Honey, I Shrunk the Kids: The TV Show

"Honey, I Shrunk the Kids" is the rare film-to-TV series that beats its source material. While the movies are often plodding, cumbersome messes with anonymous characters, "HISTK" the TV series is firmly grounded in Matheson, Colorado, a sort of Anytown U.S.A. where anything can happen. Realistic science is, thankfully, tossed out the window: it's supposed to be a silly romp through suburbia fueled by wild creations from the Szalinskis.

I dare say the casting and acting is better than all the movies. Peter Scolari replaces the recognizable Rick Moranis, and actually does an even better job at the character. Scolari's Szalinski is a family man who invents things that go wrong, but he still has enough charm to make his relationship with his wife and kids reasonable. Barbara Alyn Woods makes what could have been a typical "Mom" character into an interesting, intelligent, and active co-conspirator/victim/commentator on the happenings in the household. Hillary Tuck and Thomas Dekker play the Szalinski kids, with Amy being a witty, sarcastic-but-never-irritating rival to Nick's sensible, science-minded personality. They form a believable family, more believable than most "normal" sitcoms on primetime.

Created by Kevin Murphy (he also created the brilliant "Weird Science" TV show on USA with Vanessa Angel), the show's stories are often breezy, sometimes predictable, but never boring. Unfortunately, HISTK is over (it had a three-season run), but, for my money, it remains a memorable comedy/scifi with truly likable characters.

This is a television show that for its three season run consistently had some of the best writing ever seen on television. Comedies are rarely given much recognition and commercial shows for kids, never, but Honey, I Shrunk the Kids episodes are really well-crafted, witty spoofs that stand up over time. The best episode I feel is about Morpheus who rules the dream world. In this show, Nick is worried about dissecting frogs and keeps having nightmares. His sister, Amy, is worried about taking her SAT's. The plot weaves together their fears and their personal strengths and weakness (nick is logical/Amy is intuitive) in a humorous, dramatic and meaningful way. If there were any justice in the world, this script should have won an emmy and be discussed in film and English classes. If this show ever comes out on DVD, it is definitely worth purchasing.

I too thought that this would be a hacked rip off of the movie. Boy what a supreme surprise. The show was infinitely better then the movie. Then I realised why this series was so clever and so awesomely funny and intelligent -Savage Steve Holland who did the acidic and hilarious 'better off dead' movie, was directing these. And this has even wound up on the Disney Channel - go figure!

Let's recap. The first "Honey, I Shrunk the Kids" movie was the best of the series and the special effects used in it have held up extremely well since 1989. "Honey, I Blew Up the Kid" was mediocre at best. "Honey, We Shrunk Ourselves" was just plain stupid. Now we have a T.V. series? What the hell? I mean, since the last two sequels to the original "Honey, I Shrunk the Kids" movie bombed, what made the writers think they could possibly do a T.V. show without having disastrous results? The story lines for the series are incredibly stupid and range from Wayne getting trapped inside the T.V. to getting sent back in time. Please, just quit now. What is it with Wayne anyway? Why does he keep getting himself and his family into these chaotic situations? Besides, if I remember correctly, in "Honey, We Shrunk Ourselves", didn't Diane Szalinski say that the state had strictly forbidden Wayne from ever using his machine for any reason and he used it anyway? In either case, he broke the law and should have been arrested for endangering the lives of himself, his family, as well as everyone around him.

When I first heard of this series, I thought it was going to be a stupid, corny, throw-away series. After a few episodes, however, I was pleasantly surprised. The family is perfectly casted (they're better than their original movie counterparts), and the dialogue is original and funny, which is the basis of this show's success. The plots are extremely corny (e.g. family gets trapped inside of T.V., family harbors a bigfoot couple, and family travels back to the Wild West days with some aliens) but amazingly they are able to pull them off with sharp dialogue and very creative elements (e.g. every comment is punctuated, very humorously, with a laugh track when trapped inside a sitcom, and the bigfoot couple whine and bicker like married humans). It's sad that the show is so underrated and has such a obscure time slot (11:00 AM, Sundays).