Antonia

This film was like taking a trip to an alternate universe and being given the gift of living a full, rich, and rewarding life there. For the most part, everyone is redeemed &/or fulfilled, although no one escapes tragedy, and some definitely have it worse than most. There was a line from the narrator, something to the effect of how "timed flowed into itself and wanted nothing more than to do so," (I am paraphrasing), and that, to me summed up the lovely slow pace of this film. The characters were real and quite sympathetic. I didn't find it to be agenda-driven like the previous commenter did. I simply thought it was a movie about Antonia, a kind and realistic woman, and those whom she loved.

Rarely does a movie embrace life as fully as "Antonia" (also known Antonia's Line). It was the deserving winner of the Academy Award for best foreign film in 1995. Quirky, unexpected, funny, frightening, and ultimately beautiful, Antonia's line is a portrait of hope that successfully escapes being saccharine. There are moments of violence and despair, but beauty endures. It portrays 3 generations of independent women, and the matriarch of their unusual family, Antonia. Antonia left her small village before WWII and returns years later with her grown daughter. Antonia has an opinion on everything, and smiles as she points out the colorful village characters to her cosmopolitan artist daughter who is amused by everyone from the town busy-bodies to the tradition of drunk men peeing on the church wall. However, Antonia manages to carve out a place for herself by embracing love when she finds it, and opening her arms to the needy outcasts and oddballs that are victimized by cruel villagers.

This film also offers a wonderfully refreshing depiction of love in all shapes and sizes-- connections between mentally handicapped loners, romance between women, elderly romance. It does not sensationalize these unusual couplings, rather it highlights the giddy delight that is two human beings connecting. This is truly a movie about self-made "family," lonely souls that find each other and live together with loyalty. However, one graphic rape scene and a few other (naratively essential) scenes of violence make it inappropriate for young or sensitive children. It is overall, however, not gritty or depressing. Rather it is a portrait of hope made more real by addressing the presence of shadows.

Both "My life as a Dog" and "American Beauty" are reminiscent of the kind of beauty and humor you can expect from this film.

This is a wonderful movie that shows how one woman and the people around her find happiness while rejecting the roles that society would force on them. There are good men such as farmer Bas and Simon, and perhaps even the priest in the end. This movie is not primarily about them however. It is about Antonia and her line of descendents: Danielle, Therese and Sarah. By rejecting stereotypes about the mentally ill, gay or other marginalized groups and accepting everyone for what they are, this family was able to find happiness in the face of hardship. Despite the despair of crooked finger, they prove that life is worth living. It is a complex movie. In the word of one of Therese's suitors, life is an intersection of relationships. The many relationships portrayed in this movie, most loving, some not, are what give it life and give the lives of these characters its meaning. I am a male and opponent of excessive political correctness. I was not offended in the least by this movie. The characters in it are wonderful. They happen to be mainly women, which is a refreshing change in a world where so often the female characters are only there as props for the male stars. I give it fourteen thumbs up!

I have to disagree with those who claim that this film is ULTRA feminist. Though Marleen Gorris' feminism is indeed apparent is indisputable. But people who are not necessarily part of the feminist movement will still appreciate this film. It is a more modern view of the independent woman, but I didn't see the political agenda of Gorris overpowering the film. It can be enjoyed as a simple "fairy-tale" (as declared by Gorris herself). The portrayal of women as independent and strong is definitely refreshing, but those who claim this film makes a statement against religion and family aren't necessarily accurate. the film covers these issues, showing women's strength in dealing with religious hypocrites and single motherhood, but I personally didn't feel the film was encouraging all women to leave the church or raise up families independently. It's a marvelous story of women's strengths and vulnerabilities, and the love that the women in one family share. ALL people will enjoy this film.

I think the other viewer got it wrong when they said the movie suggested "who needs men?". This movie contains every kind of relationship combination imaginable-- the message was anybody can find love. People also have children under all sorts of circumstances in this movie. The characters are in a family like relationship to each other because in a lot of cases they don't fit in with their family or the norm. Not to mention it explores the relationship of a woman with her family--- her mother, her daughter and her granddaughter. This movie explores religion and atheism, namely the hypocrisy of religion and the emptiness and search for meaning when one doesn't have religion. This movie explores a lot of themes- love, life, death, good vs. evil, and meaning. If all a person got out of it was that it was anti-family and anti-religion and anti-male, then they have lived a pretty sheltered life and won't get "it" anyway.