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Unagi

  • 1997
  • Not Rated
  • 1 घं 57 मि
IMDb रेटिंग
7.3/10
6.7 हज़ार
आपकी रेटिंग
Unagi (1997)
FarceComedyDrama

अपनी भाषा में प्लॉट जोड़ेंA businessman kills his adulterous wife and is sent to prison. After the release, he opens a barbershop and meets new people, talking almost to no one except an eel he befriended while in pr... सभी पढ़ेंA businessman kills his adulterous wife and is sent to prison. After the release, he opens a barbershop and meets new people, talking almost to no one except an eel he befriended while in prison.A businessman kills his adulterous wife and is sent to prison. After the release, he opens a barbershop and meets new people, talking almost to no one except an eel he befriended while in prison.

  • निर्देशक
    • Shôhei Imamura
  • लेखक
    • Shôhei Imamura
    • Daisuke Tengan
    • Motofumi Tomikawa
  • स्टार
    • Kôji Yakusho
    • Misa Shimizu
    • Mitsuko Baishô
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    6.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Shôhei Imamura
    • लेखक
      • Shôhei Imamura
      • Daisuke Tengan
      • Motofumi Tomikawa
    • स्टार
      • Kôji Yakusho
      • Misa Shimizu
      • Mitsuko Baishô
    • 31यूज़र समीक्षाएं
    • 32आलोचक समीक्षाएं
    • 81मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 16 जीत और कुल 14 नामांकन

    फ़ोटो64

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 58
    पोस्टर देखें

    टॉप कलाकार47

    बदलाव करें
    Kôji Yakusho
    Kôji Yakusho
    • Takuro Yamashita
    Misa Shimizu
    Misa Shimizu
    • Keiko Hattori
    Mitsuko Baishô
    Mitsuko Baishô
    • Misako Nakajima
    Akira Emoto
    • Tamotsu Takasaki
    Fujio Tokita
    Fujio Tokita
    • Jiro Nakajima
    Shô Aikawa
    Shô Aikawa
    • Yuji Nozawa
    Ken Kobayashi
    • Masaki Saito
    Sabu Kawahara
    • Seitaro Misato
    Etsuko Ichihara
    • Fumie Hattori
    Tomorô Taguchi
    Tomorô Taguchi
    • Eiji Dojima
    Chiho Terada
    • Emiko Yamashita
    Shinshô Nakamaru
    Sei Hiraizumi
    Sei Hiraizumi
    Seiji Kurasaki
    Toshirô Ishidô
    Sanshô Shinsui
    • Doctor
    Kôichi Ueda
    • Keiji - A detective
    Ken Mitsuishi
    • Detective
    • निर्देशक
      • Shôhei Imamura
    • लेखक
      • Shôhei Imamura
      • Daisuke Tengan
      • Motofumi Tomikawa
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं31

    7.36.7K
    1
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    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    room337

    redemption,the chaotic path

    I actually enjoyed the film a lot. Maybe it's not one of the most articulated films, but there was liveliness in it,and i think that's the reason the eel got cannes. The lives of misunderstood,isolated finds the peace with themselves in a remote country side, reminded me of Mediterriano a bit. The man's murder, suicidal heroine and her mad mother, a guy who is obsessed with UFO, which seems unexplainable and their lives are narrated in a messiest possible way. I think this film is not for analysis or for coming to conclusion, the director wants to show a utopia where misfits can be forgiven and find a harmony with the world, where a human communicates with an eel. And where people can have a chance to get redemption,,,
    8planktonrules

    excellent but could have easily been better

    This was a very engaging film about a guy who murders his cheating wife and then is released from prison 8 years later. You really find yourself rooting for him--especially when he meets and saves the life of a lady. You really want them to get together,...the problem is, he is SO afraid to open up to people that he distances himself from her and chooses to confide more in his pet eel. It seems that if he does connect to someone on a deeper level, he's afraid he might kill again--though he is clearly a decent person who snapped one time in his life and only after being pushed. It's a great character study and the acting and direction are marvelous--with a few lapses here and there. What didn't I like? Well, it isn't so much the acting that's the problem, but the script. Repeatedly, flashbacks and psychotic-like hallucinations occur. They tend to muddle the basic message and confuse the plot. Without these and without the LARGE amounts of blood in the murder scene, this would have gotten a rating of 9 or even 10.
    gilli

    Flawed but interesting

    This film deals with the theme of faith, its loss, its recovery. It has strong images, as usual in Imamura's films. It has also a well thought out plot development. But... it hints at directions that are never fully explored. There is a suggestion that the main character is insane. There are hallucinations. Keiko's behavior is also a little obscure at times. But as the core of the movie is melodrama, surreal aspects are only hinted at. That leaves a slight sensation of unachievement.
    7DukeEman

