Il colosso di Roma

I am in agreement with the reviewer who says that most peplum pictures involving the Roman Empire start with the era of Julius Caesar and go through the pagan and Christian eras and then the fall. There are very few involving the original kingdom which was simply Rome and its suburbs and the Republic that came from it.

Modern historians are not in general agreement as to what constitutes myth and what constitutes fact in the early days. Two stories of the early Republic are combined into one film in Hero Of Rome starring former Tarzan Gordon Scott.

Scott plays Mucius Scaveola, the last name translated means left handed. He became such for an act of incredible bravura. When he went into the camp of the Etruscan king who was besieging Rome and missed assassinating him. When captured and ordered to be put to death, Mucius thrust his right hand, his sword hand into a flame and held it there for several seconds. The Etruscan king was so impressed he set him free.

The second story is the overthrow of King Tarquinis the seventh and last king of Rome. Tarquinis simply went into exile and out of history like Francois Villon or Jean Lafitte. But here the two stories are combined and as these stories are legend, the Italian filmmakers just did a little legend combining.

According to Wikipedia the Roman history Livy is the source for all of this. No other sources survive so his word has to be taken. Nevertheless Scott does a good job and Hero Of Rome is definitely a cut above the glut of peplum pictures from the early Sixties.

In this movie Gaius Mucius Scaevola, the heroic general goes down in history by being remembered by his act of bravery. When captured bythe Etruscans in 508 BC he puts his right hand, his sword hand, into the flames rather than become a traitor. That meant he had to use his left hand from then on and "Scaevola" today means " left handed" in Italian. Mucius saves his beloved Clelia from the tyrant Tarquinius, the last king of Rome who he kills in a duel and saves the newly Roman republic from their Etruscan overlords. This by far a better " Sword & Sandal movie with a love story, plenty of action, battles with spectacular scenery surrounding a historical backstage. Our hero Mucius, (Gordon Scott) played Tarzan in five films of the Tarzan series between 1955 and 1960. bcarruthers-76500

As far as the story goes, it's another one of those that had the potential to be good but falls flat on it's own script. Cinematography is ordinary, choppy at times. Directing is questionable, some of the shots are really bad. Acting seems okay, I can't hear their real voices it's originally in Italian and it's dubbed it into English but as far as I can tell the acting is fine. The voice actors did okay with the dubbing.

It's just flat, drab. It's not bad at all but really needed a bit more action to "dress it up". What action there is in the film is fine.

Once again we have out of this world costumes for the men, the Roman soldiers mainly (as usual). Standard stuff on the women. There are some cool prop weapons as with all peplum films.

4/10

This film was pretty good, for it's time it has a lot of sword fighting and action. I'm not sure what other reviewers are complaining about. Of course it won't have too much violence as it was made in the 60's and it isn't a horror film. Of course it won't have too much CGI because they didn't have the technology back then. Yes of course they won't have boobs because this isn't a porn film. The story is better than a lot of other Hollywood films made today, and more easy to follow, and makes sense. The costumes are awesome and much went into the armour, The 60's Italian film wasn't big enough to have too much lavish sets and it's fine as it is. A product of it's era. People complaining about the women's costumes are being silly now, because Roman women did used to dress this way and their hairstyles were the most gorgeous.

Among Italian peplums of the period around 1960, there were some concerned with Roman legend, including "Coriolano, eroe senza patria", which was also helmed by Giorgio Ferroni. "Il colosso di Roma" is another example.

After having overthrown their king, Tarquinius Superbus (Massimo Serato), Rome is a young republic. Tarquinius tries to regain his throne with the military assistance of the Etruscan king, Porsenna (Roldano Lupi). Film sets in with Romans suffering from hunger, and top-notch soldier Mucius first securing the arrival of a corn transport, then deciding to kill Porsenna. In the king's camp he kills the wrong man, is captured, but proves his boldness by voluntarily burning his right hand in an open flame. The tiny, but crucial story about Roman bravery, which originally has a noble youngster as the failing killer, is generously embellished and furnished with a muscular experienced military leader as Mucius instead, played by ex-Tarzan Gordon Scott.

As the story progresses, it is interwoven with another heroic character from Latin legend, Cloelia, who is presented as Mucius' fiancée. She is among the hostages produced to secure the peace with Porsenna, but organizes the escape across the River Tiber when they find themselves betrayed. Her rôle is performed by one of the countless second-rate beauties of Italian screens, Gabriella Pallotta.

Although it may be deemed interesting to illustrate a national saga of yore, the film's pathetic hero-worship seems out of date for the mid-sixties. Still, monumental adventures were fashionable, and Italy's writers happy with any adaptable material. It is almost surprising how much of the legend's original idea can be recognized.

Expectations of a grand epic, as nurtured by the heavily orchestrated opening credits of nearly three minutes, are not at all lived up to by the following 82 (in the version I saw) minutes. Achievements are hardly average in all categories, although cinematography (Augusto Tiezzi) and score (Angelo Francesco Lavagnino) come from peplum's most experienced artists. Not even its best-hated villain, Massimo Serato, is really credible as Tarquinius. Fighting scenes are well staged, although some of the material seems to be taken from other films, too.