एक युवा लड़का बाहरी अंतरिक्ष से एक विशाल रोबोट से दोस्ती करता है जिसे एक पागल सरकारी एजेंट नष्ट करना चाहता है।एक युवा लड़का बाहरी अंतरिक्ष से एक विशाल रोबोट से दोस्ती करता है जिसे एक पागल सरकारी एजेंट नष्ट करना चाहता है।एक युवा लड़का बाहरी अंतरिक्ष से एक विशाल रोबोट से दोस्ती करता है जिसे एक पागल सरकारी एजेंट नष्ट करना चाहता है।
- 1 BAFTA अवार्ड जीते गए
- 20 जीत और कुल 18 नामांकन
Vin Diesel
- The Iron Giant
- (वॉइस)
M. Emmet Walsh
- Earl Stutz
- (वॉइस)
Bob Bergen
- Additional Voices
- (वॉइस)
- (as Robert Bergen)
Devon Cole Borisoff
- Additional Voices
- (वॉइस)
- (as Devon Borisoff)
सारांश
Reviewers say 'The Iron Giant' is acclaimed for its heartfelt narrative, exploring friendship, acceptance, and choice. Its Cold War paranoia and anti-war themes resonate deeply. The blend of traditional and CGI animation is lauded for its beauty and emotional impact. Vin Diesel's voice performance as the Giant is particularly praised. The film successfully appeals to both children and adults, offering mature themes and moral lessons, solidifying its status as a timeless classic.
फ़ीचर्ड समीक्षाएं
10dpenny
I'm 25 years old. I have no children. So why am I praising a 'kid's movie' which nobody saw? Because I have never seen a film pack the emotional wallop 'The Iron Giant' provided.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
An ambitious take on Ted Hughes' 1968 children's book The Iron Man, director Brad Bird's The Iron Giant works well as both archetype-infused allegory and heartstring-tugging tale of friendship. Set in small town Maine in the 1950s at the height of Cold War paranoia, the film explores the relationship between a lonely, fatherless boy (a photo on a nightstand hints that the father was a combat pilot killed in WWII) and a monstrously huge, hulking metal behemoth (the origins of which are brilliantly left to the imagination). The animation marks a welcome contrast from the virtually ubiquitous Disney template, with the human characters bearing a stylized, comic book exaggeration that fits perfectly with the story material. The Iron Giant has more than enough imagination and sparkle to interest kids and adults, and nicely balances its action-adventure aspirations with a solidly-crafted sense of moral purpose.
10Wizard-8
What a GREAT movie! Not just for kids, but adults as well. Kids will love it on one level, and adults will love it on another level. Even adults who are not parents will love it!
There's humor, there's action, there's nostalgia, there's the perfect capture of being a child, there are positive messages (be yourself, don't kill, etc.), there's satire, there are adults who are not stupid and not comic relief....there's GREAT WRITING!
AND NO SONG AND DANCE NUMBERS! Also, there are NO COMIC-RELIEF ANIMAL SIDEKICKS! Take that, Disney!
I know some people might be resisting this movie, because it looks like it's aimed for kids - and they might be expecting a Disney clone (and we all know the bad results of Disney wannabes).....but TRUST ME. Give this movie a chance - you'll love it!
Is there ANYTHING wrong with it? Well, the only thing that bugged me (just a little) were some close-ups of the characters - these certain close-ups had a "sketchy" look a la the movies "We're Back!" and "Balto".
Fortunately, there's very little of this. Other than that - this is a PERFECT MOVIE!
There's humor, there's action, there's nostalgia, there's the perfect capture of being a child, there are positive messages (be yourself, don't kill, etc.), there's satire, there are adults who are not stupid and not comic relief....there's GREAT WRITING!
AND NO SONG AND DANCE NUMBERS! Also, there are NO COMIC-RELIEF ANIMAL SIDEKICKS! Take that, Disney!
I know some people might be resisting this movie, because it looks like it's aimed for kids - and they might be expecting a Disney clone (and we all know the bad results of Disney wannabes).....but TRUST ME. Give this movie a chance - you'll love it!
Is there ANYTHING wrong with it? Well, the only thing that bugged me (just a little) were some close-ups of the characters - these certain close-ups had a "sketchy" look a la the movies "We're Back!" and "Balto".
