IMDb रेटिंग
6.7/10
2.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFive men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.
- पुरस्कार
- 2 कुल नामांकन
Takeshi Kitano
- Ichiro Kyoya
- (as Beat Takeshi)
फ़ीचर्ड समीक्षाएं
After all you only need three words to describe "Gonin" apt:
DARK
YAKUZA
THRILLER
Got it?!? If you want to know more check out my following review: A very explosive film indeed that seems if director Takashi Ishi had crossed Hollywood examples like "Reservoir Dogs" and "Thing to do in Denver when you´re dead", and added some stylish pictures and typical Asian gun violence to the result. "Gonin" is distinguished by a sinister and hopeless atmosphere as well as the great performances of his main actors. Once more, the appearance of the unique Takeshi Kitano makes the whole film!
Maybe not the greatest movie of Japan´s 1990s cinema, but still a great work and better than 90 % of all those Tarantino rip-off gangster flicks which come from America!!!
DARK
YAKUZA
THRILLER
Got it?!? If you want to know more check out my following review: A very explosive film indeed that seems if director Takashi Ishi had crossed Hollywood examples like "Reservoir Dogs" and "Thing to do in Denver when you´re dead", and added some stylish pictures and typical Asian gun violence to the result. "Gonin" is distinguished by a sinister and hopeless atmosphere as well as the great performances of his main actors. Once more, the appearance of the unique Takeshi Kitano makes the whole film!
Maybe not the greatest movie of Japan´s 1990s cinema, but still a great work and better than 90 % of all those Tarantino rip-off gangster flicks which come from America!!!
The first Takashi Ishii movie I watched was his excellent rape/revenge thriller 'Freezer', but his reputation as an exciting director with a lot of potential mainly rests on his yakuza movies, of which 'Gonin' is perhaps the best known. This is a really impressive movie, very dark, strange and violent. The bare bones of the plot - a group of guys decide to rob some gangsters, the gangsters vow revenge - is one that we have seen many, many times before in American movies, but Ishii manages to put a fresh spin on it, with unusual characters, and consistently original direction. I was fascinated from beginning to end. The ensemble cast are all excellent, but the most memorable performances are by Naoto Takenaka (who later appeared in 'Freezer', and Tsukamoto's astonishing 'Tokyo Fist'), who plays the unhinged salaryman Ogiwara, and cult figure Beat Takeshi, who plays Kyoya, the ruthless eyepatched hitman. Takeshi steals every scene he is in, and plays one of the nastiest characters of his career, only really topped by the psycho he played in his own 'Boiling Point'. 'Gonin' is highly recommended to anyone who enjoys doomed caper films, a genre that has its fair share of classics from 'Bob Le Flambeur' and 'The Killing' to 'Reservoir Dogs' and 'The Usual Suspects'. Add 'Gonin' to the list of those crime classics. Yes, it's that good!
The Five (1995), directed by Takashi Ishii, is a dark and thrilling crime drama that keeps its audience on edge from start to finish. The film follows five men who plan to steal a large sum of money from the local yakuza, only for their plot to unravel in unexpected and dangerous ways. As the men are hunted by contract killers, the tension escalates, leading to a series of unpredictable twists and turns. The film effectively combines elements of action, crime, and suspense, offering a gritty and compelling ride.
The performances by the ensemble cast, including Kôichi Satô, Masahiro Motoki, and Jinpachi Nezu, stand out. Each actor brings depth and authenticity to their character, capturing the fear, desperation, and camaraderie of the group. The characters are flawed and morally ambiguous, which adds layers to the narrative and makes the stakes feel personal. While their motivations aren't always fully explored, their performances do enough to establish emotional stakes, making the audience invested in their fate.
Takashi Ishii's direction is sharp and purposeful, drawing out the tension in both quiet and explosive moments. The pacing of the film, while occasionally slow during reflective scenes, keeps building toward the inevitable chaos. The narrative does not shy away from violence, which is depicted in a raw and unflinching manner, adding to the harsh realism of the world the characters inhabit. This intensity is one of the film's strong points, as it keeps viewers on edge, unsure of what will happen next.
The cinematography is dark and moody, perfectly capturing the grim atmosphere of the yakuza underworld. The stark visuals enhance the sense of danger and moral ambiguity surrounding the characters. The film's visual style complements the grim tone of the story, creating an immersive experience that pulls the viewer into its world of betrayal, desperation, and violence.
The Five is a well-executed crime thriller that delivers both tension and unpredictability, though its focus on action and violence may overshadow deeper character development for some viewers. Nonetheless, the strong performances and gripping narrative make it an engaging film for fans of the genre.
Rating: 7/10. A tense and compelling crime thriller with strong performances and unpredictable twists, but its reliance on violence may detract from emotional depth.
