The Hunted

The Hunted is surprisingly high in production values, acting and story. It also provides a nice inside look into Japanese culture and society. Blood and Gore of course, are a plenty. Christopher Lambert played his role very well and kept his naiveté and innocence very well portrayed, while finding himself in the middle of a war. The sword-fight choreography is decent and very realistic. The Japanese actors put on a splendid show. This a gripping, colorful and highly satisfying film that will never have you bored at any point. I find it quite under-rated because it is quite well developed despite its obscurity. This is something I would recommend to any viewer.

Businessman Paul Racine is in Japan for work when he is picked up by an attractive young woman. He goes back to her flat but leaves early. Going back after second thoughts Racine witnesses her being killed by the mysterious ninja assassin Kinjo. He survives Kinjo's ninjas but is badly hurt. In hospital he is approached by Takeda and his wife, who offer him protection as everyone else who has seen Kinjo face has been killed. After a ninja attack on his hospital Racine goes with them and they prepare for a final showdown.

I've seen this film twice now. This second time I watched it because I wanted to review it but couldn't remember it clearly enough to be fair on it. The second viewing reminded why it had faded in my mind – it is trashy yet enjoyable fun. The plot is poor (laughable parts and inconsistencies) but it is short, has energy and requires no thought. The idea that this businessman would survive several ninja attacks when training samurai are easily killed is silly. Worse still is the idea (no matter how justified) that Racine could even temporarily match any of these men after only a few basic lessons in how to hold a sword! However it is quite exciting if you're in the mood. The high point is probably a train journey that is exciting simply because it is shockingly violent in it's intent. The addition of some comic relief in the final third (the old swordmaker) helps the film along to the conclusion.

Although it is not great, it is slightly refreshing to see a film of this genre without tonnes of flashy wire work or moves (having just suffered Bulletproof Monk and Cradle 2 The Grave I was glad of the basic fights). Little inconsistencies spoil it slightly – in one scene Racine is saved when a samurai sword jams in a wooden door, however later the same swords easily cuts though thick wooden pillars. Those looking for something trashy and slightly exciting should be pleased I think.

Lambert is not great in the lead and the film suffers form his character being the focal point. He mumbles his way through his lines (I think he thinks it makes him tough and mysterious) and his transformation from green businessman to ninja warrior is of no value. On the flip side of this is Yoshio Harada. Harada gives a really cool performance – he is strong and driven with an air of mystery, the script even makes him a little dark and complex too! The film would have been better if it had gradually swung the films focus from Racine to Harada's Takeda. Lone is OK as Kinjo but is not as meaty a role as Takeda. Considering the quality of the film I was watching I thought Harada did very well.

Overall I was ready for a trashy ninja movie with low value but reasonably entertaining – and that's what I got. Anyone looking for more than that should look elsewhere, but if you're in the mood this forgettable ninja movie will pass 90 minutes without being disappointing.

Most of Christopher Lambert's filmography reads like a guide to B-movie hell. I got conned into watching this by a friend years ago, and will be forever grateful. The story is solid, Lambert turns in an almost-acceptable performance, and most of the rest of the cast does well. My favorite thing about the movie is the (by martial arts flick standards) realism. The gaijin does not miraculously learn to swing a sword like a samurai in a matter of weeks, months, or ever. The action sequences are exciting and fairly well-executed (by 1990's b-movie standards, at least), particularly a ninjas vs samuri scene on a Japanese bullet train. Some of the characters have a bit of complexity, there are a few little plot twists, and the character interaction is often believable. They also answer that age-old question "who'd win a fight between a middle-aged ex-athlete with a few months of kendo training and a ninja who's just lost an arm and leg"? (Lamberts's character is a former fencer turned businessman, but that bit's cut out of the home video/DVD version, as is the monologue by Kinjo the ninja, which helps to serve---in part, at least, as an explanation as to why this movie, set in Japan, has almost an entirely Chinese cast). If you're in the mood for an fun, entertaining, semi-intelligent B-action flick, I whole-heartedly recommend this one.

