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IMDbPro

He Got Game

  • 1998
  • R
  • 2 घं 16 मि
IMDb रेटिंग
6.9/10
54 हज़ार
आपकी रेटिंग
Denzel Washington in He Got Game (1998)
Trailer देखें
trailer प्ले करें2:11
4 वीडियो
89 फ़ोटो
कमिंग ऑफ़-एजटीन ड्रामाबास्केटबॉलखेलड्रामा

एक बास्केटबॉल खिलाड़ी के पिता को उसे कैसे भी कॉलेज जाने के लिए मनाने की कोशिश करनी होगी, ताकि उसे कम सजा मिलें.एक बास्केटबॉल खिलाड़ी के पिता को उसे कैसे भी कॉलेज जाने के लिए मनाने की कोशिश करनी होगी, ताकि उसे कम सजा मिलें.एक बास्केटबॉल खिलाड़ी के पिता को उसे कैसे भी कॉलेज जाने के लिए मनाने की कोशिश करनी होगी, ताकि उसे कम सजा मिलें.

  • निर्देशक
    • Spike Lee
  • लेखक
    • Spike Lee
  • स्टार
    • Denzel Washington
    • Milla Jovovich
    • Ray Allen
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    54 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Spike Lee
    • लेखक
      • Spike Lee
    • स्टार
      • Denzel Washington
      • Milla Jovovich
      • Ray Allen
    • 149यूज़र समीक्षाएं
    • 56आलोचक समीक्षाएं
    • 64मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 10 कुल नामांकन

    वीडियो4

    Trailer
    Trailer 2:11
    Trailer
    4 Basketball Classics and 3 You May Have Missed
    Clip 1:40
    4 Basketball Classics and 3 You May Have Missed
    4 Basketball Classics and 3 You May Have Missed
    Clip 1:40
    4 Basketball Classics and 3 You May Have Missed
    He Got Game
    Clip 1:20
    He Got Game
    He Got Game
    Clip 0:56
    He Got Game

    फ़ोटो89

    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 82
    पोस्टर देखें

    टॉप कलाकार85

    बदलाव करें
    Denzel Washington
    Denzel Washington
    • Jake Shuttlesworth
    Milla Jovovich
    Milla Jovovich
    • Dakota Burns
    Ray Allen
    Ray Allen
    • Jesus Shuttlesworth
    Rosario Dawson
    Rosario Dawson
    • Lala Bonilla
    Hill Harper
    Hill Harper
    • Coleman 'Booger' Sykes
    Zelda Harris
    Zelda Harris
    • Mary Shuttlesworth
    Ned Beatty
    Ned Beatty
    • Warden Wyatt
    Jim Brown
    Jim Brown
    • Spivey
    Joseph Lyle Taylor
    Joseph Lyle Taylor
    • Crudup
    Bill Nunn
    Bill Nunn
    • Uncle Bubba
    Michele Shay
    • Aunt Sally
    Thomas Jefferson Byrd
    Thomas Jefferson Byrd
    • Sweetness
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Big Time Willie
    John Turturro
    John Turturro
    • Coach Billy Sunday
    Lonette McKee
    Lonette McKee
    • Martha Shuttlesworth
    Arthur J. Nascarella
    Arthur J. Nascarella
    • Coach Cincotta
    Travis Best
    • Sip
    Walter McCarty
    • Mance
    • निर्देशक
      • Spike Lee
    • लेखक
      • Spike Lee
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं149

    6.953.7K
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    फ़ीचर्ड समीक्षाएं

    tfrizzell

    Fouled Out Pretty Quickly.

    Director Spike Lee's ode to basketball is one of those frustrating experiences that appears to be a possible slam dunk, but ultimately ends up fouling out mainly because of an uneven story and a nearly invisible tone. Denzel Washington is serving a prison sentence for killing his wife in a domestic dispute. While away, his son has grown to become high school basketball stand-out Ray Allen (a real-life NBA player). Governor Ned Beatty promises to shorten Washington's sentence if he can convince Allen to attend Beatty's alma mater. He has one week to accomplish his goal. Naturally Allen is outraged by seeing his father again and creates a shell to keep Washington out of his life. At first this seems like a good thing, but what if all of Allen's so-called friends (coaches, relatives, girls, agents and fans) are the true antagonists here and Washington is the flawed hero? Lee is never sure what he wants to do here. The movie plays out like a chaotic basketball game with lots of action and memorable action, but in the end you do not want either team to win. Washington and Allen's relationship takes up some airtime, but so do others that leave almost as fast as they appear. The corruption in collegiate athletics and within sports agencies is also given an interesting glimpse, but alas those topics are not explored completely. "He Got Game" looked like it would match the brilliance of William Friedkin's "Blue Chips" (a flawed, but important movie), but just does not seem to have the coaching necessary. Washington is impressive and handles the material as well as he can. Allen is a complete revelation. Anfernee Hardaway had stolen the show from Nick Nolte in "Blue Chips" and Allen pretty much does the same thing in this one. Ray Allen seems to have unlimited potential in front of the camera and his gift could be developed more fully after his playing career ends. I have said for years that Ray Allen should be the best player in the NBA, but he has ultimately disappointed me throughout his professional career. Allen is not the problem here though. Lee's sporadic direction and a meandering script end up sending "He Got Game" to the locker room way too soon. 2.5 out of 5 stars.
    9nforgione08