The performances by the ensemble cast, including Kôichi Satô, Masahiro Motoki, and Jinpachi Nezu, stand out. Each actor brings depth and authenticity to their character, capturing the fear, desperation, and camaraderie of the group. The characters are flawed and morally ambiguous, which adds layers to the narrative and makes the stakes feel personal. While their motivations aren't always fully explored, their performances do enough to establish emotional stakes, making the audience invested in their fate.
Takashi Ishii's direction is sharp and purposeful, drawing out the tension in both quiet and explosive moments. The pacing of the film, while occasionally slow during reflective scenes, keeps building toward the inevitable chaos. The narrative does not shy away from violence, which is depicted in a raw and unflinching manner, adding to the harsh realism of the world the characters inhabit. This intensity is one of the film's strong points, as it keeps viewers on edge, unsure of what will happen next.
The cinematography is dark and moody, perfectly capturing the grim atmosphere of the yakuza underworld. The stark visuals enhance the sense of danger and moral ambiguity surrounding the characters. The film's visual style complements the grim tone of the story, creating an immersive experience that pulls the viewer into its world of betrayal, desperation, and violence.
The Five is a well-executed crime thriller that delivers both tension and unpredictability, though its focus on action and violence may overshadow deeper character development for some viewers. Nonetheless, the strong performances and gripping narrative make it an engaging film for fans of the genre.
Rating: 7/10. A tense and compelling crime thriller with strong performances and unpredictable twists, but its reliance on violence may detract from emotional depth.
Unlike a lot of stylized American crime cinema, this was an unrepentantly dark film. Filmed with many shots for dark, dank, rainy streets and warehouses, the cinematography reinforces the bleakness of the situation the characters face. As the Japanese economy busts in the mid 1990's, a group of out of luck businessmen rob a crime boss of a large amount of money. The gangsters send a couple of hit men out to even the score with predictable results. (6 out of 10)
GONIN is one of the best Japanese movies I've seen. It's use of symbols and dreams in almost every scene makes it a bit hard to get into at the first watching, but if you see it several times, you will see why this is one of the highlights of Ishii.
The story is easy to follow and is about five men trying to rip of the Yakuza. Things doesn't go exactly as planned (do they ever?), and they end up chased instead.
This could have been a really bad film because of the simple plot, but because of the extremely powerful characters, the complex figures that we see and with full blown motives of everyone involved, this gets to be a very interesting and good movie.
I've seen this movie about five times now, and I must say that it has grown. I see new things and can explore side-plots still, which is why I keep coming back to this wonderful film.
If you think it is too slow, too weird, too violent, too Japanese or antyhing like that, maybe you should give it a second chance.
This is NOT your standard action movie. This is NOT Violent Cop or a HK-film. This is pure drama with an action movie thrown into the mix. Beautifully made, with exploring of gay sexuality, mafia psychology, more true characters than any other action film. It's a gem.
I've voted 9 of 10. I would have given it a 10 if I had thought what I think of this movie the first time I saw it. Now, it might be a bit too complex, but that again just makes it a film that will be nice to see in ten years from now.
Very good film.
The story is easy to follow and is about five men trying to rip of the Yakuza. Things doesn't go exactly as planned (do they ever?), and they end up chased instead.
This could have been a really bad film because of the simple plot, but because of the extremely powerful characters, the complex figures that we see and with full blown motives of everyone involved, this gets to be a very interesting and good movie.
I've seen this movie about five times now, and I must say that it has grown. I see new things and can explore side-plots still, which is why I keep coming back to this wonderful film.
If you think it is too slow, too weird, too violent, too Japanese or antyhing like that, maybe you should give it a second chance.
This is NOT your standard action movie. This is NOT Violent Cop or a HK-film. This is pure drama with an action movie thrown into the mix. Beautifully made, with exploring of gay sexuality, mafia psychology, more true characters than any other action film. It's a gem.
I've voted 9 of 10. I would have given it a 10 if I had thought what I think of this movie the first time I saw it. Now, it might be a bit too complex, but that again just makes it a film that will be nice to see in ten years from now.
Very good film.
क्या आपको पता है
- ट्रिवियाTakeshi Kitano's eye patch was real; before filming, he made a serious accident with his motorcycle and resulted an injury at his eye.
- इसके अलावा अन्य वर्जनJapanese Laserdisc contains the 119 min. Director's Cut of the movie, approx. 10 Minutes longer than the international version. Additional scenes show more character development as well as some extra shots of violent scenes. Somehow interesting, this version omits the ending of the movie, when the killer and the last one left of the "Gonin" die in their seats at the bus while the bus driver and the small group of young women enters the bus and they all drive away with the two unrecognized dead men. This cut seems to be made because the full length ending wouldn't have fit on the second side of this laserdisc.
- साउंडट्रैकAkai hana
Written by Masafumi Matsubara and Masato Sugimoto
Performed by Naomi Chiaki
Courtesy by Teichiku Records
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