Mr. Stitch

I rented this TV movie cause it had Rutger Hauer in it. I never imagined I was renting something soooo bad. The amount of flaws this movie has wouldn't fit on a grocery list. I felt sorry for Hauer, seeing him so fat and old, starring on a movie that was so bad. I think he ran away from making this movie, after seeing how bad it was turning out to be(we can only see Hauer on the first minutes of film, afterwards, he simply disappear). I know this film has had its amount of bad critics, but it is just that bad. A 0.5 out of 10.

This movie had potential... an interesting premise... a not too bad first half... then, in the middle, it gets really really bad... screaming out for the MST3K treatment... where did those "funny cars" come from? And the skeleton appearing in the smoke of the car explosion... and the daisies in the foreground of the car chase scene... it almost looks as if someone malicious substituted "crank footage" for the last reel in a deliberate attempt to sabotage the movie.

But ultimately, if you are a Wil Wheaton fan, it's not THAT painful to watch. Well, ok, actually it is kind of painful, but it does have some genuinely interesting moments, and some touching scenes. Enough that you just have to feel bad for Mr. Wheaton... this COULD have been a much better film.

How they were able to attain funding to produce this..uh..movie, has to be more of a feat than the production itself.

I'm so glad to see Wil Wheaton didn't leave Star Trek: The Next Generation without such promising projects awaiting him.

Wheaton plays an androgenous, Palamino-skinned Frankenstein's Monster with amnesia, who after reading one of several books, the Bible, names himself Lazarus.

With huge vacant lab rooms, filmed using more lens gauze than Penthouse, an eventual laboratory breakout, and a crazy road trip(by the way, when did he take the 'Mad Max' driving course), 'Stitch' can only leave you asking one question? Ron Perlman had plenty of time post-"Beauty and the Beast", but what was Taylor Negron thinking?

This film is an interesting little experiment: lots of bright white light framing images that linger for the camera, the Frankenstein story updated as an anti-war morality tale. Rutger Hauer chews the scenery a bit as the update of Dr. Frankenstein, and the generic evil general is all cartoon; still, Wil Wheaton as Lazarus, the creation, and Nia Peeples as his sympathetic caretaker/tutor, are worth watching. (Taylor Negron also makes an appearance as a slimy cohort who gets his just reward--his specialty.) Not a big budget affair, but not a complete waste of time, either, if you like quirky sci-fi fantasy.

A very, very stylized, starkly minimalistic, risky vision of the idea of life without birth, a la Frankenstein, involving a military funded operation to build the perfect soldier (Wil Wheaton) with the use of body parts from eighty-eight individuals. The "Stitch Project" initially appears to be a success until the creation begins to remember those who he was and those who he loved. A more "thinking/talking" than "doing/action" piece (until the last few scenes). Intriguing and weird at the same time. Definitely won't be everyone's cup of tea.

Ron Perlman has a small role, told in flashback, of a doctor who was initially involved in the creation process and ends up becoming literally a part of it after he is killed trying to stop the military from subverting his work. He has some beautifully sweet romantic moments with love interest and fellow Stitch Project doctor Nia Peeples.

Favorite line(s): "Without choice you can be alive but you wouldn't be living." "Music is like poetry or fiction only put to sound."

Favorite line spoken by Ron Perlman (and Wil Wheaton): "If you believe it in your heart than follow it otherwise don't be so eager to concur with the opinions of others."

Due to its almost severe style, I would suggest renting before buying.