Digital Man

In an era of movies like TERMINATOR: GENISYS and CHAPPIE, can a B-grade robot adventure from the mid-90s find an appreciative audience? The answer is yes, at least if it can find its way into my hands. No low-budget filmmaker loved the sci-fi genre more than Philip J. Roth ("APEX"), and this particular cyborg-themed outing highlights the best that he – or almost anyone – could bring to the table under B-movie constraints. Though not terribly original, DIGITAL MAN is engaging and action-packed enough to accommodate its target audience and perhaps win over a few new fans as well.

The story: A squad of futuristic soldiers (led by Ken Olandt) is sent to a backwater Earth settlement to neutralize a deadly combat cyborg (Matthias Hues) run amuck.

It bears emphasizing that viewers who need expensive production values and state-of-the-art special effects to enjoy sci-fi flicks will be disappointed by this one, with its outdated CGI and gooey prosthetics. Personally, I love the production design, which is so skillfully implemented that there's no stylistic discord even when the setting shifts from a high-tech space station to the dusty Earth setting. Despite a handful of esthetic lifts from ALIENS and THE TERMINATOR, DIGITAL MAN looks and feels very much like its own movie, and in the process manages to avoid the artistic pitfalls of basing a production in the desert: it's never not fun to look at, despite its limited color palette.

The action's comprised primarily of explosions and shootouts, with a smattering of kickboxing. Though bluntly effective, the firefights aren't worth the price of the picture alone, and it's disappointing that Hues' physical talents are limited to only a single, one-sided brawl. Despite looking cool in his armor, Matthias is generally the worst-utilized performer of the film, having next to no lines and virtually nothing to do other than stalking and shooting. The rest of the cast does much better, with especially the soldiers getting enough character moments so as to not feel expendable. The rest of the cast is pretty memorable, too: Don Swayze (brother of Patrick) is a decent supporting goof, Amanda Wyss does what she can in an uncredited role, and the great Susan Tyrell has two glorious cameo scenes.

Director Roth infuses the picture with the enthusiastic pacing and gusto so often missing from low-budget productions, thereby keeping the film upbeat and rolling along nicely. He might have also included a tad too much story for his own good, as the paranoia angle of squad members potentially being cyborgs themselves feels unnecessary for a movie this small. Nevertheless, the film is worth a rental, and potentially even a purchase if you still own a VCR.

This was my second Philip J. Roth picture in three days, after A.P.E.X., which was also his previous film to this one. Digital Man does some things better and some things worse, mostly it's just stolidly competent. The story boils down to the old saw of a crack military team attempting to take down a renegade robot, although there's context and a spot of complication wrapped around the basic events. Nothing too sophisticated but it at least provides a mild interest to sustain things, which comes in handy once the umpteenth round of gunfire and explosions get tiresome. Set on the outskirts of a desert town there's a feel of arid isolation here that works well as a backdrop and contrasts with the larger than life, bumptious characters, the setting and the more humorous than average writing as well as faint flashes of emotional connection or suspense are the biggest advantages here. Well, fans of explosions and ludicrous guns will be pleased by the frequent pyrotechnics and comically huge weaponry on display. The acting just about conveys the appropriate sense of battle hardened veterans, the anonymous likes of Ken Olandt, Kristen Dalton and Sherman Augustus fill their roles with a kind of solid bad-assery, though the main plaudits go to Don Swayze as a daft redneck and Adam Baldwin as a military bigwig. Swayze is fitfully amusing in his utterly clichéd role, while Baldwin has the right sort of brusque authority to convince. The titular digital man is played by Matthias Hues, he has nothing to do other than walk around slowly and look tough, this he does in fine fashion, being a pretty imposing sized guy. Oh, and there are little cameos for the quirky Clint Howard and scenery chewing favourite Susan Tyrell (Night Warning). All in all nothing to write home about performance wise but everyone is suitably committed. Like A.P.E.X. the one black character is an obnoxious caricature which is a bit sad, but I don't tend to look for sensitivity in these sorts of junk flicks anyhow. Broadly speaking this is worth watching if you go for this sort of low grade sci fi action, I suspect I would have liked it more had I seen it a decade or so back when I first caught sight of the video box in a local rental place but despite its problems I was still glad to finally see it. Occasionally decent in both action and effects, with amusing old school cheap cgi and one or two brief but neat robotic effects, there's just about enough to go on even though its never any great shakes. Worth a watch if nothing else is on and you like the genre

Has the world gone mad if anything this movie is average and i mean AVERAGE the explosion scenes are good but the special effects are pretty bad the scenes are slow the acting is like somthing ive seen on a movie with a budget of about £10 a ive seen sticks with better facial expressions. on a scale of 1-10 this movie is 3 and thats being kind

I've seen Digital man almost a decade ago when it came to video. My dad rented me this movie to watch over the weekend since he was leaving with my mom. I loved it so much that I've watched it five or six times in 48 hours !!!

My memories of this movie are quite vague. I can't really remember the quality of the acting and script. But I definitely remember how scary Mathias Hues was as the killer robot. A team is sent in a small community somewhere out in the desert to terminate him but soon find out some of them are robots themselves. Woon and Jackson are two bad*ss soldiers who can't match Digital Man.

I think I'll buy this movie in the near future since I can't find it at the video store anymore. I think fans of Terminator and Robocop would love this movie. It's the traditional "Shoot the bastard !!!" kind of flick with lots of action and sci-fi. I rate it 7/10. See it if you get the chance.

This is pretty horrible but there aren't many reviews and I'll add a brief summary.

There are some good things: the acting is surprisingly OK across the board from Ed Lauter and a bunch of people I've never heard of. A bit OTT at times and Ken Olandt (who?) is definitely a cut of wood below the rest. The main cyborg (Matthias Hues) does his deadpan job really well. The comedy relief is ridiculous (but then so is the whole film) and Swayze and Masterson are quite funny. The director keeps the action going - at least you don't have to wait around for the next bit of nonsense to happen.

What's bad. The FX, even for the '90s are awful - some reviewer who says they're great has to be a fake. The story makes no sense. OK, soldiers are hunting a cyborg, something to do with missile launch codes, not sure what, while other soldiers (mainly Lauter) are killing each other - no idea really. There's some big deal about some soldiers being cyborgs too, again no idea why. The action keeps going but it's stupid, stupid, stupid at all times. The cyborg wanders about, apparently at random - arriving for a fight whenever the director wants one, then wandering off again. When a soldier dies (s)he does so by walking straight at the cyborg, firing something ineffective (when all they seem to have to do to survive is run away). The soldiers carry huge guns they can barely lift (think Aliens), blast away with them non-stop and never manage to hit the cyborg standing motionless in front of them (which it does a lot of). When they run out of ammo and start with a pistol, every shot hits but has no effect. These shots are always aimed at the armour, never at the unprotected head. Great that the squad has two racial minorities, two women and only one white guy. But guess who's in charge? The ending is totally lame.