Fortunately, there's very little of this. Other than that - this is a PERFECT MOVIE!
It's nice to see an elegantly crafted piece of animation come out of America. How did they manage it? The writing is great the animation is excellent and the voice acting is superb. I don't think I've liked an English animated film this much since The Plague Dogs. The film doesn't talk down to it's audience, and instead tells a simple story very well. My only complaint would be that Hogarth is somewhat of a smart-alec at times, but I guess this is the era of Leave it To Beaver.
Many of the situations are standard movie-fare, the ex-lax in the food, the helmet on the bed, but it's nice to see them in an animated film for a change. As an anime fan, the realism of the movie didn't impress me as much as the quality of the writing, voice acting, and the music and sound effects. I particularly remember the sound of the power lines snapping and the musical score building up to the climax of the film.
The character design for the giant is excellent, it's amazing how they could draw out very subtle emotions without noticeably distorting the face. I bawled like a baby near the end.
Finally, most importantly for me, there are NO CHEAP LAUGHS in the movie. One of the best moments in the movie for me was when Hogarth is running through the woods and he slams his face into a low branch. The theater full of kids raised on recent Disney crap bursts into laughter, but wait, there's no stupid sound effect, he's not hopping back up to his feet instantly with a ridiculous lump or distorted face or little birds flying around his head, he's still on the ground ... and what's that coming out of his nose.. it CAN'T BE.. it IS, a trickle of BLOOD. The kids (and parents) quickly cease their laughter. I couldn't stop smiling because I knew then that like me, they actually cared about the character on the screen and frankly that doesn't happen very often.
Tarzan was a small step in the right direction, and near the end of the long path beginning with that step is The Iron Giant.
Many of the situations are standard movie-fare, the ex-lax in the food, the helmet on the bed, but it's nice to see them in an animated film for a change. As an anime fan, the realism of the movie didn't impress me as much as the quality of the writing, voice acting, and the music and sound effects. I particularly remember the sound of the power lines snapping and the musical score building up to the climax of the film.
The character design for the giant is excellent, it's amazing how they could draw out very subtle emotions without noticeably distorting the face. I bawled like a baby near the end.
Finally, most importantly for me, there are NO CHEAP LAUGHS in the movie. One of the best moments in the movie for me was when Hogarth is running through the woods and he slams his face into a low branch. The theater full of kids raised on recent Disney crap bursts into laughter, but wait, there's no stupid sound effect, he's not hopping back up to his feet instantly with a ridiculous lump or distorted face or little birds flying around his head, he's still on the ground ... and what's that coming out of his nose.. it CAN'T BE.. it IS, a trickle of BLOOD. The kids (and parents) quickly cease their laughter. I couldn't stop smiling because I knew then that like me, they actually cared about the character on the screen and frankly that doesn't happen very often.
Tarzan was a small step in the right direction, and near the end of the long path beginning with that step is The Iron Giant.
I have only just recently rewatched this classic and it is as good today as the first day I saw it.
I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.
This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.
It is aimed at kids for sure but adults would enjoy watching this one just as much.
The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.
I love the setting of this, back in the 50's during the height of cold war tension and fear of alien invasion.
This movie has a great balance, just enough character development, enough action scenes and enough tension to keep you glued for the hour and a half play time.
It is aimed at kids for sure but adults would enjoy watching this one just as much.
The characters are all endearing that you really get attached to them. The bad guy is less evil and more of an authoritarian trying to do their job regardless of emotions involved. It makes for a fun movie for all ages.
क्या आपको पता है
- गूफ़At the beginning, Sputnik is shown orbiting from East to West. Most non-polar orbits of satellites run West to East (including Sputnik) in order to take advantage of the Earth's rotation.
- भाव
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- क्रेज़ी क्रेडिटThe Warner Brothers logo is done in 1950s art deco, as the Sputnik signal is heard.
- इसके अलावा अन्य वर्जनTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- कनेक्शनEdited into The Making of 'The Iron Giant' (1999)
- साउंडट्रैकHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- The Iron Giant
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,33,15,035
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $57,32,614
- 8 अग॰ 1999
- दुनिया भर में सकल
- $2,33,39,506
- चलने की अवधि1 घंटा 26 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें