[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Thank God He Met Lizzie

  • 1997
  • R
  • 1 घं 31 मि
IMDb रेटिंग
5.8/10
765
आपकी रेटिंग
Thank God He Met Lizzie (1997)
ComedyDramaRomance

अपनी भाषा में प्लॉट जोड़ेंThe romantic myth is exposed for Guy when he is plagued by memories of an old girlfriend on his wedding day.The romantic myth is exposed for Guy when he is plagued by memories of an old girlfriend on his wedding day.The romantic myth is exposed for Guy when he is plagued by memories of an old girlfriend on his wedding day.

  • निर्देशक
    • Cherie Nowlan
  • लेखक
    • Alexandra Long
  • स्टार
    • Richard Roxburgh
    • Cate Blanchett
    • Frances O'Connor
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.8/10
    765
    आपकी रेटिंग
    • निर्देशक
      • Cherie Nowlan
    • लेखक
      • Alexandra Long
    • स्टार
      • Richard Roxburgh
      • Cate Blanchett
      • Frances O'Connor
    • 10यूज़र समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 5 नामांकन

    फ़ोटो13

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 5
    पोस्टर देखें

    टॉप कलाकार55

    बदलाव करें
    Richard Roxburgh
    Richard Roxburgh
    • Guy Jamieson
    Cate Blanchett
    Cate Blanchett
    • Lizzie
    Frances O'Connor
    Frances O'Connor
    • Jenny
    Linden Wilkinson
    Linden Wilkinson
    • Poppy
    John Gaden
    • Dr. O'Hara
    Genevieve Mooy
    • Mrs. Jamieson
    Michael K. Ross
    • Mr. Jamieson
    • (as Michael Ross)
    Melissa Ippolito
    • Catriona Younger
    Elena Pavli
    Elena Pavli
    • Catriona Older
    Craig Rasmus
    • Dominic
    Rhett Walton
    • Tony
    Jeanette Cronin
    Jeanette Cronin
    • Yvette
    Arthur Angel
    Arthur Angel
    • George
    Wadih Dona
    Wadih Dona
    • Angelo
    • (as Wahid Dona)
    Celia Ireland
    Celia Ireland
    • Cheryl
    Adrian M. Barnes
    Adrian M. Barnes
    • Father Montgomery
    • (as Adrian Barnes)
    Deborah Kennedy
    Deborah Kennedy
    • June
    Mary Acres
    • Auntie Dulcie
    • निर्देशक
      • Cherie Nowlan
    • लेखक
      • Alexandra Long
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं10

    5.8765
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    9clare2888

    Favourable

    They don't make movies like this anymore! Thank so much to Alexandra Long for sharing your insight into life and relationships. The first time I watched it in February 2000 I cried for 1 hour after watching it. I blamed Guy for getting over Jenny too quickly. Last week when I watched it again - Sept 2000, I saw things differently. They had hit a brick wall in their relationship and didn't know how to fix things. That's life - If only they went to a marriage counsellor! All principle characters I thought were superb in their translation of their parts - Richard, Jenny and Cate - they might have been my neighbours across the street. Real people, with real reactions and emotions.
    7PeterM27

    An overlooked but entertaining comic and poignant rom-com

    Richard Roxburgh, Cate Blanchett and Frances O'Connor are all good in this sometimes comic, sometimes poignant film about a man's remembrance of his previous lover on his wedding day, but O'Connor is the most memorable as the witty, affectionate ex-lover who is changed by the loss of her relationship.

    The film has a lot to say about loss, luck, mistakes and regret in relationships. The film also shows parts of Sydney not often seen on film. Cate Blanchett won an AFI award for best supporting actress.
    7DukeEman

    For O'Conner's performance.

    Guy meets Lizzie and in a mad rush they marry. During the wedding, Guy's memories float to the turbulent relationship with the other woman - Jenny. Alexandra Long's script delivers the goods but let down by poor quality production values. The other saviour comes from O'Conner's performance as the manic Jenny.
    10bequibar

    Thank God I Stumbled Into This Film

    A very good portrayal of life. Regular life and the choices we make, and the normal looking back on it and wondering what if... excellent acting, plot and dialogue, true ending.

    We are all searching for something, and we are all looking in the wrong places: in our past and in our future. What about today? Is happiness something you feel or something you remember?
    tedg

    Embossments of Memory

    There's something about Australian film. Canada has some filmmakers worth watching, many more as a percentage than nearly anywhere. But they are of all sorts, many different worlds as if being Canadian were only a gateway to imagination.

