheen as himself and Malkovich's friend. It is great seeing Charlie Sheen when he was still healthy.
Very highly recommended. But the plot is so weird you just have to let go of your reason and go with it.
Charlie Kaufman (script) and Spike Jonze (director) burst on the scene together with their collaboration on this crazy masterpiece. 'Being John Malkovich' pushes the limits of storytelling; this wildly imaginative film shows that even the most surreal storyline can still be made entertaining if a filmmaker doesn't care about conventions and knows just what the medium is capable of. Perhaps the most original release in a year that had several very original releases ('Fight Club' and 'The Matrix' were both also released in '99), the film's playful creative energy had an effect on screenwriters, directors, actors and producers that can hardly be overstated. There had simply never been anything like it - and one only has to look at a contemporary TV show like 'Legion' to see what a mark this film left. Groundbreaking and simply inspired. 9 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
This film is excellently made and based on an imaginative, intelligent and wacky script: a depressive puppeteer discovers by chance a mysterious portal in his five-foot tall office located on the 7,5th floor of a Manhattan office building, leading within the head of the movie star John Malkovich. The cast is excellent and the actors co-exist in perfect symbiosis, literally as well as figuratively. The quintet John Cusack + Cameron Diaz + Orson Bean + Catherine Keener + John Malkovich is awesome.
A not exhaustive list of my favorite quotes: Meet you in Malkovich in one hour. The truth is for suckers, Johnny boy. Let's have sex on his table and then make him eat an omelette off of it. I comes before U. You don't know how lucky you are being a monkey, because consciousness is a terrible curse. There is truth, and there are lies, and art always tells the truth, even when it's lying. She's got her doctorate in speech impedimentology from Case Western. It's the idea of being inside someone else's skin and seeing what they see and feeling what they feel.
A not exhaustive list of my favorite quotes: Meet you in Malkovich in one hour. The truth is for suckers, Johnny boy. Let's have sex on his table and then make him eat an omelette off of it. I comes before U. You don't know how lucky you are being a monkey, because consciousness is a terrible curse. There is truth, and there are lies, and art always tells the truth, even when it's lying. She's got her doctorate in speech impedimentology from Case Western. It's the idea of being inside someone else's skin and seeing what they see and feeling what they feel.
... but without it you'd be unconscious or you wouldn't be you, or are you, you? Exploring identity, appearance, choice and fame in the most original and entertaining of ways, this esoterically amusing vision of what makes us who we are manages to keep you engaged and amused while encouraging a little self reflection upon completion - that is if it is you doing the reflecting, pulling your own strings, grinding your own organ, dancing to your own tune.
क्या आपको पता है
- ट्रिवियाJohn Malkovich was approached about this film several times and loved the script, but he and his production crew felt that another actor would fit the role better. Malkovich offered to help produce the film, and aid Spike Jonze in any way, but refused to star in it. Eventually after a couple of years Malkovich's will was worn down and he agreed to star in the film.
- गूफ़Just after the first time Lotte falls out of the portal onto the side of the New Jersey Turnpike, a palm tree is visible in the distance over Craig's shoulder.
- भाव
Craig Schwartz: You don't know how lucky you are being a monkey. Because consciousness is a terrible curse. I think. I feel. I suffer. And all I ask in return is the opportunity to do my work. And they won't allow it... because I raise issues.
- क्रेज़ी क्रेडिटat the end of the cast listing is noted ...and John Malkovich
- कनेक्शनEdited from 1998 MTV Video Music Awards (1998)
- साउंडट्रैकAllegro, from Music for Strings
Written by Béla Bartók
Performed by The Cleveland Orchestra
Conducted by Christoph von Dohnányi
Courtesy of The Decca Record Company Ltd.
Under license from Universal Music Special Markets
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Being John Malkovich?Alexa द्वारा संचालित
- Why John Malkovich?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- ¿Quieres ser John Malkovich?
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,30,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,28,63,596
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,37,721
- 31 अक्टू॰ 1999
- दुनिया भर में सकल
- $2,31,06,795
- चलने की अवधि1 घंटा 53 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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