    Who's wiser, the player or the father?

    He got game is an exceptional story about a basketball player who quarrels with family issues and strives towards his dream. Directed by Spike Lee, this movie takes an in depth look at exactly how many variables are involved when being the MVP, and how a man can grow up and assess these circumstances.

    Ray Allen plays a character who's name is Jesus Shuttlesworth. At a young age, his father pressed him dramatically to be the best he could be. However by mistake kills Jesus's mother and is sent to prison. The troubled child eventually grows up to become one for the best players in the nation. Now the drama builds up. When the decision to go pro or join a college team is just around the corner, Jesus's father (played by Denzel Washington) is let out of jail to convert his son to a specific school or else the father is returned to jail, it leaves Jesus with a daunting task. The reconcile between the father and son is what eventually allows Jesus to become a real man and face his problems.

    The idea that a boy cannot live without his father plays a defined role in this movie. Jesus grows up with the responsibilities of taking care of his sister, who is several years younger than he is. While it appears that Jesus has all of the support in the world, Spike Lee does a terrific job of accentuating how they are really leeches. All the people want are money, fame, and fortune; which is all possible through Jesus. The reason the father plays such a key role is because although he needs Jesus's help, he isn't interested in that. He really loves his son.

    Although Spike Lee did some amazing work with this movie especially with the inner city sequences, as well as the use of colors and poetry to his advantage for getting his ideas across to the audience, several scenes were unneeded which seemed overly explicit. Although these are truly issues that can ruin a famous person, they seemed almost too graphic to be seen by a general audience. What Spike does so well is keeping the real connections with the street, and enabling the audience to see exactly what the character is going through by using several techniques.

    Colors in the movie such as red, green, and black symbolize power, pain, and respect between different characters. While Jesus hates his name, his father named him that through a basketball player that was how he put it, "the truth." This movie proves that in real life, you can benefit more by forgiving, and not forgetting.

    Overall I would recommend this film to anyone who wants to see a unique, intellectual film that will make you think about your present situation, as well as allowing you to know the difficulties that come with fame.
    ericb336

    A flawed film that still flies.

    My two favorite Spike Lee movies are "Clockers" and "He Got Game" and they share similarities: both are about guys trying to keep integrity amidst characters whose primary motives are to persuade him to leave the path.

    "He Got Game" gets the edge because I love basketball and because I'm a sucker for well done father-son conflicts. The basketball parts of this movie are absolutely brilliantly shot. Most sports movies share two commonalities: completely ridiculous storylines and actors who throw like sissies. He Got Game avoids both.

    Okay, some parts of the story are hoky, but allowable. But what makes this movie work, similar to "Clockers" is that you get sucked into a main character whose nobility is tested at every turn. Will Jesus Shuttlesworth make it through the maze or fall prey to it? And will he be able to recognize that his father is not just one more flesh peddler? It makes for good drama. But above that, the basketball scenes just completely rock. They're examples of absolutely masterful cinematography and editing. In fact, the movie has some of the best montage sequences every put on film. Seriously.

    Denzel is excellent in this movie. He plays a Jeckyll and Hyde and plays both sides well. This conflicted character was very easy to root for. (I can identify.) NBA perennial All-Star Ray Allen, while more than a little stiff at times, holds his own as a non-actor in a dramatic role.

