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Yang guang can lan de ri zi

  • 1994
  • 2 घं 14 मि
IMDb रेटिंग
8.1/10
6 हज़ार
आपकी रेटिंग
Yang guang can lan de ri zi (1994)
DramaRomance

अपनी भाषा में प्लॉट जोड़ेंBeijing, 1970s. Now that the CR has driven most adults to the provinces, 14-year-old Monkey and his pals have free reign over the city. They hang around, get up to no good, and discover that... सभी पढ़ेंBeijing, 1970s. Now that the CR has driven most adults to the provinces, 14-year-old Monkey and his pals have free reign over the city. They hang around, get up to no good, and discover that unsolvable mystery referred to as "girls."Beijing, 1970s. Now that the CR has driven most adults to the provinces, 14-year-old Monkey and his pals have free reign over the city. They hang around, get up to no good, and discover that unsolvable mystery referred to as "girls."

  • निर्देशक
    • Wen Jiang
  • लेखक
    • Wen Jiang
    • Shuo Wang
  • स्टार
    • Yu Xia
    • Wei Chen
    • Shaobo Dai
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.1/10
    6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Wen Jiang
    • लेखक
      • Wen Jiang
      • Shuo Wang
    • स्टार
      • Yu Xia
      • Wei Chen
      • Shaobo Dai
    • 20यूज़र समीक्षाएं
    • 7आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 9 जीत और कुल 4 नामांकन

    फ़ोटो24

    पोस्टर देखें
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    + 18
    पोस्टर देखें

    टॉप कलाकार21

    बदलाव करें
    Yu Xia
    Yu Xia
    • Ma Xiaojun
    Wei Chen
    Shaobo Dai
    • Yang Gao
    Hua Fang
    • Old general
    Xiaogang Feng
    Xiaogang Feng
    • Mr. Hu
    Yao Er Ga
    • Fat fool
    • (as Erga Yao)
    Siqin Gaowa
    Siqin Gaowa
    • Mother
    • (as Gaowa Siqin)
    Le Geng
    Le Geng
    • Liu Yiku
    • (as Geng Le)
    Dong Han
    • Ma Xiaojun (child)
    Wen Jiang
    Wen Jiang
    • Ma Xiaojun (adult)
    Bin Liu
    • Liu Sitian (adult)
    Xiaoning Liu
    • Liu Yiku (adult)
    Jing Ning
    Jing Ning
    • Mi Lan
    Nan Shang
    • Liu Sitian
    Hong Tao
    Hong Tao
    • Yu Beipei
    Shuo Wang
    • Small-time conman
    Xueqi Wang
    Xueqi Wang
    • Father
    Shukun Wu
    • Mi Lan's grandma
    • निर्देशक
      • Wen Jiang
    • लेखक
      • Wen Jiang
      • Shuo Wang
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं20

    8.16K
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    फ़ीचर्ड समीक्षाएं

    10numbnut

    A Time to Live in Dream

    This is, by all means, one of the most beautiful films I've ever seen.

    In spite of the generational gap between us who were born in the 80s and the director who went through their puberty in the 60s, it's a portrait and poem of memory and childhood, regardless of age matters. It is physically impossible to be absolutely honest and draw back memories in the exact realistic way. So we all start telling our own stories mixed with both facts and imaginations.

    This film actually reminds me of Giuseppe Tornatore's masterpiece Malèna. The beginning of puberty desire for females, become the fundamental essence of both movies. Both boys had their final releases, with endings filled with both bitterness and sweetness. I believe that every single male audience who watched these two films can recall their dim but lively memory of the curiosity for girls at that age. Amazing...as a Chinese myself, I did find myself more involved with Jiang Wen's piece though.

    The cinematography, from Gu Changwei, who's also known for his Berlin Silver Bear winning direction of Peacock, simply stands in the realm of perfection. The yellowish and blurring photographic construction of scenarios generates the nostalgic theme of the movie, and helps the story become more beautiful as it has already been.

    The black&white ending, FANTASTIC. A truly imaginative and creative conclusion. Apart from the ironic contrast of the hierarchical statuses among the 'gang' members comparing to their old days, the final line shot by the retarded guy actually made me think. We are becoming materially and intellectually richer and cleverer as we grows, but should those childishness and innocently pure emotions from our childhood be cherished? Days 'in the heat of the sun' has not only symbolize memory, but also speak for the pureness and simple innocence. We are all 'fools', as we enter the kingdom of adulthood, we will inevitably lose our naive characteristics.

    Life is always about gaining and losing at the same time, isn't it?

