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Washington Square

  • 1997
  • PG
  • 1 घं 55 मि
IMDb रेटिंग
6.6/10
3.9 हज़ार
आपकी रेटिंग
Jennifer Jason Leigh and Ben Chaplin in Washington Square (1997)
In this adaptation of the Henry James novel set in 19th-century New York City, a wealthy spinster with an overbearing father is pursued by a handsome fortune hunter who may be only after her money.
trailer प्ले करें2:00
1 वीडियो
39 फ़ोटो
ड्रामादुःखद रोमांसपीरियड ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंIn this adaptation of the Henry James novel set in 19th-century New York City, a wealthy spinster with an overbearing father is pursued by a handsome fortune hunter who may be only after her... सभी पढ़ेंIn this adaptation of the Henry James novel set in 19th-century New York City, a wealthy spinster with an overbearing father is pursued by a handsome fortune hunter who may be only after her money.In this adaptation of the Henry James novel set in 19th-century New York City, a wealthy spinster with an overbearing father is pursued by a handsome fortune hunter who may be only after her money.

  • निर्देशक
    • Agnieszka Holland
  • लेखक
    • Henry James
    • Carol Doyle
  • स्टार
    • Jennifer Jason Leigh
    • Albert Finney
    • Maggie Smith
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    3.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Agnieszka Holland
    • लेखक
      • Henry James
      • Carol Doyle
    • स्टार
      • Jennifer Jason Leigh
      • Albert Finney
      • Maggie Smith
    • 52यूज़र समीक्षाएं
    • 46आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    वीडियो1

    Trailer
    Trailer 2:00
    Trailer

    फ़ोटो39

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार40

    बदलाव करें
    Jennifer Jason Leigh
    Jennifer Jason Leigh
    • Catherine Sloper
    Albert Finney
    Albert Finney
    • Dr. Austin Sloper
    Maggie Smith
    Maggie Smith
    • Aunt Lavinia Penniman
    Ben Chaplin
    Ben Chaplin
    • Morris Townsend
    Judith Ivey
    Judith Ivey
    • Aunt Elizabeth Almond
    Arthur Laupus
    • Mr. Almond
    Jennifer Garner
    Jennifer Garner
    • Marian Almond
    Robert Stanton
    Robert Stanton
    • Arthur Townsend
    Betsy Brantley
    Betsy Brantley
    • Mrs. Montgomery
    Nancy Daly
    Nancy Daly
    • Maureen (Maid)
    Sara Ruzicka
    • Catherine Sloper (age 11)
    Rachel Layne Sacrey
    • Sarah Almond
    Rachel Osborne
    • Alice Almond
    Scott Jaeck
    • John Ludlow
    Peter Maloney
    Peter Maloney
    • Jacob Webber (Notary)
    Lauren Hulsey
    Lauren Hulsey
    • Edith
    Sara Constance Marshall
    • Therese (maid)
    Marissa Anna Muro
    • Paris Singer
    • निर्देशक
      • Agnieszka Holland
    • लेखक
      • Henry James
      • Carol Doyle
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं52

    6.63.8K
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    फ़ीचर्ड समीक्षाएं

    6howardeisman

    Nice try, but.....

    I first saw "The Heiress" when it first came out. I was about 12, but old enough to be fascinated by the characters and the basic conflict. Wow! I read the James' book "Washington Square" about 30 years later. I was disappointed. It was a rambling story told by a busybody with none of the dramatic high points of The Heiress; it is Henry James" first novel and has none of the intriguing nuances of his later novels.

    This film stays closer to the novel than "The Heiress". Thus, it is much less of a drama. The attempt to do the book is commendable, but it is not necessarily the route to an entertaining film. Here, the characterizations are obscurely unmotivated (Finney), over-the-top (Smith), uneven and sometimes weird (Leigh), and charmless and off-putting (Chapin). The musical score is intrusive. All of this contrasts badly with "The Heiress", in which the characters had far more depth, authenticity, and appeal(certainly Morris and even the minor characters).

    This longer version attempts a better exposition of the characters' psychology. Good ambition but it fails. Take Dr. Sloper. A hard working, self-made man who despises Morris Townsend mainly because he is a self-centered loafer. It is not snobbery which motivates him, Morris is a gentleman, but his belief in merit and good works. He does love his daughter but she disappoints him with her shyness and inability to master much of life. He pushes her to manage better, but he is constantly frustrated. For her to marry Morris would be to shatter all he believes about how people should live. A bad guy? A good guy? All of this comes out in Ralph Richardson"s performance in "The Heiress.' Finney just seems like an nasty oaf in comparison.
    Mr12ED

    Wonderfully tragic film of romance and liberty.

    Usually I adore movies with no glitches - easy romance that merely comes to fruition. However, this film caught my eye in the video store and I impulsively rented it - I will forever be grateful to my instinct. For this film was amazing - a young woman who is unattractive physically, but beautiful inside. She yearns for the true, unconditional love that her father has never provided it to her. This story documents with grace and intense emotion her journey of discovery - for who really loves her and who she really is. The music is achingly poignant and supports a story that evokes such incredible feelings in its viewers. Washington Square isn't a film that makes you cry, it's one that makes you weep.
    10KoolJool817

    FINE ADAPTATION OF THE HENRY JAMES NOVEL

    It is unfair to compare the 1997 film "Washington Square" to the 1949 film "The Heiress." "Washington Square" is a faithful adaptation of Henry James' eponymous classic novel; "The Heiress" is based on the stage adaptation of the James novel by Augustus and Ruth Goetz.

