The Royle Family

The royle family is clever because the action is limited, there are pauses just like real life and it's realistic, everyone has a Jim or a Barb or a Nana in their family and everyone at times slobs in front of the T.v and talks about the pub, club biscuits and toilets (Whether we admit to it or not) The acting is good, scripts are great and Caroline Aherne and Craig Cash have great character observation. Jim Royle's catchphrases are funny and well remembered and the extra characters, Cheryl, Mary, twiggy etc are cool.

Anthony and his dippy mate Darren are funny to watch doing their impressions.

I have read that some people hate this show because they think the language of northerners is hard to get and they are scruffy and live in council houses.

Welcome to the real world, people are scruffy and some do live in council houses, that can still be funny. i live in the south east of England, very far removed from Manchester but i still love their ways, their expressions and can still identify with them; it doesn't matter where you live, people all over the globe are getting married, having children, fighting with siblings, getting drunk etc.

Yes they don't do a lot but the T.V is full of action films and sitcoms with lots of action involved, this is realism, it's about people, real people, living together and it's the realism of the show that makes it funny. We can all go 'I'm just like that' or 'oh god we're like that'.

Give this show a chance, watch all the episodes they don't get boring, in fact it's quite addictive.

This sitcom is a must see for anybody like me who has fond memories of time spent working on a shop floor 'up north'. It perfectly captures the down-to-earth local sense of humour and a certain on-the-dole lifestyle, particularly from in and around the Liverpool-Manchester area.

The writing by Caroline Ahern, Craig Cash, and Henry Normal, is understated, pin sharp and full of detail. The direction is clever and challenging as almost all the (non-) action takes place in the tiny lounge watching endless soaps on the telly or in the adjoining kitchen making endless cups of tea. Like a fly-on-the-wall documentary we watch the group dynamics and hear the conversations between the family members often with all their eyes glued to the box. Unlike most sitcoms there is no canned laughter or 'live studio audience' so it is up to the viewer to work out the funny bits.

For example, I enjoyed spotting the fact that in an early episode father Jim Royle buys a pair of cheap jeans from a dodgy mate and then spends the rest of the series wearing them with the cuffs turned up, as they are far too long. I was also introduced to the sly betting game of who could best guess the value of the item being discussed on The Antiques Road Show. The scenes are nicely observed, from the huge, overflowing ashtrays to the TV remote control held together by red electrical insulation tape (just like mine) to the birthday bottles of Pomane.

But what ties all this material together are the perfect performances, everyone from young Ralf Little to multi-talented Sue Johnston and Ricky Tomlinson.

One of the funniest things on TV and in my view an instant classic.

Warning to non-UK readers: The Royle Family is only for the most dedicated of anglophiles - I expect half the viewers in England needed subtitles for some of the accents and idioms.

Title music specially written by Oasis.

Memorable quotes: [complaining when asked to fetch a couple of things from the kitchen] Denise: Shove a brush up my arse an' I'll sweep the floor.

Mum: I don't care what anybody is. I don't care if they're gay, straight or Australian.

An excellent cast given a superb script creates a minor comedy gem. Set in the downtrodden post-industrial north of England, the action rarely strays outside the living room of the titular wisecracking family, as tightwad patriarch Jim Royle (Ricky Tomlinson) holds court, kept in check by long-suffering wife Barbara (Sue Johnston, who had previously played Tomlinson's wife in the soap Brookside) and ordering around young son Antony (the remarkably assured debutant Ralf Little). The storyline of the first series revolves around the impending marriage of daughter Denise (Caroline Aherne) to her boyfriend Dave (Craig Cash), but the show is more about one-liners and character interplay than plotline; writers Aherne, Cash and Henry Normal keep the gags coming relentlessly as the action meanders in real time. A second series is in the works.

If you're not fully versed with British humour, and in particular humour from the Liverpool-Manchester area, then this may not be the show for you. The script is brilliant, the delivery even brillianter, with standout performances by Liz Smith as Nanna and Ricky Tomlinson as Jim. To mention only two of the cast by name seems unfair indeed, as the whole cast are real - too real.

I thought the Brits had done everything they were capable of doing comedy-wise, but this show just seems to come out of nowhere, although in truth it comes out of the lounge-rooms of working class families all over the world.

There's sharp, as well as subtle, observation of rituals which occur in one form or another within many families. From endless goings-on to do with Denise's wedding, to using young Antony as the perpetual errand boy to the `offy', to Jim's frequent visits to have a `tom tit', to Nanna's musings about being a non-drinker (except for the champagne, and the sherry, and of course, the stout), this show is a gem which will certainly remain as a social commentary of the times for years to come.

Now and then comes along a perfect series (Fawlty Towers and The Office spring to mind) everybody loves them and everybody is right!! Any great show is built on the writing and the writing here is near perfect. Any show which can run over 18 episodes and 2 specials and only use 1 set AND be funny every time is genius!! Caroline Aherene has been quoted as saying this is her best work and she is right. Tha acting is the icing on the cake of course, with special mention to Sue Johnson who should get loads of work. The whole point is the exquisite, REAL language and very few visual gags. This looks and feels real all the time and runs through all human emotion; ultimately 'though it is a show about love. 11 out of 10!!!