एक दुष्ट चिकित्सक और उसकी बेटी एक मिलनसार भूत से मिलते हैं जब वे दुष्ट आत्माओं के परिसरों से छुटकारा पाने के लिए एक हवेली में चले जाते हैं.एक दुष्ट चिकित्सक और उसकी बेटी एक मिलनसार भूत से मिलते हैं जब वे दुष्ट आत्माओं के परिसरों से छुटकारा पाने के लिए एक हवेली में चले जाते हैं.एक दुष्ट चिकित्सक और उसकी बेटी एक मिलनसार भूत से मिलते हैं जब वे दुष्ट आत्माओं के परिसरों से छुटकारा पाने के लिए एक हवेली में चले जाते हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 5 जीत और कुल 5 नामांकन
Malachi Pearson
- Casper
- (वॉइस)
Fred Rogers
- Mr. Rogers
- (आर्काइव फ़ूटेज)
- (as Mr. Rogers)
Doug Bruckner
- Reporter
- (वॉइस)
- (as Douglas J.O. Bruckner)
Joe Nipote
- Stretch
- (वॉइस)
Joe Alaskey
- Stinkie
- (वॉइस)
Brad Garrett
- Fatso
- (वॉइस)
फ़ीचर्ड समीक्षाएं
Ever since i was six years of age, I've enjoyed this movie. It makes me laugh, cry, and excited! i am disappointed that so many people don't like this movie. it is an all-time favorite of mine. It is sad yes, but it has comic relief from the three uncles that try to be humanlike, Casper, the friendly ghost that knows what it is like to be lonely, for instance me, and same with Kat. I am very touched with this film, for it makes me think about me, lonely and depressed, but it has a positive ending which I really adored! i also liked the amazing effects, that were famous at its, time. Of course now, effects from movies are like The Matrix films and LOTR, but i mainly like this film, because it tocuhes my heart in a both sad and sometimes happy, knowing, someone else is out there for you, even if you are a bit...dead. 10/10
One of many children Halloween movies . I'll recommend a ghostly comedy. Especially about a friendly ghost named CASPER and his three ghosts brothers Fatso, Stretch, Stinkie. This funniest laughter ghosts that knock your socks off. Also is a family movie night . The leading roles is well acted. Christina Ricci as her character Kate and Bill Pullman character Dr. James Harvey perfect actors. Well done.
There's something enormously touching about this film and the way it deals with losses -- Pullman's wife and Casper's mother, in particular. And what's so clever about it is how it uses them as a tool of audience manipulation AND has the evil ghosts use Pullman in exactly the same way that we're being used. This is a smartly written screenplay. The story itself is pretty conventional and predictable: the loner girl gets teased by a popular girl (that nobody really likes) who's out to destroy her; the popular girl has a cute boyfriend that the loner girl has the hots for, etc. etc., story will resolve itself with everyone falling in love with loner girl.
I can't quite understand why this movie has such a low rating. The only explanation I can think of is that people prefer emotionally "safe" movies like "Toy Story" (of the same year) that are equally brilliant technically (and have as many references), but don't sacrifice coolness by showing sentimental, sad emotion. It's possible that the movie got marketed incorrectly. The film isn't about spooks; like one of those early, wonderful Tim Burton fantasies (this film also shares with them an outstanding score), the film deals -- quite movingly, I think -- with regaining that lost sense of childhood: that moment where Casper tries to remember being alive is just wrenching. And the scene relates just as profoundly to us: just as he can't remember being alive, we can't, really, remember being kids. I was ten when I first saw this, and it had an effect on me then (Ricci's description of sunny side-up eggs making her gag subconsciously made me avoid anything less than hard boiled for ten years); this is something that I really cherish as being part of my young emotional and visual education, and it stands up today.
I haven't seen the director's other films, so I have no idea whether this whole thing was a fluke or whether everything just settled in to my particular sensibility, but even outside of the emotion I think the technical aspects, the giant basement set, are enough to keep interest. And even outside of that, the acting is terrific. Cathy Moriarty is an absolute riot. 7/10
I can't quite understand why this movie has such a low rating. The only explanation I can think of is that people prefer emotionally "safe" movies like "Toy Story" (of the same year) that are equally brilliant technically (and have as many references), but don't sacrifice coolness by showing sentimental, sad emotion. It's possible that the movie got marketed incorrectly. The film isn't about spooks; like one of those early, wonderful Tim Burton fantasies (this film also shares with them an outstanding score), the film deals -- quite movingly, I think -- with regaining that lost sense of childhood: that moment where Casper tries to remember being alive is just wrenching. And the scene relates just as profoundly to us: just as he can't remember being alive, we can't, really, remember being kids. I was ten when I first saw this, and it had an effect on me then (Ricci's description of sunny side-up eggs making her gag subconsciously made me avoid anything less than hard boiled for ten years); this is something that I really cherish as being part of my young emotional and visual education, and it stands up today.
