Wicked

Julia Stiles was the main draw for me to see this film, which genuinely lives up to its title (and then some). WICKED is a sneaky little twist on the let-me-be-your-wife-and-I-will-love-you-better-than-mom-ever-did genre, with great performances and excellently fleshed-out (NO pun intended) characters. Highly recommended for that late-night cable guilty pleasure.

What's the use of watching movies if you're unwilling or too prejudiced to spot a genuinely talented filmmaker, regardless of the genre (or the budget) he's working with? Michael Steinberg shows, in this particular movie at least, that he is such a talent; his virtuosity is reminiscent of De Palma in his prime (think "Body Double"), and some of his subjective tracking shots would put Carpenter to shame. It's true that the script is formulaic and unoriginal (has a great twist ending, though). But thanks to the direction and the good performances in each and every role, "Wicked" is a taut, gripping and occasionally steamy little thriller. Worth a look for anyone with even a passing interest in the genre. (**1/2)

Though this thriller (about a teenage girl who develops a dangerous crush on her father when her mom dies) has the feel of a cable movie, with few characters and most of the scenes shot in a couple of locations, it was well-acted and had a plot that kept my interest. The characters develop quite effectively and you're never quite sure whodunnit and why, until the end. Worth renting.

1st watched 12/28/02 - 5 out of 10(Dir-Michael Steinberg): Ridiculously unsupported ending blows what for the most part was a very stylish, well acted, well-done horror/thriller movie. Julia Stiles does a superb job with her role of a tortured child with violent tendencies and the direction is sly and cunning, but for some reason the filmmakers decided to throw a curve in the last half hour that works for some movies but for this one destroyed all that had been built up to this point. To tell you much of the story wouldn't really matter because, just remember, the end isn't what is expected or should be unless the actors & actresses are lying to you throughout it. This is basically about a mother who becomes killed apparently by a break-in but through the twists and turns of the story-telling we are being led to believe that one of the children has something to do with it. That actress is then put through the paces and shown to be a definite possibility to the murder even to the point of imitating her mother after her death and definetly wanting to take her place. The movie should have been more about why she wanted to do this but we only get small hints about this. Then, all of a sudden, instead of exploring what I mentioned in the last sentence the aforementioned `stupid' & `meaningless' ending was thrown at us from left field. I think I've said enough, Yes I'm upset.(but I'll get by). Hopefully Steinberg will as well.

I am curious as to why no one has realized the clear connection between Stiles Character Ellie, and the Electra complex, the counterpart to Freud's Oedipal complex. It is pretty clear that this is a remake of the Electra myth.

I found Stiles to be pretty good in this role. Overall, a pretty poor flick. I got the allegory, but still, it's not particularly effective at hitting where it aims.