Loch Ness

This movie can be enjoyed as long as you are prepared to accept the plot for what it is - A far fetched romantic tale to well the tears in your eyes and make you think "Awww... isn't that sweet" The plot as far as the actual "Beastie of the Loch" is far-fetched enough without stretching the bounds or reality with the love story.

Being far-fetched does not, however, mean that this movie is not worth watching. I actually quite enjoyed it, and was able to watch along with a young family without having to cringe at foul language or blatant sex scenes. Take this movie for what it is - family entertainment. The kids will live the monster storyline and the special effects, the romantic among us will sniffle at the course of true love, and the others will probably find this to be a fairly average, fairly entertaining way to spend 90 minutes or so of your time.

Dempsey (Ted Danson) is a sort of photojournalist of the weird happenings on planet earth. Having fallen on somewhat hard times, he, nevertheless, is reluctant to attempt his next assignment. The boss directs him to Scotland, where he is to use modern technology to PROVE once and for all that there is no Nessie Monster. There is no real choice but for Dempsey to get on a plane. When he lands, he almost drives over a pretty local lady, Laura (Joely Richardson). In short order, he finds out that she has the only rooming house and, after some begging, she lets him a room. Also in the house is her beautiful young daughter, Isabella (Kirsty Graham). Of all of the Scots, Izzy is the most welcoming to Dempsey. Hiring a boat and crew, Dempsey begins his exploration. This greatly displeases the bailiff (Ian Holm) but the lawman can do little to stop the efforts. As time goes on, no monster does appear, so Dempsey is soon ready to go back to the States. However, one day, Izzy reveals some secrets, big ones. Also, Laura, despite her outward dislike for Dempsey, may, in fact, be attracted to the brash American. Is there romance ahead? First, this film has a terrific setting, the beautiful country around Loch Ness. If you always wishes to go to Scotland but, have little money and big flying anxieties, you will be enchanted with the view. Then, the main actors are quite good, with Danson doing a variation of his smug humor and Richardson looking great and sporting a fine accent. Holm, Graham and all of the others support them nicely. The production also features fine costumes, an arresting script, gorgeous photography and a steady direction. In short, look for Loch, you fans of romance and family-friendly features. It's lovely.

I like this movie. It maybe be lukewarm and saccharine as everyone else thinks, but it is far superior to all those Fifties and Sixties lake monster pics. Ted Danson does a wonderful acting job outside of "Cheers" and the special effects are magical. the whole production has a rather Disney feel to it as it makes you believe in magic and takes a different realistic view of one of the world's biggest mysteries. This movie does the same thing "Harry And The Hendersons" did for Bigfoot.

To those who have not seen this movie: I am going to give you a fair warning. If you are looking for a creature feature, if you are looking for a monster movie, if you are looking for the cheap thrills that are stereotypically imagined coming from a movie with a title such as "Loch Ness", you are not going to get any of these. If who want to see the Loch Ness monster plucking people from docks and boats and gorging on them, don't even bother to start, because "Loch Ness" isn't even remotely along those lines. This is not a low-budget horror movie.

By contrast, this is a pleasantly sweet, low-key, lighthearted movie magic family's entertainment best suited for audience members between the ages of six and thirteen and with some appeal to limited members of the older generation. As an adult, I enjoyed this delightful, if somewhat flimsy, little independent film.

"Loch Ness" is, to a certain extent, not even about the Loch Ness monster. It's really more of a docudrama about the loch itself and the legend of the prehistoric creatures that supposedly dwells beneath its murky surface. The movie stars Ted Danson as a discredited American scientist who has come to Scotland to not find the monster, but, to quote his boss "use the latest technology to prove it's a hoax." Danson himself doesn't believe in the monster even though he's made a name for himself chasing Sasquatch in the Pacific Northwest. While in Scotland, he picks up a research assistant (James Frain) and forms a friendship with the local pub owner (Joely Richardson) and her ubiquitous daughter (Kirsty Graham) who seems to know a little more about the loch than anybody else does.

"Loch Ness" is, all in all, a family movie. There is some peril in the movie, but not enough to terrify the younger audience members. It's got the same spirit as "Free Willy" (1993) if "Free Willy" was set on a lake and the whale merely speculated to be there. Again, if you're a monster movie fanatic, stray away, for the attacks and blood and gore and shiny teeth you seek will not be found. The movie really boasts the question many people have: does the monster even exist? And that is the attitude of the picture. If it were a serious monster movie, we'd know right from the start. But it keeps that question going and going and for that reason, I enjoyed it, for it wasn't just another monster tale, because I personally have seen that movie over and over again, such as in another Loch Ness monster tale called "Beyond Loch Ness" in which the creature was revealed to be real after only five minutes of speculation.

Performances are quite good. Ted Danson is effective as the troubled, doubtful scientist who feels that he's just driving another nail into his credibility's coffin. James Frain is also good, although he does at times overplay his character, but it is refreshing to see the mentor-student relationship between him and Danson whereas it typically would be a tag team. I also liked Joely Richardson and was especially fond of Kirsty Graham as the mysterious little girl with a secret. And the screen is also aided by the presence of veteran actor Ian Holm as a water bailiff who always seems to watching Danson with a suspicious eye.

"Loch Ness" doesn't reach its full potential because of a somewhat flimsy screenplay, with some scenes ending before we hardly even realize they've started. Some of the dialogue is rather poor, some supporting characters just time-wasters, and such, but all in all, it's a simply fine family movie although it will not ring the bells for everybody. I liked it for its sense of wonder and mystery about the loch where this creature may/may not exist (the movie plays that note), I liked it for the performances, I liked it for the beautiful, ear-warming music score by Trevor Jones, the crystal clear cinematography by Clive Tickner, the unique and seldom-explored nature of the ending, and just an overall enthusiastic tone that director John Henderson instilled into this delightful, if flawed family movie.

Why would Aaron Fleming of Northern Ireland throw up at this movie? My theory is that you never had a warm childhood Aaron and nothing magical has ever happened in your life. It wasn't made for viewers such as yourself. I think TRAINSPOTTING might be more your line.

I'd go further than saying that Ted Danson was "good" in this - it is by far his best movie (with the possible exception of GETTING EVEN WITH DAD). As discredited, financially strapped and harrassed Dr Dempsey, Danson is bundled off to Loch Ness to disprove Nessie's existence. Not only does he fail in his task, but he finds something even yet more unlikely - the unconditional love of a little girl and her innkeeper mother played with feisty gusto by Joley Richardson. I would defy any true romantic to withhold a tear at the end of this movie...easily one of the most touching films of all time. Proof if such be needed that one can make a beautiful family movie with not a single swear word or offensive scene.

The very briefly glimpsed "beastie" is heart-warmingly portrayed, never more so than during the closing credits to a backdrop of Rod Stewart's "Rivers of My Heart." Veteran Ian Holm just about steals the show as the Laird and "keeper" of the secret. The scene on the bus when he opens up Dr Dempsey's envelope is worth the price of the theater ticket alone!

Saccharine? manipulative? unrealistic? Yeah? well so was ET!