    He Got Game is a flawed piece of work: parts drag, it's not without its hokiness, and the subplot with Denzel and Jojovovich didn't quite fit. But the essential storylines work and play true: you believe in a conflict between father and son and you root for a high school basketball player who requires the wisdom of an adult to avoid the flesh peddlers. Kudos to Spike for not trying to hit us over the had with his message, but letting it unravel naturally.
    8Dockelektro

    The most beautiful sports movie of all time

    We could see just one more story about a man who loves his son, but which suffers from various handicaps, like being on parole and being watched all the time, like having no wife anymore due to killing her, and like his son being one of the most stellar basketball players of his time and this man being truck-loaded with the burden of convincing him to go to college. The film marches to the pace of the two leads, Jake Shuttlesworth (Denzel Washington) and Jesus Shuttlesworth (real-life NBA player Ray Allen, which makes a startling debut), as they have continuous face-offs: Jesus won't accept that he has a father, and won't listen to him, being more interested in becoming an NBA star, as the managers, the limelights, the fame and the fortune keep calling him like the chant of the sirens. Jesus is a young boy with a foot on each side. And he is facing options, choices he will have to make, and traps he will have to avoid. As a friend of his says (in the movie's most memorable quote) "How do you spell pussy? H. - I. - V.". This could be one more tale of choosing between college or fame and fortune, ths could be one more tale of a destroyed father-son relationship, but this is Spike Lee, and the treatment is totally different. It starts with an incredible hommage to basketball, shot like a picture poem, to the sounds of Aaron Copland, whose music flows through the whole movie and makes it look more beautiful and poetic. A characteristic Spike Lee movie, which introduces us to a new way of facing sport dramas. To be cherished.
    8Rigor

    A fascinating performance by Denzel Washington in a solid film.

    Denzel Washington has one of his greatest charcaters in Jake Shuttlesworth in this compelling film by Spike Lee. Jake is a man serving a life sentence for the accidental murder of his wife during a domestic dispute. The dispute centered around Jake's aggressive coaching of his young son Jesus who he is obsessed with turning into a basketball star. As the film opens we learn that Jesus (effectively played by Ray Allen) has indeed become a high school basketball star and is being now aggressively pursued by University teams and commercial agents. In a somewhat fanciful, yet unfortunately believable plot device the Governor promises Jake early release from prison if he can convince his son to go to Big State. Much of this film is amazingly well executed my only regret comes around some of the gender politics of the film (many of the female characters are underdeveloped and/or cartoonishly stereotyped). This is particularly unfortunate because the film has so much to say about the intersections of patriarchy/economic injustice/racism that I wish Spike Lee could have been a little more consistent with his development of the women characters (one notable exception is a brilliantly realized performance by Milla Javovich as a prostitute that rooms next to Jake). This said the film is still an important accomplishment and should be seen.

    इस तरह के और

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    7.8
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    6.6
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Spike Lee originally wanted Kobe Bryant to play the part of Jesus Shuttlesworth. While Bryant liked the script, and the idea of working with Lee, he had just finished his rookie year in the NBA (the 1996-97 season), and had shot several air balls in a brutal playoff loss by the Lakers to the Utah Jazz. For this reason, Bryant planned a workout program that would help him maintain his strength through the longer NBA seasons (a major adjustment, as Bryant went straight from high school to the pros). After Bryant consequently turned the movie role down, noting that the summer of 1997 was too important to spend time making the film, Lee promptly sought out Ray Allen, who quickly accepted the lead role.
    • भाव

      Jesus Shuttlesworth: Basketball is like poetry in motion, cross the guy to the left, take him back to the right, he's fallin' back, then just J right in his face. Then you look at him and say, "What?"

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: The Object of My Affection/Paulie/Nightwatch/Suicide Kings/Wild Man Blues/Chinese Box (1998)
    • साउंडट्रैक
      John Henry
      Performed by London Symphony Orchestra

      Aaron Copland, Conductor

      Written by Aaron Copland

      The Aaron Copland Fund for Music, Inc., Copyright Owner

      Boosey & Hawkes, Inc., Solo Publisher

      Courtesy of Sony Classical

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is He Got Game?Alexa द्वारा संचालित
    • What high school are the basketball scenes shot in?
    • Where is the Abraham Lincoln High School located?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 मई 1998 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • No perdonarás
    • फ़िल्माने की जगहें
      • Cabrini-Green Public Housing Projects, Near North Side, शिकागो, इलिनॉय, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Touchstone Pictures
      • 40 Acres & A Mule Filmworks
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,15,67,853
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $76,10,663
      • 3 मई 1998
    • दुनिया भर में सकल
      • $2,15,67,853
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 16 मि(136 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
      • SDDS
    • पक्ष अनुपात
      • 1.85 : 1

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