अपनी भाषा में प्लॉट जोड़ेंA nun, while comforting a convicted killer on death row, empathizes with both the killer and his victim's families.A nun, while comforting a convicted killer on death row, empathizes with both the killer and his victim's families.A nun, while comforting a convicted killer on death row, empathizes with both the killer and his victim's families.
- 1 ऑस्कर जीते
- 23 जीत और कुल 25 नामांकन
फ़ीचर्ड समीक्षाएं
You find yourself caring about everyone in this movie: the young rape/murder victims; their grieving parents, one filled with hate, the other two inconsolable; the parents of the perpetrator of this crime; the nun who tries to do God's work in a place that is literally the last stop before hell for many men; even the prison guards who must do their job calmly and competently as they guide a man across the River Styx.
Sean Penn is an actor on the calibre of James Dean, reaching deep inside himself and putting his emotions on the table. Here, he somehow manages to find the right blend of odious and pathetic, and his portrayal is so very real that it hurts, even though his character is not a nice person at all. Susan Sarandon and hubby-director Tim Robbins have created a masterpiece, which provokes thought and discussion long after the film is over. This movie runs deep, but rather than resort to shameless manipulation and plot devices, it is real, and tough, and touching.
I read Sr. Helen Prejean's book, upon which this film was based, when it first came out in 1993. At that time I was utterly supportive of capital punishment -- to quote the script, I felt anyone who committed crimes horrible enough to land them on Death Row was an "expendable human being, suckin' up tax dollars." I also had personal experience with the issue when an entire family whom I knew in my childhood were slaughtered by a man who is now on Death Row for his crimes.
As you might imagine, I was disgusted with Sr. Helen's book. I thought that trotting to death row and holding the hand of some scumbag who'd killed innocent people was about the lowest thing anyone could do, and as a Catholic I was offended by the seeming hypocrisy of it.
Because I had disliked the book, I never saw the film until about two weeks ago, when I bought a remaindered copy of it in a video store. I have watched it four times since then, mostly because I am trying to work out my feelings on it. I am still a supporter of capital punishment, but it's going to be less easy for me to ignore the fact that (to quote again), "There's nobody with money on Death Row" -- and quite a few more blacks, now that I think of it, AND the fact that, like Matthew Poncelet's character, the men who are being executed are human beings who have feelings and fears. It's easy to jeer at Matthew on the day before his execution, fretting nervously about whether the lethal injection will "hurt," like a little boy at the doctor's office for a penicillin shot, since his victims' last moments certainly "hurt." What isn't easy is to realize that while the victims of these inmates didn't know they were about to die until it was too late, the inmates themselves have what seems like a blessing at first, but upon deeper examination is the greatest curse: knowing the exact hour and day they will die, and having to face it day by day, hour by hour, minute by minute.
I'm sorry if this review offends people who are sincere death penalty supporters. I still consider myself to be one, but my thinking has been reformed somewhat and I'm more ready to listen to the opponents and try to make compromises; maybe that's what this issue needs more than anything. I will say finally that ONE part of this film did offend me as a Catholic: the symbolic "crucifixion" of Poncelet during the "last words" scene. That was the one place where Robbins strayed from his even-handed approach to the issue -- the only one I could find.
In all, this was a fine film that made me rethink an explosive issue, and I recommend it highly to anyone debating the pros and cons.
My husband and I tend to watch actors that we love and then watch all of their movies. Sean Penn has an amazing body of work. We don't care if an actor truly transforms themselves to play a role (but that's impressive) as much as we care about how authentic a performance is. For example, Michael Caine is pretty much always similar and yet he's compelling in every performance he's ever given. But Sean Penn gives a performance here that is next level. Touched by God is the only way to describe it.
क्या आपको पता है
- ट्रिवियाHelen Prejean: The real Sister Helen appears outside the prison during a candlelight vigil scene.
- गूफ़The chemicals used in lethal injections in Louisiana are administered manually, not by a machine as in the movie.
- भाव
Prison Guard: Tell me something, Sister. What is a nun doing in a place like this? Shouldn't you be teaching children? Do you know what this man has done? How he killed them kids?
Sister Helen Prejean: What he was involved with was evil. I don't condone it. I just don't see the sense of killing people to say killing people's wrong.
Prison Guard: You know how the Bible says "an eye for an eye."
Sister Helen Prejean: You know what else the Bible asks for? Death as a punishment for adultery, prostitution, homosexuality, trespass upon sacred ground, profaning the Sabbath, and contempt of parents.
Prison Guard: I ain't gonna get into no Bible quoting with no nun, 'cause I'm gonna lose.
- क्रेज़ी क्रेडिटIn the heart-shaped symbol at the end of the credits, the initials EMLA, JHR, MGR, and SS stand for Tim Robbins' family with Susan Sarandon (SS) -- Jack Henry Robbins and Miles Guthrie Robbins (their two sons together) and Eva Maria Livia Amurri (Sarandon's daughter with Franco Amurri).
- साउंडट्रैकThe Face of Love
Performed by Nusrat Fateh Ali Khan with Eddie Vedder
Written by David Robbins, Tim Robbins & Nusrat Fateh Ali Khan
Nusrat Fateh Ali Khan courtesy of Real World Records, Ltd.
Eddie Vedder courtesy of Epic Records
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Pena de muerte
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,93,63,635
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,18,266
- 1 जन॰ 1996
- दुनिया भर में सकल
- $3,93,63,635
- चलने की अवधि
- 2 घं 2 मि(122 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1