I haven't seen the director's other films, so I have no idea whether this whole thing was a fluke or whether everything just settled in to my particular sensibility, but even outside of the emotion I think the technical aspects, the giant basement set, are enough to keep interest. And even outside of that, the acting is terrific. Cathy Moriarty is an absolute riot. 7/10
I saw it first for Christina Ricci and, I admitt, I was seduced by her work.
I saw it as a beautiful and, for many reasons, useful film about friendship.
And the scene of dance of Casper and Kat remains the basic good point , with fairy tale sparkles.
A film for entire family, preserving a sort of very fair ingenuity, reminding small truths and defining , in smart manner, the lost of loved other.
Sure, a naif comedy.
But charming in profound sense, not less for gentle remind of the real needs of every from us.
I saw it as a beautiful and, for many reasons, useful film about friendship.
And the scene of dance of Casper and Kat remains the basic good point , with fairy tale sparkles.
A film for entire family, preserving a sort of very fair ingenuity, reminding small truths and defining , in smart manner, the lost of loved other.
Sure, a naif comedy.
But charming in profound sense, not less for gentle remind of the real needs of every from us.
Who says there are no such things as ghosts? Not if there is the ghostly inhabitants of Whipstaff Manor in Friendship, Maine! This desolate mansion is then, in the words of one of the members of the Ghostly Trio of Whipstaff, 'intruded' by Kat Harvey (Christina Ricci) and her eccentric father Dr. James Harvey (Bill Pullman), a ghost therapist. Carrigan Crittenden (Cathy Moriarty) had hired Dr. Harvey to exorcise the ghosts, including Casper the friendly ghost and his three obnoxious uncles, Stretch, Fatso and Stinkie, aspiring to gain Whipstaff's 'buried gold'.
Intertwining humour, all-time fun and a modern Cinderella story, 'Casper' promises to please as a movie which is compelling, hilarious, captivating, heart-warming, witty and above all, truly 'fleshtastic'.
'Casper' is recommended for any audience, regardless of age. At the time I am submitting this review I am currently 17, turning 18, but 'Casper' still manages to appear endearing and ultimately special. The magic of Bill Pullman, Christina Ricci as well as that of director Brad Silberling, executive producer Steven Spielberg, and other producers weaves between each and every scene to eventually lift us off our feet. Above all, I LOVE THIS MOVIE! Casper is my all time favourite character. Truly fantastic. You won't BOOlieve it until you see it.
Intertwining humour, all-time fun and a modern Cinderella story, 'Casper' promises to please as a movie which is compelling, hilarious, captivating, heart-warming, witty and above all, truly 'fleshtastic'.
'Casper' is recommended for any audience, regardless of age. At the time I am submitting this review I am currently 17, turning 18, but 'Casper' still manages to appear endearing and ultimately special. The magic of Bill Pullman, Christina Ricci as well as that of director Brad Silberling, executive producer Steven Spielberg, and other producers weaves between each and every scene to eventually lift us off our feet. Above all, I LOVE THIS MOVIE! Casper is my all time favourite character. Truly fantastic. You won't BOOlieve it until you see it.
क्या आपको पता है
- ट्रिवियाThis is the first feature film to have a fully computer-generated visual effects character in a leading role.
- गूफ़In the classroom, Casper ties Amber's shoelaces together before anyone else's. When Amber stands up to protest the party being at Kat's house instead of hers, she doesn't trip over them. She sits back down, but when the bell rings and she gets up, she trips.
- भाव
Dr. Raymond Stantz: [runs out of the house frantic] Who you gonna call? Someone else.
- क्रेज़ी क्रेडिटThe globe in the Universal logo fades into a full moon above Whipstaff Manor.
- कनेक्शनEdited into Casper: Deleted Scenes (2003)
- साउंडट्रैकCasper The Friendly Ghost
Written by Mack David and Jerry Livingston
Performed by Little Richard
Produced by Richie Zito and Little Richard
Arranged by Richie Zito
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Casper?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Casper
- फ़िल्माने की जगहें
- Rockport, मेन, यूएसए(Anonymous)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,05,44,179
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,68,40,385
- 28 मई 1995
- दुनिया भर में सकल
- $28,81,44,179
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें