जब राज यूरोप में सिमरन से मिलता है, तो उसे पहली नजर में प्यार नहीं होता है, लेकिन जब सिमरन अपनी तय की हुई शादी के लिए भारत चली जाती है, तब उसे लगता है की उसे प्यार हो गया है.जब राज यूरोप में सिमरन से मिलता है, तो उसे पहली नजर में प्यार नहीं होता है, लेकिन जब सिमरन अपनी तय की हुई शादी के लिए भारत चली जाती है, तब उसे लगता है की उसे प्यार हो गया है.जब राज यूरोप में सिमरन से मिलता है, तो उसे पहली नजर में प्यार नहीं होता है, लेकिन जब सिमरन अपनी तय की हुई शादी के लिए भारत चली जाती है, तब उसे लगता है की उसे प्यार हो गया है.
- पुरस्कार
- 15 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
9T-27
I usually go for Bollywood films for the music-dance numbers. While this flick has a few good ones, I was mostly pleased with the plot. I liked the second half the best. I was very disappointed to learn from IMDb that this is the second of only two films done by Pooja Rupanel. She brought a lot of life and spark to a minor role - the female lead's younger sister. She should have done more films. Like any really good comedy, the story had its serious aspects - just enough to make the plot interesting. The stand=by Bollywood love triangle plot can be used as many times as one wishes as long as one has good actors, terrific musical numbers, and a few novel plot twists.
I recently took a class about India in college and towards the end of the semester, we watched a few clips from some Bollywood and Tamil movies. I was very moved and inspired by the clips alone! Then, I told my friend (who happens to be Indian) from my work study job that I like Bollywood. So she invited me to an "Indian Movie Night" at her dorm. We watched K3G and I was so touched by it! It was simply wonderful. Most of all, I became a SRK and Kajol fan. Their on-screen chemistry is remarkable! I can't explain it! Anyhoo, I asked my mom for some Bollywood movies for Christmas and one of the movies I got was DDLJ. And let me tell ya'll, it is now my favorite movie of all time. SRK and Kajol shine beyond reason in this flick. The script is excellent, everything is excellent especially the acting and memorable songs! The supporting cast (most notably Simran parents, sister and Raj's dad were figging awesome!) Mr. Amish (sic) Puri, who played Kajol's dad acts wonderfully with just his eyes! One of the funniest lines in the movie is when Raj's friend walks into Simran's dad store and says "Uncle, can I have some beer?!" Gosh, it's the way that cat said the line that made it so FUNNY! After watching it again yesterday, I realized that I love so many Hollywood movies (particularly classic ones) and yet I couldn't state my all time favorite one. But while watching the making of DDLJ (I own the special edition version with two DVD's inside), I became rather teary eyed. I mean, I'm getting teary eyed writing this review at this moment! This film touched not only my heart, but my soul as well. They are so many underlying messages in DDLJ that can strike a cord in a non-Indian's (like me, I'm Nigerian American) soul. In end, I hope people who read this will buy DDLJ, (Renting will be useless, because you'll want to watch it over and over again...) love this priceless gem of a movie, and this goes out to the girls, wanna "come...fall in love" with a cool, crazy, sexy guy like Raj!
PS- THIS IS THE GREATEST MOVIE OF ALL TIME!
PS- THIS IS THE GREATEST MOVIE OF ALL TIME!
'DDLJ' is An Immortal Film! It's among those "FINE" films, that remain perfect forever. It's among those gems, that can never go dated. Be it the direction, the screenplay, the songs, the performances, the cinematography...everything just gets better!
'DDLJ' Synopsis: A young man and woman - both of Indian-descent, but born and raised in England - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
'DDLJ', even if not so hugely successful, it still would have gained a cult-following. Aditya Chopra's Screenplay is engaging, moving & most importantly entertaining. The Love-Story works big time, so do the characters & the situations. Cinematography by Manmohan Singh is picture perfect. Editing is smooth. Chopra's direction is sensitive. Music by Jatin-Lalit, is fabulous.
Shahrukh's performance as Raj, became a rage & catapulted him into Superstardom. He is lovable as Raj. Kajol as Simran, is fantastic, as always. The Chemistry between Shahrukh & Kajol, is infectious. Amrish Puri, however, steals the show as the traditional Indian father. The late legend delivers an incredible performance, that truly leaves you in awe of him. Farida Jalal is first-rate. Anupam Kher is great. Parmeet Sethi plays the bad-guy well. Satish Shah is decent, while Mandira Bedi is passable. Others are perfect.
On the whole, 'DDLJ' is one of THE Finest films to come out of Hindi Cinema. It's The Mughal-e-Azam of the 1990's!
'DDLJ' Synopsis: A young man and woman - both of Indian-descent, but born and raised in England - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
'DDLJ', even if not so hugely successful, it still would have gained a cult-following. Aditya Chopra's Screenplay is engaging, moving & most importantly entertaining. The Love-Story works big time, so do the characters & the situations. Cinematography by Manmohan Singh is picture perfect. Editing is smooth. Chopra's direction is sensitive. Music by Jatin-Lalit, is fabulous.
Shahrukh's performance as Raj, became a rage & catapulted him into Superstardom. He is lovable as Raj. Kajol as Simran, is fantastic, as always. The Chemistry between Shahrukh & Kajol, is infectious. Amrish Puri, however, steals the show as the traditional Indian father. The late legend delivers an incredible performance, that truly leaves you in awe of him. Farida Jalal is first-rate. Anupam Kher is great. Parmeet Sethi plays the bad-guy well. Satish Shah is decent, while Mandira Bedi is passable. Others are perfect.
On the whole, 'DDLJ' is one of THE Finest films to come out of Hindi Cinema. It's The Mughal-e-Azam of the 1990's!
Aditya Chopra's Dilwale Dulhania Le Jayenge is a superb example of the genius of Hindi commercial cinema. If you see it, you'll get that it's not very different as a love story. It is even ordinary. But it becomes special for many reasons. First and foremost, for its fresh, naive spirit. Secondly, the many paradoxes it contains: it is powerful yet subtle, larger-than-life yet simple, funny yet sad, magical yet realistic, and so on. Thirdly, it is one of the first films portraying Indians who live outside their country (in this case, London). It also shows the yearning of the first-generation NRIs who live far away from their homeland and for many reasons find it difficult to come back. Yet, the film remains mainly a poignant, melancholic romance.
Raj and Simran, the characters played by Shahrukh Khan and Kajol represent the last generation of youngsters who were innocent and naive. They were much more simple, respectful and full of life. Such people almost no longer exist nowadays. The film relates their love story in a rather mesmerising way. Every scene is important. There are many great moments in the film. Raj and Simran's entire acquaintance and interaction in the first half is charming. Their separation at the end of the first half, when both make each other understand of their true feelings without explicitly admitting it, is moving. The traditional wedding preparations in the second half are well-made; the values they show, Raj's attempts to conquer Simran's father, and the couple's deepening relationship are interesting. The only thing I regretted was the typical fight scene towards the end.
Shahrukh Khan and Kajol, who undoubtedly form a great film couple, are both excellent in their roles. They act from the heart, and ably bring their characters to life. Shahrukh Khan is incredible as Raj, a modern guy who understands the value of family and marriage, and yet he has the look of a careless fool who does not take anything seriously. Khan acts with great ease, wit and humour, and his inner fear of losing his beloved is always understood. Kajol as the dreamy and poetic yet intransigent and smart Simran is exceptional, and she looks very hot throughout. Amrish Puri and Farida Jalal as Simran's parents provide great support. Amrish Puri is particularly impressive as the strict but soft-hearted father, and Jalal is touching as the woman who has lived life according to terms and does not want the same to happen to her daughter. Anupam Kher is funny and entertaining as Raj's father.
The film's soundtrack is outstanding and is clearly one of the main reasons this film works so well and is unforgettable today. The music is very well identified with the film and its story. Just try to imagine you would be given to watch the movie with the songs edited out. You wouldn't want to, right? That's because every song is a gem and is as important as every other scene. Every song comes in the right place and is sung and pictured exceptionally well. The one closest to my heart is "Ho Gaya Hai Tujhko", for its beautiful melody and very melancholic feel, which is aided by its blend of fantasy and reality on-screen. It is performed to perfection by Lata Mangeshkar and Udit Narayan. DDLJ is a film that should not be missed by anyone. It is one of the great gifts of Yash Chopra and his banner. It is a milestone of Indian cinema for its ability to inject fresh and magical energies into a banal love story, and for making it classically memorable.