    A little gem

    THE EEL borders on dark humour when a man, who after eight years in prison for the murder of his wife, is released from jail. He sets himself up in a barber shop by the river and trouble comes knocking on his door and he can not seem to get away from it. Simple, yet effective, a very mature piece of work and pleasing overall.
    7howard.schumann

    Doesn't come together as a satisfying whole

    Takura Yamashita (Koji Yakusho) has served eight years in prison for murdering his wife and her lover in a jealous rage and attempts to rehabilitate himself by opening a barbershop in an isolated corner of Japan. His past, however, catches up with him in Shohei Imamura's The Eel, co-winner of the 1997 Cannes Palme D'or with Kiarostami's A Taste of Cherry. Based on the Akira Yoshimura's novel Sparkles in the Darkness, The Eel is either an absurdist comedy, a drama about redemption, a surreal poem about states of consciousness, a thriller about jealousy and revenge, or all of the above.

    As the film opens, Yamashita, a worker at a large flour company, is startled to read an anonymous letter on the train coming home from work informing him that his wife cheats on him when he goes away on overnight fishing trips. Cutting one of his trips short, he returns home in the middle of the night to find his wife Emiko (Chiho Terada) in bed with a lover. Grabbing a butcher knife, he brutally stabs both of them to death then calmly rides his bicycle to the local police station and turns himself in. After eight years in prison, he is released and paroled to an elderly Buddhist priest. Alienated and afraid, Yamashita's only companion is a pet eel whom he confides in ("he listens to what I say"). He opens a barbershop in a rural part of Japan but his life becomes complicated after he saves a young woman, Keiko (Misa Shimizu), from suicide and gives her a job at his shop. Reminded of his former wife, Yamashita avoids intimacy but she is drawn to him nonetheless and offers him box lunches when he goes fishing.

    In spite of trying to keep his distance, Yamashita attracts some local characters that move the plot in a different direction. These include a young man who borrows his barber pole to attract UFOs, a fishing buddy who designs a device to catch eels without harming them, and his former prison mate, Tamotsu Takasaki (Akira Emoto), a foul-mouthed drunk who recites Buddhist Sutras and reminds him of his previous acts. The story, which until now has had a rich dramatic arc, soon descends into forced comedy when Keiko's mentally-challenged mother shows up doing flamenco dances and Keiko's former boyfriend returns demanding her mother's money. The townspeople and semi-gangster associates of the boyfriend join in a final free-for-all at the barbershop that might have been lifted from the Three Stooges.

    The Eel is at times a brilliant and involving character study about a man seeking to turn his life around. At other times, however, it is a discordant conglomeration of plots and subplots, one-dimensional characters, and heavy symbolism relieved only by wooden farce. The UFO sequence is very lame and the comic behavior of a man just out of prison seems inappropriate as he marches like a soldier then runs after a jogging team that is passing by. Imamura has said, "If my films are messy, this is probably due to the fact that I don't like too perfect a cinema." I know that things are not always neat and our lives are often a blend of drama and farce, but The Eel's odd mixture of quirky characters and widely disparate elements keeps it from coming together as a satisfying whole.

    इस तरह के और

    Narayama bushikô
    7.8
    Narayama bushikô
    Vengeance Is Mine
    7.7
    Vengeance Is Mine
    Kamigami no fukaki yokubô
    7.5
    Kamigami no fukaki yokubô
    Nippon konchûki
    7.4
    Nippon konchûki
    Erogotoshi-tachi yori: Jinruigaku nyûmon
    7.2
    Erogotoshi-tachi yori: Jinruigaku nyûmon
    Akai hashi no shita no nurui mizu
    6.7
    Akai hashi no shita no nurui mizu
    Buta to gunkan
    7.4
    Buta to gunkan
    Akai satsui
    7.6
    Akai satsui
    Kanzô sensei
    7.2
    Kanzô sensei
    Kuroi ame
    7.8
    Kuroi ame
    Hokuriku dairi sensô
    7.1
    Hokuriku dairi sensô
    Sous le soleil de Satan
    6.7
    Sous le soleil de Satan

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Winner of the 1997 Palme D'Or at the Cannes Film Festival tied with another title, Abbas Kiarostami's Ta'm e guilass (1997) from Iran.
    • भाव

      Takuro Yamashita: An eel's all a man needs.

    • इसके अलावा अन्य वर्जन
      The theatrical cut is 117 mins., but there's also a "director's cut" (134 mins.).
    • कनेक्शन
      Featured in Especial Cannes: 50 Anos de Festival (1997)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is The Eel?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 24 मई 1997 (जापान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • The Eel
    • फ़िल्माने की जगहें
      • Sawara, चिबा, जापान(Police Station)
    • उत्पादन कंपनियां
      • Eisei Gekijo
      • Groove Corporation
      • Imamura Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $4,18,480
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $29,879
      • 23 अग॰ 1998
    • दुनिया भर में सकल
      • $4,24,683
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 57 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Unagi (1997)
    टॉप गैप
    By what name was Unagi (1997) officially released in Canada in English?
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