French Kiss

A Francophile will probably like this film. I did. Meg Ryan plays a woman who's on the verge of marrying a Canadian, so she's denounced her American citizenship. She's also afraid of flying so she stays home while her fiance goes to Paris on business. Things take a turn for the worse when he calls, saying he's met the woman of his dreams and he's staying in France.

Frantic to get back her man, she boards a plane. Next to her sits a French thief, beautifully played by Kevin Kline, who has problems of his own, most notably how to smuggle a diamond necklace out of the country.

It's a character-driven plot that Cary Grant would have loved - two people who are seemingly so "repelled" by each other but all they need are the right elements to fall in love. I'm generally not a fan of the romantic-comedy, but the French setting sucked me in as did a supporting role played by the always excellent Jean Reno.

As for the authenticity of Kline's accent, I had a good friend from France who claimed it was "formidable." So there.

Very entertaining and worth a watch.

Want more French choices? Try "Frantic" with Harrison Ford, it's Hitchcockian; "Green Card," who can resist Depardieu?; and my all-time favorite Meg Ryan film "Addicted to Love." It's a great black comedy and it has the sizzlingly sexy Tcheky Karyo. "C'est magnifique!"

I love this film. The scene in which Meg Ryan and Kevin Kline first hop in the stolen car in Paris tickles me every time. While she is berating him for involving her in his (mis)adventures, she turns to look at him and misses what would be a wonderful tour of Paris as all the major landmarks of Paris go by on the passenger side of the car. Love the director's sense of humor. As for Kline's French accent, I have studied in France and have a good ear (if I do say so myself), and was very impressed with Kline's regional accent ("way", for example, rather than "we" for 'oui'). As for it being a pat romantic comedy, well, of course - suppose it had been Cary Grant and Audrey Hepburn, would anybody have complained?

A truly funny piece. It's the one we get out of our collection when we just want to sit down and watch something familiar, funny and just NICE.

Meg Ryan reveals herself as a true comedienne and Kevin Kline is the funniest Frenchman you ever loved to hate. So what if we know exactly what's going to happen? That's the way with romantic comedies, as it is with most 'genre' movies. Even after having seen it at least a dozen times, we still laugh when Ryan sneaks up on her absconded fiancee and his new girlfriend and in the process causes major havoc in a posh French cafe; or when Kevin Kline tells her how the uptight nature of the Americans makes his 'ass twitch'.

To begin with, Meg Ryan's fear of flying and the procedures she goes through to deal with it are cute. And the relationship with Meg and Timothy Hutton is entirely believable.

Once she is on the plane, going to Paris, Kevin Kline appears and introduces himself and distracts her from the takeoff. Kevin Kline really proves himself in this movie, or at least shows how good he is at accents. I was a French major in college and have been to Paris and seen much of France. His mannerisms are right on.

The things that happen once they are in Paris are 1) funny and 2) move the story along. The train trip that they have to take is another enjoyable section. And Meg learns that she really likes the cheese!

Once she sees the vineyard and begins to learn more about Kevin Kline's character, the story gets under way nicely. All in all, it's a very enjoyable time.

Don't ever say all writers are hacks. The writer of French Kiss, sitting next to Kline on the plane, has done a job from a perspective most people will not catch, and you have to give him credit for doing it. I am fairly sure both Ryan, Kline, Reno and the rest were aware of what was going on, but I am equally sure this flew totally over the heads of 99% of the US audiences. For this movie, amongst other things, is a sometimes not so subtle and other times very subtle cut-up on US tourists in Europe.

There are so many scenes which have this double entendre - if you get them it's hilarious and heart-warming, if you don't get them, then explaining them will help nothing and serve only to enervate the narrator.

And the puns - I've witnessed people seeing this movie over and over and over and not getting them. After half a dozen viewings they suddenly go 'ah' and get it. This is good screen writing.

Kline's Parisian sounds spot on. Suspicion is he was coached - and excellently - in the unique 'gutter' accent found in the city of light.

This film has everything. It's not your classical 'meets cute' but - where does one begin? Can one ever end?

This mini-review has gone on for several hundred words already and the iteration has not started.

Get it!