Raj and Simran, the characters played by Shahrukh Khan and Kajol represent the last generation of youngsters who were innocent and naive. They were much more simple, respectful and full of life. Such people almost no longer exist nowadays. The film relates their love story in a rather mesmerising way. Every scene is important. There are many great moments in the film. Raj and Simran's entire acquaintance and interaction in the first half is charming. Their separation at the end of the first half, when both make each other understand of their true feelings without explicitly admitting it, is moving. The traditional wedding preparations in the second half are well-made; the values they show, Raj's attempts to conquer Simran's father, and the couple's deepening relationship are interesting. The only thing I regretted was the typical fight scene towards the end.
Shahrukh Khan and Kajol, who undoubtedly form a great film couple, are both excellent in their roles. They act from the heart, and ably bring their characters to life. Shahrukh Khan is incredible as Raj, a modern guy who understands the value of family and marriage, and yet he has the look of a careless fool who does not take anything seriously. Khan acts with great ease, wit and humour, and his inner fear of losing his beloved is always understood. Kajol as the dreamy and poetic yet intransigent and smart Simran is exceptional, and she looks very hot throughout. Amrish Puri and Farida Jalal as Simran's parents provide great support. Amrish Puri is particularly impressive as the strict but soft-hearted father, and Jalal is touching as the woman who has lived life according to terms and does not want the same to happen to her daughter. Anupam Kher is funny and entertaining as Raj's father.
The film's soundtrack is outstanding and is clearly one of the main reasons this film works so well and is unforgettable today. The music is very well identified with the film and its story. Just try to imagine you would be given to watch the movie with the songs edited out. You wouldn't want to, right? That's because every song is a gem and is as important as every other scene. Every song comes in the right place and is sung and pictured exceptionally well. The one closest to my heart is "Ho Gaya Hai Tujhko", for its beautiful melody and very melancholic feel, which is aided by its blend of fantasy and reality on-screen. It is performed to perfection by Lata Mangeshkar and Udit Narayan. DDLJ is a film that should not be missed by anyone. It is one of the great gifts of Yash Chopra and his banner. It is a milestone of Indian cinema for its ability to inject fresh and magical energies into a banal love story, and for making it classically memorable.
I'm sooo in love with this movie. Its way better than Kuch Kuch Hota Hai or any other Hindi film or ANY film in general that I've ever seen! It's that good! I just want to recommend this to everyone ESPECIALLY if your a Shah Ruhk Khan/Kajol fan, they are awesome together. The whole supporting cast does a great job too- Put together with the beautiful direction of Aditya Chopra they turn a simple storyline of uncliched love into a heartfelt movie you can watch over and over again. Oh, and did I mention the songs rock too!
क्या आपको पता है
- ट्रिवियाWhen Shah Rukh Khan drops Kajol at the end of "Ruk Jaa O Dil Deewane," director Aditya Chopra did not tell Kajol what was going to happen, so that her reaction would be genuine.
- गूफ़During the climax, the railway station where Raj and Kuljit have a fight is shown to be 'Apta' (as seen on the signboard). Apta is a small station near Mumbai and is more than 1700 km away from Punjab where the plot is based.
- भाव
Simran Singh: I'm sorry. I said a bit too much in anger.
Raj Malhotra: It's all right, Señorita. In big countries, such small things keep happening.
- क्रेज़ी क्रेडिटThe movie had a special credit for suggesting the movie's name and the credit was for Kirron Kher.
- कनेक्शनFeatured in Ninne Pelladatha (1996)
- साउंडट्रैकGhar Aaja Pardesi
Written by Anand Bakshi
Composed by Jatin Pandit and Lalit Pandit
Performed by Pamela Chopra and Manpreet Kaur
Courtesy of Saregama HMV
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- ₹4,00,00,000(अनुमानित)
- दुनिया भर में सकल
- $83,096
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें