Man of the House

There used to be a time when Chevy Chase was regarded to as a funny man. He used to be on an intelligent and extremely hilarious skit show started in 1975 called "Saturday Night Live," but soon left to chase after a film career.

Well, it's about twenty years later, and where is Chevy? Well, after a few hilarious "National Lampoon's Vacation" films, he's basically nowhere. He was funny in the seemingly endless line of movies (in general) for a while, but soon people tired of his smart-@$$ attitude that made him so famous, and they, his humble audience, turned on him, beginning to despise the poor fellow. Well, I can't really find it hard to feel sorry for him, because he probably still has more money than you or I will ever make in our lifetime.

The plot of "Man of the House" is less than a simple and contrived one. It is about 12-year-old Ben Archer (Jonathan Taylor Thomas) and his efforts to rid his house of the man who wants to marry his mom and become his stepfather. The man? Jack Sturgess (Chevy Chase). The mom? Sandra (Farah Fawcett--whose leakier than a faucet here). Jack is a tie-wearing, U.S. Justice Department lawyer who's got one angry Mafia boss on his tail because of a racketeering case he prosecuted. As the film turns out (big gasp), Ben and Jack work together at the end to save the day, and Ben thinks of Jack as a cool nerd. But what about the in-between process, you ask?

Ben makes an assortment of traps to try and get Jack to leave. He rigs the blender. He makes fun of him. He verbally insults him and makes digs at him. I ask myself what Disney is trying to prove here: That kids are smarter than stupid adults, or that kids have wittier one-liners than adults?

But Jack stays around (much to the disappointment of Ben), who keeps on working at Jack to make him leave. He eventually makes Jack sign into a boy-scout-type program, where he nicknames Jack "Squatting Dog." This is the best laugh in the movie. If you don't find that funny, like me, then you had better run from this movie, because that is one of many unfunny gags that try to be funny and end up in the gutter.

The film is anchored in every way towards children, but I ask myself if children really should be seeing a film like this. In "The Parent Trap," two twins formed together to bring their parents back together. In "Man of the House," a twelve-year-old single-handedly tries to rid a man from his and his mother's life. Choose your pick on which film is morally-harmless and which is morally-harmful. Times are changing, and that means films that were once provocative are not anymore. Divorce in films--especially children's films--used to be a big topic. But nowadays it seems because of the countless divorces out there, kids are immune to such things. But Disney is making it worse. They rub it in and open children's minds to things they need not worry about. If you take your child to see this, the next time you argue with your wife or husband your child could misinterpret this as divorce, because through films like these divorce is shown as arguing between parents who then break up. "Man of the House" isn't about divorce per se, but it is about something worse: The times proceeding a divorce. About parents dating again. Sorry, but I don't find this kind of thing suitable for innocent children. Kids don't need to be thinking about their parents dating people, but yet films manage to squeeze such material into countless films, whether they are funny ("Sleepless in Seattle") or not ("Man of the House"). I don't have a problem with "Sleepless..." because it isn't really a children's film, but when you take a children's film and center it ENTIRELY on split couples dating again, children start to think about things they need not worry about. Six-year-olds shouldn't be thinking about dating yet, much less their parents dating.

The laughs, if you can count them as such, come mostly from George Wendt (``Cheers' '' beloved Norm) and former Cirque du Soleil clown David Shiner.

Wendt as an Indian Guides chief is the comic treat of the film -- he's a real live wire who packs a lot of heart into a surprisingly agile comic style. If you have read this far and STILL believe this film is for you, then George Wendt's performance can be added to your "why-to-see-the-film" list, because he is, truthfully, the only compelling reason to see this film.

In the end, "Man of the House" is a politically-correct comic vehicle that forgot about the script and the laughs. To Disney, kids during times like these should be thinking of parents' divorces and parents' dating, because it's happening around the world as we speak, and children need films such as "Man of the House" so that they realize this is normal (for parents to divorce and date again).

To me, films like "Man of the House" are reasons that divorce and single parents dating is becoming more normal and unshameful in today's culture. It's a paradox, really. Films like these are made because of times like these, when, in fact, times like these are here in the first place because of the films and media that are made to suit to the times we live in.

1/5 stars -

John Ulmer

I think it's a very sweet film.

Another Disney film from the 1990s that I and other reviewers evidently disagree on; an average rating of 2.2 on Letterboxd is very harsh, in my opinion. I found it charming and suitably acted.

I assume the major dislike of this film is the secondary plot featuring Joey (Richard Portnow) & Co., which I would agree is unimaginative and ill-fitting. However, that doesn't affect my overall feelings. Potentially - if anything, it mentions a few times the negative depictions; somewhat surprisingly, for a 1995 release anyway.

The story between Ben (Jonathan Taylor Thomas), Jack (Chevy Chase) and Sandy (Farrah Fawcett) is nice. It's simple, but it's one that works extremely well - I felt attached to them, they have good chemistry with each other.

There's not much more to be said. I truly did enjoy 'Man of the House'.

This is a great movie for families to watch together. This is a story about a boy who is trying to stop h is mom form being with her new boyfriend. Of course nothing is ever easy and things never go as planned. To add to everything the new boyfriend has a dark secret. One that he doesn't want the boy or his mother to know. When the secret does get out everything blows up and the story gets very interesting. Jonathan Taylor Thomas does a great job playing a kid who whats to keep things with just himself and his mother. I was really impressed with this movie and was really entertained by it. It is definitely worth watching.

I'm just now watching this on TV, and find it an enjoyable but fairly standard Disney type plot, with the usual misunderstandings based on lack of communication. Eventually justice will triumph, I'm sure, with all the usual civilian-vs-bad-guy showdown and broken-relationships-cemented stereotypes, still enjoyable to watch in each new screenplay. I mainly wanted to comment on a cute cameo that I didn't find mentioned anywhere. At the very beginning of the film, establishing the relationship of Farah Fawcett and her son, he mentions how she dated a few guys but they were all losers. They show a few seconds of one of these dates, with the fellow clowning around at the beach. If you watch closely you will see it is Ryan O'Neal!

I can remember loving this movie back in the '90s. I recently rewatched it and still thought it was a pretty good movie. The cast had some really big names (for the time), a number of jokes seemed like it pushed the "Disney limits", and well....Chevy Chase. Going back after all these years to watch Man of the House, you notice how '90s the film really is. From video games, to clothing, and hairstyles, it's full of nostalgia. Man of the House is right in the mix of Disney's mid-90s push for live action movies like Heavyweights, Mighty Ducks, and The Santa Clause.

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