Mr. Holland's Opus

After wanting to see this film since it came out, I finally was lucky enough to see it tonight. As a music lover, this film blessed my soul. The score was gorgeous, and the struggles and victories of Mr. Holland made me laugh..made me cry and warmed my heart. Richard Dreyfuss was glorious in his performance as the troubled Music Teacher. He showed that anyone, be they a young girl who struggles to be good at something, or a teen in the 60's who wants to play the drums but can't find the beat..can be changed by music. Bravo, Mr. Holland!

I love this movie because I had a fantastic, inspirational teacher in high school that all the students admired and looked up to. Even though I was in high school when this movie came out, I still carry the memories. Nicolas Cage deserved to win his Oscar for Leaving Las Vegas, but I still would have loved to see Richard Dreyfuss win. The whole cast was wonderful, and you actually felt like you were in the 60s and 70s, unlike other films set in that time period.

How often does a film come out that generations relate to; and a film so touching about a teacher who cares about his students, and vice versa? Will always be one of my favorite films.

So many people have complained about the Gertrude Lang character (Alicia Witt), Holland's interaction with her, and the purpose of the character, and I am simply amazed at the hostility.

1) "Playing the sunset" was Holland's way of getting Gertrude to relax so she could play the notes fluidly. They both knew that she didn't sound professional, and wasn't going to. The idea was to get her just above the level of making a fool of herself as she did the first time he called on her in class. Then she could, and did, perform in the band without dragging down the whole ensemble.

2) Her goal was not to be a professional musician. Did no one else hear her speech about "I just wanted to be good at *something*"? She listed all the fabulous achievements of her parents and siblings, and concluded, "I'm the only one who's..." The missing word would have been "useless" or "worthless". Or "a failure". Thirty years later she's the governor (not the mayor!), because in 1966, Holland helped her gain confidence for the first time.

3) She wasn't "wasting" Holland's efforts by going into politics. Art, music and theater education don't exist solely to create professional artists, musicians and actors. They also exist to give young people an opportunity for change and growth, even if they never use a paintbrush again.

I liked that plot twist. Almost every high school has an alumnus who has achieved something in art or entertainment, but a lot of people sell one painting or appear in one film and become a hero to their home town. But there are only fifty states, and it takes an extraordinary amount of drive to become governor of one of them. It's unlikely that she would have taken that first step towards empowerment without Holland.

Many reviewers have blistered this movie, and I agree it contains too many cliches and is overly sentimental. But compared to the endless supply of Hollywood vapidity, this one isn't THAT bad. Mr. Holland is neither saint nor bad guy, but he clearly loves music and cares about his students. I understand that music is a very serious topic for many people including several reviewers who hated this film. But I think they miss the point; Mr. Holland is not a musical genius, he's a high school music teacher. And yes, his opus truly sucks balloons, and that's because Mr. Holland is a musical mediocrity. His dream of being a famous composer was delusional, a ridiculous pipe dream. But he Found his true calling in life as a decent teacher. That's the point of the movie.

Glenn Holland is a young composer. In the fifties he stops touring with his band to teach music in a school which he hopes will free him from touring to allow him to work on his main love of composing his own music. Despite initially hating his job, Holland soon learns to enjoy it and how best to communicate the love of music to his pupils. We trace his life over 30-40years as he has a son with his wife and goes through great emotional times while putting his personal dreams to one side.

Although this had `sentimental life lesson film' written all over it, I still wanted to give it a go and strangely still enjoyed it. The film is very much a bit of praise for all those who are unsung heroes in there lives and it had the potential to be really sickly sentimental. Happily a good script manages to avoid this for the majority of the time.

The weakness of the film is the fact it that it does try to cover a lifetime and occasionally there isn't enough plot to do that well. I know it would have been difficult but I do feel that the film could have been either a little tighter or filled to overflowing with plot to make it feel shorter. As it is it is still enjoyable but it does feel a little wandering at times – but I guess that's like life in a way. When the climax comes though it is hard not to be a little moved by the lesson that the film is teaching us.

However, the reason for the success of the film is also the reason for it's Oscar nomination – Richard Dreyfuss on good form. He kept me watching even when the material was stretched. He is totally believable in the role – for a microcosm of his performance watch his face when the announcement is made about the surprise they have prepared for him – his emotion got me right away! He deserved his nomination for this as he is captivating over the whole film. He even ages very convincingly and make up should be congratulated. However while makeup were concentrating on Dreyfuss they totally forgot about Headly who doesn't age a bit until the final time period (apart from looking a bit tired). She is badly miscast and she doesn't fit the role at all. Thomas, Macy, Dukakis and Anderson (as the teenage Cole) all do well in support – but this is Dreyfuss' movie.

Overall I enjoyed this. I usually struggle with things like this because they pile the sentiment on thick like a daytime TVM. Happily this script avoids that are the majority of the flaws are compensated for by a strong performance from Dreyfuss.