    Politically and culturally speaking, Jian Wen did not focus much of his storytelling on the miseries and depressions resulted from Mao's Cultural Revolution. Again, this is not a realistic representation of the concrete historical notion, it's a artistic craft tributing to memories. My parents, who shared the similar historical experience with Jiang Wen, did not acknowledge this film as a proper description of their childhood when they saw it. "It's too romantic to be true." as they said to me. However, they both admitted that the film did reflect their own fantasies of an ideal past. Every time I ask them about what happened with their childhood, they can only give me a vague framework. A lot of the times, the recalling always come with a particular item, like shoes, football, soy sauce, Mao's red book...

    "Sometimes, maybe a kind of sound and a stream of smell, can bring you back to the truth." as Jiang Wen said in the voice-over in the film. It's not only for people grew up in the 60s, but also for everybody. Funny as it is, memories can cheat on you and rationalize you in the same filed.

    A Time to Live in Dream, this Beach Boy classic accidentally pops into my head. "The child's joyous tear, with innocence he has no fear, now I know what love really is..." Days with brightly shining and heating sun conspire to create a time to live in dream, what a marvel!
    9liangzihan

    Jiangwen'heart of the sun

    Before watching In the heart of the sun, I have not seen Jiang Wen's film less. Today I want to use this movie to talk about the influence that Jiang Wen has brought to me. This movie is not too late to watch, it is more like keeping a precious to watch. After all, the previous works that I seen of Director Jiang gave me too much shock, so his " Virgin works" must be kept for the final to watch. I have tried to write some film reviews of his works before, but most of them have been holding back for a long time. I don't know how write these film reviews. I only have those key words, exaggerated performances, rich rhythmic images, and black humor? For future works, these are indeed all. But Virgo is different. This is the first work of fresh blood entering the film industry. Talent and spirit are the most abundant time, and ignorant works must be very interesting.

    The film is called In heart of the sun, but I think it should be called Jiang Wen's heart of the sun. The background of the story is Beijing during the Cultural Revolution. It is the time when Jiang Wen lived where he grew. The story takes place in the place where he grew up, and the actors are more like his childhood. People in memory. There are a few buddies who are crazy every day, the girls who like, and the "fools" who are lingering in my memory. In the context of the times, the Cultural Revolution was not an era that was shining in the sun, but aside from the background, we returned to the little people. In that era when there were no mobile phones and naive ideas, these children who grew up in the compound brought the audience to a perfect experience from the films. A different experience. In this group of small groups, they all live happily and freely, as if they are isolated from the outside world. They do what they like, have their own dreams, have girls they like, and have countless troubles. At first glance, it seems to be no different from the children nowadays, isn't it just a bunch of kids running wild. Yes, this group of children presents the last sunshine under the political wall for a generation. Sometimes I am quite envious of children of this age, carefree, without mobile phones or computers, without any external fragmented information interference, and it can be regarded as a pure world. Jiang Wen photographed a era when he was a child, and photographed the best aspect that audiovisual language can present to the audience. His audiovisual creative talents made me fascinated by the rhythmic sense of his movies, not only the shock brought by the rhythm of the music, but also the feeling of matching the music and the picture.

    In any case, from the memory in the bones of a generation of people in the siege to the memory being processed into art products, his films always bring surprises and inspiration to me.
    10howard.schumann

    Has freshness and authenticity

    Due to lack of adult supervision during the Chinese Cultural Revolution, the mischievous boys of military fathers are free to spend their summer left to their own devices. Too young to join other youths working in the countryside, they spend their time riding their bikes, getting into gang fights, picking up girls, and asserting their masculinity. Chosen as one of 100 best Chinese films of the century by Asia Weekly Magazine, Wen Jiang's In the Heat of the Sun is a coming of age story set in Beijing in the 1970s after the Red Guards had been disbanded. The first film by a sixth generation Chinese director, it played to packed audiences of young people when it first opened in Beijing in 1995, but has never been released in North America.

    In the Heat of the Sun is based on the novel "Wild Beast" by Wang Shou, a controversial Chinese author who has written many stories about rebellious teenagers. The film is a subjective recollection about a group of friends who meet when their Army dads are shipped out to support Chairman Mao in 1969, recollections embellished by the narrator's fanciful memory. Steeped in eroticism and youth violence, it is a sharp turn from the melodramatic epics of the early 1990s that interpreted China's past as a time of sexual repression. Jiang does not wallow in marketable clichés or make a special appeal to Western audiences but, like the young people in the film, imparts to the work a freshness and authenticity that sets it apart.

    The film stars 17-year old Yu Xia as "Monkey" Ma Xiaojun, a rebellious teenager who is a stand-in for the director as a young man. Xia (whose name translates as 'Summer Rain') won the award for best actor at the 1994 Venice Film Festival, the youngest actor ever to win this award. Narrated by the director who is also a popular Chinese actor, the opening narration tells us that "Peking has changed so fast. In 20 years, it's become a modern city. Almost nothing is as I remembered. Change has wiped out my memories. I can't tell what's imagined from what's real." The film's leitmotif is introduced almost immediately and we understand the reason for the title. "My stories always take place in summer", the narrator continues.

    "The sunlight was so relentless, so bright, that our eyes were washed in waves of blackness. In the Heat of the Sun. In the raging storms of Revolution. The soldiers' hearts turn towards the sun." During that summer, Monkey acts out fantasies that make him feel like a hero and talks about characters from Russian novels and films dealing with revolutionary heroes searching for glory. He imagines himself standing up to bullies and enemies of the state in an imagined World War III and, in his fantasy, is willing to die for his country and his honor with women. He fights for his group, sending a rival gang member to the hospital for a month, sneaks into people's apartments with a self-made key (though he never steals anything), and watches films banned as inappropriate for children by the authorities.

    Monkey's main focus, unsurprisingly, is a girl whose portrait hanging on the wall of an apartment he let himself into is immediately captivating. His pursuit of Mi Lan (Ning Jing), who is a few years older than him, is, however, fraught with rejection, jealousy of group leader Liu Yiku, and passion that veers out of control. Although Jiang problematically redefines the Cultural Revolution as a period of spontaneity and freedom rather than dislocation and chaos, the film is not about politics but about the perilous transition from adolescence to maturity. Unlike other coming of age films, it is not a reflection of sadness and longing but an odyssey filled with the excitement of a new found freedom and revolutionary ardor.
    10leifeng75

    Simply brilliant

    I'm very down to earth about Chinese films. There's a few good ones like Suzhou River and Zhang Yimou's 'Huozhe' (Life). The rest I find to be overly catered for Western tastes, i.e. plenty of peasants and moralising tales of how bad Communism was for the tiny minority of privileged intellectuals.

    This film is definitely an exception. It is about a boy growing up in the Cultural Revolution, but shows the era with a kind of nostalgia that perhaps may be somewhat alien to the Western psyche. If you really want to learn something about how China experienced 'the Sixties,' then watch this if you can get a hold of it.

    On the down side, this film appears to be almost completely unavailable. If anyone knows of a DVD or video release anywhere, it would be much appreciated.
    10eagletc

    portrayal of our childhood!

    I have many classemates that come from Jun Qv Da Yuan(military region), who act exactly as those in the film. In those days(since 1972), there wasnt so much on concern in our mind, hence fighting against the children from other section in the military region became the only extracurriculum activity. Here Id like to express my admire for Jiang Wen, who shot this movie successfully from the first point of view. Thanks!

    इस तरह के और

    Guizi lai le
    8.2
    Guizi lai le
    Tai yang zhao chang sheng qi
    7.2
    Tai yang zhao chang sheng qi
    Rang zi dan fei
    7.3
    Rang zi dan fei
    Huo zhe
    8.3
    Huo zhe
    Fu rong zhen
    8.2
    Fu rong zhen
    Feng kuang de shi tou
    7.6
    Feng kuang de shi tou
    Ba wang bie ji
    8.1
    Ba wang bie ji
    The Great Buddha+
    7.6
    The Great Buddha+
    Xie bu ya zheng
    6.4
    Xie bu ya zheng
    Wo bu shi yao shen
    7.8
    Wo bu shi yao shen
    You hua hao hao shuo
    7.2
    You hua hao hao shuo
    Guling jie shaonian sharen shijian
    8.2
    Guling jie shaonian sharen shijian

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Ranked number 98 non-English-speaking film in the critics' poll conducted by the BBC in 2018.
    • इसके अलावा अन्य वर्जन
      Ma Xiaojun's 3-minute dream was cut from the final/official Chinese DVD version, but was available on one bootleg VHS version around '95-'97. Many characters only can be seen in this dream still appear in the ending credit (e.g., 4 fake Japanese soldiers, etc.).
    • कनेक्शन
      Features Lenin v 1918 godu (1939)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is In the Heat of the Sun?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 21 अगस्त 1995 (चीन)
    • कंट्री ऑफ़ ओरिजिन
      • चीन
      • हांगकांग
    • भाषा
      • मैंडरीन
    • इस रूप में भी जाना जाता है
      • In the Heat of the Sun
    • फ़िल्माने की जगहें
      • चीन
    • उत्पादन कंपनियां
      • China Film Co-Production Corporation
      • Dragon Film
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      2 घंटे 14 मिनट
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    Yang guang can lan de ri zi (1994)
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    By what name was Yang guang can lan de ri zi (1994) officially released in India in English?
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