स्टिग एक 15 वर्षीय लड़की है, और विओला 37 साल का लड़का है और स्टिग का टीचर है. वह उसकी सुंदरता और परिपक्वता से आकर्षित हो जाता है.स्टिग एक 15 वर्षीय लड़की है, और विओला 37 साल का लड़का है और स्टिग का टीचर है. वह उसकी सुंदरता और परिपक्वता से आकर्षित हो जाता है.स्टिग एक 15 वर्षीय लड़की है, और विओला 37 साल का लड़का है और स्टिग का टीचर है. वह उसकी सुंदरता और परिपक्वता से आकर्षित हो जाता है.
- 1 ऑस्कर के लिए नामांकित
- 6 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
I caught this film on Canadian television, and I was startled by the risque content being broadcast on a non-pay station. This is a story of a growing adolescent boy in a war-torn Europe. The focus of the movie is in the complex relationships he holds with the people in his life. The controversial nature may deter the more conservative American; however, the characters are well-rounded and acted and the cinematography is superb. I have a feeling this director may be famous in his home country, there is a touch of epic brilliance in the movement of the scenes.
I watched this movie by VCD and was so greatly touched by it that I watched it over and over again. There are much more I could feel than what I can put down for now. I really would like to know more about the story, its background and any information about the excellent actors and actress. What I have downloaded from the Internet was far from enough, even worse, most of them are written in Swedish. This totally denied me from having a better understanding of the movie. Unfortunately, I failed to get a Swedish-English/Chinese dictionary to help me out. (There is only a very brief one in Shanghai Foreign Book Trader with a price as high as 260 RMB).
With all my knowledge so far, I think this movie is great in depicting how a youngster copes with whatever comes to him. Despite the sadness and confusion that he has gone through, he also gets the strength out of a kind of impotency. I really admire these artists of their talent in showing us the richness of life and in an elegant and natural way. In my eyes, there should be two kinds of arts: one is what "is", and the other is what "should be". As far as I've seen, many movies are relegated to what is not and what should not be. I just want to ask a favor to whomever you are, if you can help me with a Swedish dictionary and more about the movie. Of course, most importantly, your personal opinion about it.
With all my knowledge so far, I think this movie is great in depicting how a youngster copes with whatever comes to him. Despite the sadness and confusion that he has gone through, he also gets the strength out of a kind of impotency. I really admire these artists of their talent in showing us the richness of life and in an elegant and natural way. In my eyes, there should be two kinds of arts: one is what "is", and the other is what "should be". As far as I've seen, many movies are relegated to what is not and what should not be. I just want to ask a favor to whomever you are, if you can help me with a Swedish dictionary and more about the movie. Of course, most importantly, your personal opinion about it.
Bo Widerberg was honored in February 1997 at the Miami Film Festival with a retrospective (ELVIRA MADIGAN), and his latest (last?) film, the Oscar nominated ALL THINGS FAIR. I then saw ALL THINGS FAIR for the second time, and despite its length, enjoyed it as much or more than the first time I saw it in an arthouse theatre in Toronto. I think ALL THINGS FAIR is the great Swedish director's best, most personal film. You can't help but notice it must be autobiographical by the passion and the vivid recreation of WW II Sweden, as it was when Mr. Wideberg himself was the lead character's age. Speaking of him, the lead is the director's own 17 year old son, Johan Widerberg, who will undoubtedly carry on the family tradition in Swedish cinema history. Mr. Widerberg (Sr.) passed away last year, and among his legacy, this film stands out. It is a rare coming of age story in a setting seldom depicted on screen. Mr. Wideberg's screenplay, and direction, plus excellent performances by his son and two of Sweden's greats, Marika Lagerkrantz and Tomas van Bromssen make this a movie every European film buff should watch. It's now available on video. Check it out.
This was to be director Widerberg's last movie. A sweet family farewell, since his son played the lead in it. What his last words may be, as expressed in this movie, though, is hard to say. There is no clear moral in it, for which I am thankful, but a somewhat distressing observation about love: it is a close neighbor to hate, and it will not leave without vengeance.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.
The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.
Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.
In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.
I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
"All Things Fair" is a strange kind of film because it is always transforming itself. While it always remains a coming-of-age film it ranges in its focus, touching on many different expressions. Obviously this makes it hard to categorise, hard to follow, hard to analyse, and all this seems to add up to a good thing. It starts out so luridly that I thought I was in for a Swedish version of "Private Lessons" but somehow it manages to continually evolve into something quite else. The changes in pace and locus give the narrative a certain elliptical feel which consolidate the nostalgic representation. Pretty good performances all round and some unexpected twists in the tale make it well worthwhile.
क्या आपको पता है
- ट्रिवियाKarin Huldt was 14 during filming.
- गूफ़RCA Red Seal records are shown playing on the phonograph nearly every time Stig and Kjell are listening to classical music, and when Stig is listening to a classical recording at his home; none of the pieces on the soundtrack were RCA recordings.
- कनेक्शनFeatured in Lust och fägring - En film om Bo Widerbergs sista (2015)
- साउंडट्रैकRinaldo: Lascia ch'io pianga
Music by George Frideric Handel (as Händel)
Performed by Lesley Garrett with The Philharmonia Orchestra
Conducted by Ivor Bolton
Silva Screen Records (UK)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is All Things Fair?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- DKK 2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,128
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,530
- 10 मार्च 1996
- दुनिया भर में सकल
- $13,128
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