    Hence, the two most dramatic scenes in "The Heiress" do not appear in "Washington Square" -- Morris Townsend's cruel jilting of Catherine right before their planned elopement, and Catherine's revenge in the final scene, where Morris is left pounding on the bolted door.

    There were many fine performances in "Washington Square," most notably Jennifer Jason Leigh. Her many expressions of hurt, pain, and anguish are heart-breaking to watch. Ben Chaplin's outstanding portrayal of "the fortune hunter" is surprisingly sympathetic. Maggie Smith's Aunt Lavinia is seen as meddling and trouble-making. The soundtrack is beautiful, and the set designs and costumes provide an accurate portrayal of 19th century New York.
    Lanwench

    Over-long, over-acted, and over-directed

    This was such a ham-handed film that only the invisible force field that surrounds my couch prevented me from getting up and turning the television off. Much of Leigh's performance seemed to consist of channelling Ally Sheedy's quirky "Breakfast Club" shtick. Jeez, Catherine isn't supposed to be the village idiot; she's just naive and sheltered. The scenes involving pants-wetting and prostitution were unfaithful to James' spirit, let alone the actual text, and the music was god-awful and anachronistic, especially the irritating piano duet.

    Albert Finney and Maggie Smith did their best, but the direction gets the Golden Toilet award. Oh, look; it's sunny - such felicity abounds! Aw, gee, it's raining, let's all fall down in the street to the sounds of swelling symphonic shmaltz. Peuw.

    And I am normally a such a forgiving costume drama fiend. Alas.
    10robert-temple-1

    Jennifer Jason Leigh Is Miraculous

    This is a masterpiece of film-making, both because of the talented Polish director Agnieszka Holland, and the performance by Jennifer Jason Leigh. This is the best performance by Leigh which I have seen, and I always think she is inspired, but here she truly transcends herself. It is simply one of the greatest cinematic performances of the 1990s. Rarely has an actress so intimately portrayed the most subtle nuances of mood so well. Such an intimate film could only have been directed by a woman, and I don't believe Leigh could have done this for a male director, not even her chum, the late Robert Altman. The performance by Leigh is really as delicate as gossamer, and she spins a transparent silky web of tormented love with such intensity she outdoes even Olivia de Havilland, who played the role before her in 'The Heiress' long ago, and to do that is a miracle! The only way to describe Leigh's performance is to say that she has a 'naked face'. She seems determined to hide nothing. Pathological shyness has rarely been shown so clearly. Throughout the film, Leigh does a progressive striptease of the soul, and she ends up with nothing on but her hard-earned sense of self worth, which cloaks her admirably. Ben Chaplin is a perfect choice for the young suitor, and he mixes goodness and elegance with the desperate grasping nature of the character in an ideal cocktail that is deadly while it is sweet. And Albert Finney surpasses himself as the father so eaten up with bitterness at his wife's death in childbirth that he can never forgive his pathetic daughter for 'killing her', and actively hates and persecutes her for her entire lifetime. Henry James wrote the novel, and he knew a thing or two about people. I once knew someone who had actually met Henry James, namely Dorothy Pound, and I asked her what he was like. (Well you would, wouldn't you?) She said she never had any real conversation with him because he spent all his time talking to Ezra, and they would meet from time to time strolling in Hyde Park, when James always had an attractive young woman on his arm, he would say something pleasant to the Pounds, and then he would be off. I said but what was he LIKE? She said: 'He wore a beautiful red waistcoat.' So there you go. And so does Albert Finney, as a crusty old port drinker with an American accent in this harrowing and tragic tale of intensity in the Square. By the way, the film was shot in Baltimore, and achieves a high degree of authenticity with well-preserved old houses, both inside and out. As time passes in the story, the style of 19th century costumes changes appropriately. Everything is done with finesse. The film commences with the most stunning continuous moving shot, starting in the square, then going up to the front door of the house, 21 Washington Square, then entering the house, moving through it, going up the stairs, and entering the bedroom while a newborn baby cries O.S. and the mother lies dead on her bed with her eyes open wide. Finney lies down beside her and says: 'Now you will be together in heaven with our son.' What a way to open a film! And the final scene of the film, which I must not describe, is equally impressive in a completely different way, with the last shot featuring an incredible lighting effect. Technically, the film is perfect. Holland did not have Wajda as her mentor for nothing, and she is a true artist. I believe this is the finest of all the many excellent films based on Henry James stories, and most of them are so good, that is high praise indeed.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Jennifer Jason Leigh beat out Meg Ryan, Diane Lane and Anne Heche for the lead role.
    • भाव

      Catherine Sloper: It occurs to me if I live with you, I ought to obey you.

      Dr. Austin Sloper: If that's your theory, it's certain mine.

      Catherine Sloper: But if I don't obey you, I ought not to live with you - to enjoy your kindness and protection.

      Dr. Austin Sloper: What a distasteful idea! It must be Mr. Townsend's.

      Catherine Sloper: No, it's mine.

      Dr. Austin Sloper: Why do you speak to me thus? I've done nothing but try to protect you from ...

      Catherine Sloper: From? From what, Father? Love? Affection? Caring? Respect?

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Seven Years in Tibet/RocketMan/Boogie Nights/Gang Related/Washington Square (1997)
    • साउंडट्रैक
      The Tale Of The String
      Lyrics by Alan Bergman & Marilyn Bergman

      Music by Jan A.P. Kaczmarek

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Washington Square?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 10 अक्टूबर 1997 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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    • उत्पादन कंपनियां
      • Alchemy Filmworks
      • Caravan Pictures
      • Hollywood Pictures
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $18,51,761
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $14,352
      • 5 अक्टू॰ 1997
    • दुनिया भर में सकल
      • $18,51,761
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 55 मि(115 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital

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