Black Day Blue Night

This is one of those fun entertaining thrillers. I don't want to give anything away but if your in the mood this is one of those rare gems that no one has seen. Great plot twists, Great surprises. This one will keep you guessing. Mia Sara and Michelle Forbes are awesome!

It's not bad. In all regards the screenplay is much stronger than not, with lots of great ideas. The cast is solid, the filming locations are gorgeous, and it's well made from a technical standpoint. Only, it hardly seems appropriate to call 'Black day blue night' a crime thriller. Except at the climax, the course of events progresses with a sedate ease that never really gets the blood flowing. There's nothing inherently wrong with this; it's an approach that has worked well elsewhere, intended to let the narrative speak for itself without major embellishments. However, for whatever strength there is in the plot, the story simply isn't so inherently captivating as to provide that engagement and invigoration all by itself. Why, where flashbacks figure into the plot development, they are inserted with such detachment, and lack of utmost clarity, that I'm not sure I even caught the absolute entirety of what the plot is.

Unfortunately, within a few sentences, the problems of this feature are laid bare. If there is a definitive story to be conveyed through the medium, then even if the narrative is pointedly fractured and disjointed or told in a novel way, it must attain a distinct level of clarity - 'Black day blue night' does not. Clarity isn't recalled for all films, though, because some titles are more about fundamental presentation and art than storytelling. With that said - no matter what the genre, a picture needs to emphatically pique the interest of its viewers, whether that mean thrills, a visceral reaction, emotional investment, or provoking deep thought. Again, 'Black day blue night' does not. It doesn't perfectly communicate its story, and it is almost entirely unable to meaningfully capture one's imagination. If a film can do neither of these things, what good is it?

I don't dislike this, and for all that's done well, it's still suitably satisfying to warrant a very soft, "lazy day" recommendation. I just wish more mindfulness were applied to the storytelling, and passion to the film-making, because had they been, I'd be speaking from a place of much greater enthusiasm. As it is, 'Black day blue night' is an okay watch if you come across it, and it's most recommended for fans of the cast. Don't rush to go out of your way for it, though, because it sadly doesn't go out of its way to entertain.

Black Day Blue Night was actually good modern noir. Three young nomads on the run from their own lives team up on something of a road trip through a desert in the middle of nowhere (as most modern noir does). One woman finds that her husband is cheating on her, and after finding him in a hotel room, decides to head off and start anew. Strangely enough, she travels with her husband's mistress, who is forgiveable given that the sleazebag never told her he was married. And together, while driving in the pouring rain, they meet a third, very mysterious young man with a suitcase full of secrets. While they're giddy and free and all suspicious of one another, the cops back at town have them marked as suspects in the death of a policeman.

Black Day Blue Night starts out with immediate confrontation, and throws in a pretty good story with all it's twists meant to mislead your suspicions of one character after another, leading to a very unusual ending. That is, the movie starts with immediate action confrontation, and once you think the story is solved, you are immediately thrust into yet another turn in the plot, revealing just a little more than you expected before the movie is over.

But, as some viewers have written, the ending is slightly confusing and a bit of a let down. The killer is not who you would immediately expect and, once revealed, becomes somewhat confusing due to a rather thinly explained flashback which reveals all of the necessary motive to solve the mystery. But actually, there is a finale beyond that, which I would think is the most interesting of the film. Because modern noir always involves a circle of criminal suspects, almost always all of them guilty of something, it is also a genre that always involves money. And thus the question in these movies always becomes --how far are the characters willing to go for money?

If you like this rendition of modern film noir, I would suggest watching Red Rock West (it's also got J.T. Walsh and some going-ons in the blasted desert)!

This is another road-movie style thriller. The story is not exactly gripping as it slowly moves through the desert. J.T. Walsh 's investigation into the robbery is good but the body of the film is dull. The twists at the end are quite good but the conclusion lacks a punch due to poor character development.

Gil Bellows is OK in the lead but is too laid back for a role in a thriller like this - he doesn't have any mystery around him. Forbes and Sara are both quite dull and could have been played by anyone. Walsh adds undeserved class to the film but he really isn't good as he has nothing to do here.

Overall, a disappointing road movie come thriller that moves slowly along before ending in a good, if unmoving, conclusion.

Though "Black Day Blue Night" is not on a par with "Breakdown" or "Red Rock West", it does have another fine performance by J.T. Walsh, so for his admirers, this is a must see. Like "Red Rock West", "Black Day Blue Night" is a twisted modern noir, with plenty of guitar strums further enhancing some similarity between the two films. There is ample nudity, gorgeous desert locations, and a story that under close scrutiny, doesn't always make a whole lot of sense. Scenes move rapidly, then stand motionless for gratuitous nudity, finally starting up again. Character development of the four main players is quite good, and if you can overlook some minor faults, you will not be disappointed. - MERK