Catherine the Great

Once again, A&E brings us a beautiful looking production. The costumes, sets and, of course, performances by an exceptional cast, are stunning as always. However it seems that the writers were getting a bit tired while working on this one. It lacked the cleverness and vivacity of productions such as Vanity Fair and Pride and Prejudice, and the drama we enjoyed in Horatio and Tess. I was also disappointed to find that the version available in N.America is only 90 minutes long, and includes only Catherine's early reign. If you want to see the entire production you apparently need to get the 3-hour version, available in Germany.

All in all, it is worth watching, if only for the visuals and wonderful acting. Catherine Zeta Jones is brilliant and displays her versatility in this dramatic role. I cannot begin to comment on the equally strong performances of the rest of the cast, being restricted to 1000 characters here, but as I say, certainly worth the watch.

Having read the other comments on this film (by the way, I saw the 180 minute TV version), it seems to be the general opinion that Catherine Zeta-Jones was excellent. I beg to differ. Not one moment was there in the entire movie where I felt she was the protagonist, as she was supposed to be. If the real Catherine did do things that earned her the nickname "the Great", they were kept out of this movie. Going to extreme lengths to avoid one inch of her body being seen during one of the many nude scenes (then why play them at all?), Zeta-Jones never convinces as a woman of the world, a strong character, able to stand up to her mother-in-law (played brilliantly by Jeanne Moreau), and toying with the emotions of every man around. Instead she is an ice queen. No warmth, no passion, no sincerity. On the other hand, the movie has many fine performances. Ian Richardson, Brian Blessed, John Rhys-Davies (yes, he is well-cast as a violent peasant-soldier), Tim McInnerny as Iwan, aka prisoner number one. And production is beautiful, just look at Catherine's diamonds. They sparkle whereas their wearer doesn't. Does this movie enlighten the viewer about an important era in Russian history? No, but that would be asking a bit much in so little time. But it does tell a story quite entertainingly. Alas, as with many international productions, some people are simply miscast... All in all, 3 out of 4.

The Empress Elizabeth II rules mid-eighteenth century Russia. She marries her heir, the physically impotent German prince Peter, to the German princess, Catherine (Catherine Zeta-Jones). Catherine takes a lover, bears a child, plots against her husband and deposes him after he has reigned only six months. She becomes the Empress Catherine II. Well-educated and with liberal ideas, she is an astute politician and wages war with success. Yet when rebellion confronts her with the choice between fostering freedom and suppressing rebellion, she chooses suppression.

Catherine II was a fascinating and complex ruler, the period was crucial in determining the future course of Russia, its expansionary empire, its reactionary society and primitive economy. This film, however, addresses none of these great themes, except in the most cursory and superficial manner. It is a shallow drama of empty spectacle, in which intimate diversions are followed by unconvincing public events, battles and rebellions. The psychological characteristics of the protagonists, the motivations that drive them, the reasons for their decisions are all left unexplained. "There are great matters at stake", says Catherine to Potyomkin (Paul McGann), but we are never told what they are. Such rationalizations as do emerge involve the anachronistic importation of late twentieth-century western liberal concerns into eighteenth-century Russian society.

Television drama need not seem cheap. This film does. There is a good cast, but the dialogue is empty and its delivery perfunctory, although Ian Richardson's Vorontsov is done well and Brian Blessed is surprisingly well-moduated (and exceptionally quiet) as Bestuzhev. Generally, the cast seems dispirited by the trite, thin, lines they are asked to utter. One hundred minutes spent watching Miss Zeta-Jones will always have its rewards. None the less, she is miscast. Most particularly, her voice is in its nature contemporary and middle class, with its very modern inability correctly to pronounce the letter 'r'; it is unsuitable to the role of an eighteenth century aristocrat and Empress. The set pieces are sparse and unconvincing and the direction humdrum.

The story and this cast deserved better than this slight spectacle.

a visual delight. a credible Catherine. great cast. and that is not all. it is not a documentary and not a serious analysis of Tsarina reign. it is only a good axis for rainy day and not bad occasion to admire Catherine Zeta-Jones in a pretty role. the acting - a film with Jeanne Moreau,Ian Richardson, Mel Ferrer has not the problems in this domain. and Omar Sharif presence is the best sign for recognize a film who could be not very serious. a brilliant fresco about a Russian period. high ambitions, reasonable solutions. and fun at whole because not only the flavor of atmosphere is important but the nice build of fundamental moments. a film with few drops of fairy tale. good option against the Disney princes fashion.

Hey guys, After having read the preceding reviews and of course having seen the flick I just had to add this comment: I take my movies seriously and I take my history seriously---in general. I will easily admit that this film is a bit weak on both scores. But everybody obviously had a wonderful time!

And sometimes that counts for something. I had not seen Miss Zeta-Jones before but I am certainly glad to have seen her now. I will admit that Mae West was probably closer to the real Catherine (complexionwise, haircolorwise, and probably even sexualproclivitywise) but it was an absolute pleasure to watch a woman who is imperious as well as beautiful play a part in which she is required to be both those things! I mean, she pulled it off! And she looked absolutely great doing it! I Can't wait to see her again. Well now, the historic issues. I am really sorry that Potemkin didn't get a chance to show Catherine a Potemkin village in this particular version, but other than that the history didn't really bother me all that much. The fact is, I kind of liked the plot, even if it does come from never never land. So put me down as a complete Philistine if you will, I can't help but admit that I enjoyed this thing thoroughly, misguided as I may be. And let me throw in one more kudo. Anyone who cut his teeth on "Gunsmoke" as Mr. Chomsky did, and winds up directing a Russian Czarina quoting Rousseau can't be all bad. I hope you like it too.