Kidô keisatsu patorebâ: The Movie 2

This is a fine example of what Japanese animation can produce at its best. The style of this movie strongly reminds me of a Tom Clancy novel, which is unusual for anime. At the beginning I was a little put off by the slow pace of the movie, but as the story unfolded, I was sucked in by its complexity and realism. Indeed, the conflict and the political games between the government, the army and the police are so well constructed that I thought "this could *really* happen!"

If you liked this movie you should try to see "Jin-roh". There's the same kind of political and military intrigue but the story is more personal and close to the action than the high-circle strategy atmosphere which permeates Patlabor 2.

This movie grabs me in a visual sense more than many other movies, in a way only a few films can compare such as 2001. The melancholy yet realistic nature of the film is one of the highlights. With a deep story, this is a very interesting movie. Actually the theme of this film is probably reality, and if what an image is portraying is actually real.

I was like many people upon viewing this film for the first time. I could sit through it without getting bored or falling asleep. It's not your typical robot anime at all. Its more than that really. The film isn't like its mecha predessors - its not about the action. And if your watching this film purely for action than you will be disappointed. Because this film is mostly dialogue and politics all the way through. But once you have a greater understanding of the film, you will realise as I have how wonderful and amazing this film actually is. The film is a commentry on Japanese 'common-sense' pacifism to war. It asks the viewer to question this pacifism: how can Japan claim to be peaceful nation if it ignores the security of others. The film makes it's point very clear, and it is effective in bringing this message across. But of course if you only want to watch the film for its action sequences, then obviously your missing the point of what makes this thoughtful film so amazing to watch.

Mamoru Oshii's "Ghost in the Shell" got all the hype, but his earlier film, "Patlabor 2," is by far the more mature, artistically successful film. This is anime at its finest - sharply detailed artwork, superb animation, and a story that WILL hook you.

Disguised as a Tom Clancyesqe techno-thriller, Patlabor 2 is actually a knowing, often cynical examination of global politics. The film at times resembles a surreal CNN report...if it were scripted by Noam Chomsky and directed by Alfred Hitchcock! What does that mean? First, the symbolic visuals are beguiling and plentiful. I would suggest you first view either "Psycho" or the "The Birds" and then Watch the Birdie in "Patlabor 2".

Patlabor 2 is a beautiful film. There are many stunning, surreal cityscapes that recall "Blade Runner." These scenes are accompanied by Keiji Kawai's meditative, haunting score. But the film's greatest impact is its disturbing plausibility. There may be giant robot police patrolling the streets of Tokyo, but the patterns of infrastructure and the chaos that breaks out when it breaks down seem all too real.

I give this anime my highest recommendation and I would especially recommend it to those who are either unfamiliar with Japanese anime or perhaps think animation is not a "serious" artistic medium. (This film will set them straight). Due to it's highly dense dialogue, I would recommend the dubbed version (unless you're fluent in Japanese or just prefer subtitles). The dubbing job is superbly acted and well-timed, preserving the original script's dramatic pauses and moments of silence.

Director Mamoru Oshii gets it right the second time round. His penchant for deep philosophical stories is executed with the right touch of pathos and aided greatly by the superior quality of animation and more "mature" character designs.

Followers of the TV and OAV series would know that the chief of Section 2, Goto harbours a crush for chief Nagano of Section 1. However, being the stoic man that Goto is, he could never openly admit his affection for her.

The plot focuses on Nagano's past as a brilliant student of labor tatics - and her relationship with her much older mentor.Their affair was doomed as he was a married man. The political fallout caused her high-flying career to to come to a halt and ended up with her posted to the "lowly" Special Vehicle Section 1.Her mentor took charge of a UN labor peacekeeping force which got slaughtered in the jungles due to inept commands from his superiors. He returned to Japan a changed man.

The story is a vastly superior adaptation of "SV2's Longest Day", one of the outstanding episodes in the first OAV series. The film is filled with poignant scenes and quiet, surreal sequences in the heart of the city that are a prequel of sorts to Oshii's masterpeice Ghost in the Shell. Like I said, fans of the series will especially appreciate Goto's dilemma in the closing scene.