England, My England

Although Michael Ball trained as an actor, he is best known for his leading roles in musicals such as Les Miserables, Phantom of the Opera and Aspects of Love in London & Broadway. It was very unusual (and very pleasant)to see him in this different role. Although he does not sing in this movie, I enjoyed it very much. The costumes were lovely. I also enjoyed seeing Simon Callow in his role as I really enjoyed his acting in "4 weddings and funeral".

An odd thesis, indeed, to put upon a movie about Henry Purcell.

But hear me out, fair Ladies and honourable Sires. This is the opportunity to hear about the greatest artist before the face of Albion to put justice as well as artistic congeniality before the memories of the greatest spirits to fire up our imagination. Oh yes, a spirit and talent to match his subjects. There hasn't been a master of 'portraits' since Hohlbein or Hilliard, who caught the essence of a spirit as close, detailed and true to its core as Tony Palmer. So, what better master to call upon the task of giving the greatest English composer a face to last beyond the brittle pages of an encyclopedia?

I dare the claim that Purcell was and is the eternal master of the achingly, painfully and gloriously beautiful - the indigo and forest green shades of melancholy music to tease the gentlest tears from stone.

Yes, Tony Palmer's piece is a masterful fresco of the Restoration, but still it's but a frame to what Purcell was all about. Palmer NEVER sells his subjects short for hidden agendas.

To give this claim substance, the best of the best for this task provided the music: John Eliot Gardiner & The English Baroque Soloists.

You can't possibly aim higher than this, and this movie achieved even beyond my biased expectations. The cream of the English acting craft: Simon Callow and Robert Stephens to give music to the words of masters John Osborne and Charles Wood.

Bugger me, but is there any claim out there which can come up with a more suitable setup?

Gather, people, Anglophiles and friends of the core to humanity.

Settle into your favourite chair and surrender to the sound-kept peak of aching beauty.

Schogger13

This is a brilliantly conceived and executed film about one of England's greatest composers and a watershed period in English history. The cinematography and editing are superb, and, for the most part, the acting is first-rate. The historical accuracy of the film is almost uncanny (down to the floor-pounding conducting with a massive "baton"). The movie has a "you-were-there" quality, and you can almost believe that you are actually watching the historical characters themselves. (I especially liked Queen Mary and her boorish King William.) The only "complaint" that I have about the film is that I had a nagging feeling of deja-vu that I was watching "Barry Lyndon" again (induced in part, no doubt, by the many candle-lit scenes, Murray Melvin's role as Shaftsbury, and Purcell's music for Queen Mary's funeral that figured so prominently in "A Clockwork Orange.") If you like historical films and/or grand costume drama, by all means try to see this film. (P.S.: I saw the film on Bravo; I'm sure that it loses a lot on the small screen, but I still rate it 9/10.)

The life of the musician & court composer Henry Purcell is used to present a tongue in cheek examination of the Restoration & the Glorious Revolution. The actors in the film, led by Simon Callow as Charles II, discuss the play between scenes, but the parts they play on stage are also those that they play in the film. Very cleverly done too.

Loved this from beginning to end! A sterling cast of British acting talent so rarely seen in films. From the start where Cromwell's grave is dug up to the sad ending of Harry's death from (possibly) tuberculosis, John Eliot Gardner's ensemble's performances and gritty realism of late 17thc London will absorb every classical music fan throughout. Oh DO look out for the gaffe where Sir a Christopher Wren is displaying plans of St.Paul's Cathedral: The plan you see on screen is from a 3 dimensional architect drawing made in 1927.