Oddly enough, the writer of "Pretty Woman" wrote and directed this flick, which may explain why my wife liked it, too. Of course, the same guy did a flick called "Cannibal Women in the Avocado Jungle of Death".

If you are a fan of action films, like the kind Steven Segal is usually seen in, this one is for you. The movie cast is superb with veteran actor John Lone, playing Kinjo. He is usually a good guy but most recently is seen wearing black hats. His acting is incredible as is Yoshio Harada who plays Takeda, a master of Kendo or combat art. Another actor who is more famous for his 'Highlander' series is Christopher Lambert who plays Paul Racine. Adding sympathy, compassion and remarkable loyalty is Joan Chen who plays Kirina. The story is of a businessman who happens to be at the wrong place, when he witnesses a Japanese woman being murdered. Although he is severely wounded, the assassins do not kill him as instructed, but allow him to become a pawn in a thousand year old feud between two rival clans. The drama is top notch, the sword action is exciting and extremely good considering it's set in modern Japan. The element of spiritual combat is well blended with good old fashion martial arts. Recommended for anyone seeking a fine film. ****

Samurai movie with well staged scenes , colorful ambient , professionally directed and Japan set . The story starts with a quote by Daidoh Yuzan , 16th Century : ¨One who is a Samurai must before all things keep constantly in mind . By day by night..the fact that he has to die¨. It deals with Paul (Christopher Lambert) a computer-chip executive from New York travels to Tokyo , there he finds a gorgeous Japanese girl (Joan Chen) . After that , he inadvertently interrupting his meeting by a killing . As he is now the only man to have seen the figure of the cult's warrior-chief (John Lone) named Makato and nobody has survived after seeing his face , as he soon realizes that he is taking on a markedly foreshortened life-expectancy . Then , he joins forces with a friendly samurai couple (Harada and Shimada) who helps him . Later on , at a speed train takes place a violent face off between Ninja-sect hoodlums and Sensei , his wife along with Paul ; the result is an astonishing massacre . Ultimately , Paul recuperating on an island-fortress and learning about life and sword-play . Finally , there occurs the definitive final duel between Ninjas from Makato clan and Takeda faction .

This Ninja film packs bloody swordplay , spectacular martial-arts and noisy action sequences . This is a colourful , mostly filmed in Japan and medium budget movie ; leave no cliché untouched , though the rife fighting is magnificently staged . Amid the glamour of the scenarios is developed an intrigue about feud among Japanese factions , a two-centuries-old blood-confrontation with the Ninja and Takeda clan , including betrayal , crime and exploring the dark side of vengeance . Overwhelming and rousing fights with deadly use of Katanas , feet and palms , along with such weapons as swords , sticks , lances and ¨Shuriken¨. It contains usual learning period in which the naive businessman learns a little about courage, honor, love, swordsmanship and loyalty . The picture is full of tumultuous sequences with frenetic action , surprises , climatic combats and groundbreaking struggles . Passable acting by Christopher Lambert as a businessman who finds himself struggling to survive in the wrong place at the wrong time , and John Lone is good as a feared Ninja chief . And enjoyable couple formed by Yoshio Harada as Takeda Sensei and Yôko Shimada as Mieko Takeda . Nice production design with exterior shots of the train were filmed on location on Japan, however, the interior shots were filmed on a set at Bridge Studios in Vancouver, B.C. ; the scenery rushing by outside the windows was simulated using large rotating drums with "blurred" scenery painted on it . Colorful cinematography by Jack Conroy , full of red shades and bright images . Monotonous and syncopated musical score by means of continuous drum sounds .

The motion picture produced in moderated budget was well directed by J.F. Lawton, though with no originally . He wrote a number of feature film scripts including one called "Three Thousand", which was selected by the Sundance Institute , Touchstone Pictures purchased the script and later he changed the title to Pretty Woman (1990). He also wrote a script for Blankman (1994) , Chain reaction (1996) and DOA: Dead or Alive (2006), a film based on the huge video game series success of the same name . After that , he then wrote and directed Jackson (2008), a failed comedy-drama-musical . ¨The hunted¨ turns out to be one an acceptable film , including exciting attacks and groundbreaking fighting perfectly staged , the result is a strong entry for action buffs