Sånger från andra våningen

Songs From The Second Floor has been described as a poem put to film, but after viewing this emotional work of art, I can't help but to feel that a Swedish Opera put to film is a more accurate description.

Directed and written by Roy Anderson, Songs From The Second Floor is a visual and emotional masterpiece. Showing Swedish and to a greater extent all of society, through grey colored glasses.

The cast primarily consists of non actors who made an impression on Roy upon him seeing them in everyday life. All of whom make similar impressions on us the viewers upon seeing them in this film.

Kalle (Lars Nordh) is the heart and star of this movie. It's through his story (one of several) that we fully experience this Swedish Opera. The pain, sadness, guilt, and hopelessness of Songs From The Second Floor, can be felt in every slow moving moment of his life.

Religion, love, poverty, and poetry are all common themes throughout this film. Giving it an identity all of it's own. You could watch a hundred films with similar descriptions, and still consider Songs From The Second Floor the strangest and most original film you've ever seen......Highly recommended for those who liked Northfork and Russian Ark.

Possibly incomprehensible to those who have never lived in Sweden, where whole hours somehow manage to lose themselves in a meditative calm that exists nowhere else. Songs from the Second Floor is truly Ingemar Bergman meets Monty Python, as Roy Andersson non too gently deflates the pretentious, the pompous and the self important. The sparse dialogue and hugely tongue-in-cheek solemnity will either offend the spectator to the point of rage, or scratch the itch that nothing else quite reaches. I adored it. Like raw oysters, broccoli or goat milk - you'll either connect with the Roy Andersson brand of iconoclastic insanity and love this one ... or you'll hate it with a passion. There'll be no fence-sitting with this Nordic treasure.

I have only seen this movie once and that is certainly not enough. The pictures contain more than our perception can handle. The general impression of the film is however, that Roy Andersson has performed a splendid diagnosis of our society, a society whose individuals no longer communicate, no longer interact. He shows us the result of a system that proclaims egoism and neglect. The message is clear: Only together, people can find a way to endure the tragedy of life, only together, we can enjoy the small fragments of happiness that life offers.

I encourage all non-Swedish people to see this film, 99,84% of the world population is not Swedish. This movie concerns all of you.

This film won the prestigious Cannes Film Festival award in 2000, and it is indeed very well made. But damn, it's not what you'd want to take someone to on a date. Unless they have odd tastes.

Songs is a kind of allegorical black comedy about capitalism and the brutalising effects of modern society. The cast is mainly depressed middle-aged men in bad suits and there are multiple storylines and little scenes that all add up to one big condemnation of the Western world: a man who hasn't missed a day in 14 years and decides to go to work rather than have sex with his wife, then gets fired. A poet/taxi driver driven insane by the misery around him. His father, who burnt down his store for the insurance and spends most of the film covered in soot. You get the picture.

The film is full of powerful symbols, like a heap of cheap plastic Christs being thrown onto a rubbish heap, or the eternal traffic jam, and moments of absurdity that made me laugh out loud, such as when the Swedish high command gather to honour a retired commander who is so senile his bedpan gets emptied while they give him a speech. But the even the humour is bleak - there isn't a single happy moment in this film. Frankly I didn't buy it. Life may sometimes be dull, bad things do happen to good people, capitalism can suck, but it just isn't that awful. Forgive me for getting lyrical, but life is too full of hope and friendship and beauty to get sucked down in to this grey, dreary view of the world.

RATING: 7/10

Of the 11 films I saw at this years Vancouver International Film Festival, this was one of the best. Definitely not a film for the masses, but if you're tired of seeing so-so hollywood formula and you and don't mind a shot of bizarre, then this is the film for you. I doubt it will come back for a commercial run, as it is not the kind of film the multiplex crowd would appreciate. If, however, like me, you are a fan of Terry Gilliam and don't mind a slower pace, there is much to recommend this film. Made up of a series of short vignettes, some related and some not, it weaves a story of apocalyptic chaos. A story some of us were expecting to happen Jan.1,2000.

The unmoving camera stares into the lives of a society on the brink. Maybe ours in the near future. A movie that will demand discussion afterwards.A bomb shelter in the blighted landscape of Californication.