A Single Girl

Early one morning Valerie has to tell her unemployed boyfriend Remi that she is pregnant. She has decided to keep the child, but they argue whether they should break up or not. That same morning Valerie starts working in room service at a smart hotel. The film follows the routine of Valerie bringing breakfast to the guests, Valerie constantly trying to phone her mother, and Valerie's relations with the other staff.

This was the breakthrough role for the 19-year-old Virginie Ledoyen, best known in America for the Danny Boyle film "The Beach", and earned her a César Award nomination. It was well-deserved. This is a great film, with no real plot or structure... just a look at love and the life of a girl in real time. And, you know what? Ledoyen is the selling point. Anyone else in the role and who knows what would have happened? I will have to be on the lookout for her in other films, because she clearly has that spark...

A SINGLE GIRL (Benoît Jacquot - France 1995).

A little known gem with the beautiful Virginie Ledoyen in the lead. I have a special relation with some films and this is certainly one of them. I first saw it - not long after it came out - on Dutch public television in my final year in high school. I thought the girl in the main role (Virginie Ledoyen) was the coolest girl I ever saw and the film always stuck with me. Later on, largely due to her performance in this film, she would become a big star and continued to be in the limelight and even played alongside Leonardo DiCaprio in THE BEACH (2000), so that's probably why I kept remembering her role in LA SEULE FILLE.

For a large part, the film plays in real time as the camera follows Valérie on the day she finds out she's pregnant. She starts a new job in a hotel as a maid. Her day-to-day routines are followed, her various encounters with the hotel guests and her intermittent meetings with her boyfriend at a nearby café. He doesn't know how to handle the situation, he doesn't have a job and cannot seem to make up his mind about anything, let alone this situation. He is a bit of a loser. Off course Valérie is in the toughest spot but somehow she never ceases to lose control or overview of the situation. She is on screen all the time as the camera follows her constantly while she walks down the corridors of the hotel, in the elevator, walking down the streets. Even though she has an attitude, is arrogant and acts a bit too wise for a girl her age, she remains absolutely fascinating throughout the film.

The lack of plot hardly mattered to me, because it's compensated by Virginie Ledoyen's radiant presence. This is the perfect example of a film where one actor or actress completely makes it work.

Camera Obscura --- 9/10

Valerie tells her boyfriend she's pregnant, he's not sure what he wants. She's mad, but hoping he'll somehow turn around. The unsettled uncertain back and forth is very real. She seems better than the boyfriend, but doesn't quite know it.

Then off to work at a new job in a hotel. Rhythm varies with the headlong speedy movement of work and occasional moments grabbed for a nap or a smoke. Tensions with staff and guests make you worry about this young girl: any situation could explode. She seems calm outwardly, but you gradually get a sense of the roiling interior. Will she crack under the pressure? Mysteries--why is she so cold to the black co-worker? Racism? Worry? You're not quite sure. At moments things loosen up, the girl shows attitude to the point you think she might get fired. Can she be that tough, that self-confident? In a way, yes. She turns out to be an amazing character who almost thinks she's ordinary, though she knows the men are after her like a pack of wolves. She's young, you worry for her, but she can take care of herself. In the end she seems awesomely, unfathomably self-sufficient.

This movie seems to be about female power. A good pairing would be with Sautet's A Simple Story, about an older woman also outwardly ordinary (though beautiful) but with amazing contained power, a kind of integrity beyond any men she encounters.

It is good thing Ledoyen is a seriously babe-a-licious hottie because she fills up every frame of this tedious and uneventful nonstory. In "A Single Girl", the camera follows Valérie (Ledoyen) around in real time, dogging her as she walks and walks and works and talks and walks and works and smokes and talks and works some more. This exercise in pure voyeurism shows us Valérie as she sits in a cafe telling her boyfriend she's pregnant. It shows her going to her new job as a room service waitress in a hotel...no cutaways, no fast forwards; just a continuum - every step she takes, down the street, around the corner, etc. We watch her put on her uniform and begin work...etc. On and on until about the 1:25 mark when we cut to a new day and Valérie, whose child is now a toddler, as she's talking with her mom in a park. Shortly thereafter the film ends. No story, just voyeurism. For what it is, it is very well done. Sound good? If so, watch it. If not, don't. (C+)

A Single Girl (La Fille Seule) is one of those rare, pleasant films. Beautiful, young, Virginie Ledoyen is followed with a video cam as she argues with her boyfriend then takes a job as a chambermaid dealing with various personalities and rebuffing passes from her boss. Virginie was made for the close-ups; one never gets bored watching her walk down the corridors of a large hotel. And this beauty seems unaffected by it all; she is another pea in the Parisian pod. Director Benoit Jacquot has an eye for beauty and for film; this is a must see.