    Australia is different. There's something distinct about Australian film-making and acting. You can see it permeate all the gems from that place and from people from that place. I like it because it is deeply rooted in the sort of self-reference I study. But I also appreciate it because it serves the way I watch movies: the effects of each one giving me footholds and crevices in exploring the next.

    I watched this because it has Cate; simple enough. Cate does do some Cate-ish things toward the end, and they are useful, but the stuff she creates is a sort of emotional framing device for the real matter of the thing, which is a finished but not finished romance.

    Now you have to know that I am coming at an appreciation of this in part because I know it is not the story that matters, but how the story unfolds. Romance and movies are tied in this way, allure. Seduction. Reward.

    I'd like to recommend this to you because of how it is put together, and the deftness of how it handles how romance and love relate to one another. I guarantee that if you watch this with someone else, you two will come away with different notions of what you have seen. And can I give a higher compliment? Its about a relationship as seen from another one. One great choice is that the two lovers aren't defined. The attraction and the failure aren't explained. He's sort of stuffy and she sort of aggressively grabs life, but things are left vague beyond that. We see the milestones of their relationship but none of the machinery. It must have taken significant disciple to open things this way to judge by how rarely we see it.

    So we have this arc, this huge arc of love. And we have it presented openly and more important, cinematically. There's mastery here. In the little ways things are revealed. You'll know it from the first scene which is a very long tracking shot in a house party, where we see many parallel seductions. Its the little compositions that matter.

    At the wedding reception, for example, there's introspective banter between two strangers as he first explains why there are no "types" of women left for him to accept and she counters with several certain capture strategies that we know would each work in the short run.

    There are dozens of little annotations like this.

    Two scenes to watch for. I imagine these two were the first to appear in the writer's mind.

    Our couple have been living together for years and are decorating the Christmas tree. They are casually nude in that way that is past the honeymoon. They haven't had sex in months and that knowledge is haunting them. They both know something is over and are wondering what that implies. She is on a ladder and he is holding her legs, his cheek against her buttock, wondering. He turns to place his face in her crack and she gently but firmly swats him away with a decoration, his face but not his support. Its perfect drama by itself and in the larger flow.

    Another scene. He is getting married to another woman later. The first woman isn't at the wedding but her friend is. This person is as "crazy about life" and impulse compared to the first love as that love is to the new wife. He approaches her for a dance. She awkwardly starts with some club moves, you know the dance moves that tell small stories. He interrupts and draws her close in for a tender dance instead. Its an amazing set of choices all around.

    So you'll want to see this, if you love competent cinematic storytelling. And especially if you have been bitten by the Aussie movie bug and are also interested in romance.

    Ted's Evaluation -- 3 of 3: Worth watching.

    इस तरह के और

    Oscar and Lucinda
    6.5
    Oscar and Lucinda
    Paradise Road
    6.8
    Paradise Road
    An Ideal Husband
    6.8
    An Ideal Husband
    Bandits
    6.5
    Bandits
    Parklands
    5.5
    Parklands
    Elizabeth: The Golden Age
    6.8
    Elizabeth: The Golden Age
    Heartland
    7.2
    Heartland
    Elizabeth
    7.4
    Elizabeth
    Kaboria
    5.6
    Kaboria
    Bordertown
    7.5
    Bordertown
    Police Rescue
    5.6
    Police Rescue
    Notes on a Scandal
    7.4
    Notes on a Scandal

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The production was designed to so that the film's two stories had completely different looks but shared enough similarities in shooting styles to enable them to be intercut seemlessly.
    • भाव

      [last lines]

      Guy Jamieson: You also asked me if I'm happy. That's a hard question to answer. The trouble with happiness is that you never know when you have it. You remember it. Ask me in another ten years. Maybe I'll be able to tell you.

    • कनेक्शन
      Featured in The Movie Show: 25 मई 1997 को प्रसारित एपिसोड (1997)
    • साउंडट्रैक
      We've Only Just Begun
      Written by Paul Williams (as P. Williams)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is The Wedding Party?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 नवंबर 1997 (ऑस्ट्रेलिया)
    • कंट्री ऑफ़ ओरिजिन
      • ऑस्ट्रेलिया
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • The Wedding Party
    • फ़िल्माने की जगहें
      • Lower North Shore, सिडनी, न्यू साउथ वेल्स, ऑस्ट्रेलिया(location: Mosman)
    • उत्पादन कंपनियां
      • Stamen Films Pty. Ltd.
      • The Australian Film Commission
      • New South Wales Film & Television Office
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $25,00,000(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 31 मिनट
    • रंग
      • Color

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Thank God He Met Lizzie (1997)
    टॉप गैप
    By what name was Thank God He Met Lizzie (1997) officially released in Canada in English?
    जवाब
    • और अंतराल देखें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.