The Shadow

Before BATMAN, there was THE SHADOW. In the history of troubled billionaires donning disguises at night, THE SHADOW told the story of Lamont Cranston before Bruce Wayne's story filled DC Comics' pages. Finally, in 1994, the long-running radio drama came to life on the big screen in one of the best adaptations since Tim Burton brought The Dark Knight to the silver screen in 1989. For some reason, the movie never caught on with the public; maybe not as many people remembered the radio version as I did. I loved it, though; I could watch this film again and again.

Alec Baldwin (BEETLEJUICE, HUNT FOR RED OCTOBER) plays Lamont Cranston, a former drug lord who is captured by a Tibetan monk and retrained to fight evil as his penance for doing it. Cranston's power is a kind of hypnotic telepathy; he has the power to "cloud men's minds", which he uses to make himself invisible to evildoers except for his shadow (because light itself can never be fooled).

Cranston lives an exciting double life in what is apparently a glamorized version of the 30's, playing the town as a billionaire playboy and building up a secret network of helpers from those he saves as The Shadow (each identified with a silver fire opal ring given them upon their rescue), until he meets his match in two ways: Cranston loses his heart to enchanting-but-scatterbrained Margo Lane (Penelope Ann Miller), and The Shadow must fight his evil counterpart, Shiwan Khan (John Lone), last descendant of Genghis Khan, who has a hypnotic telepathy of his own and is seeking to bring life as we know it to an end using elements that have never been combined before (Dr. Roy Tam to Cranston: "I guess you'd call it an implosive-explosive-submolecular destruction device." Cranston: "Or an 'atomic bomb'." Tam: "Hey, that's catchy.").

Forget trying to follow the plot; like BATMAN, the plot isn't the point. The point is the look and feel of the movie, and this movie has glamour and pizazz to spare. 1930's New York City has NEVER looked better. The special effects are brilliant (at one point, as water rises in an enclosed room, the invisible Shadow's legs make deep dents in the rising water) and very well used throughout, so that they are not intrusive but rather a part of the story. Like BATMAN, there's also a large assortment of anachronistic gadgetry (pneumatic tubes delivering messages over a sophisticated network, video phones, elaborate neon billboards) that somehow work with the story as well. And the acting--Baldwin, Miller, Lone, Peter Boyle as Cranston's driver, Tim Curry as an evil scientist in league with Lone, Ian McKellen as Margo's father, another scientist whose discoveries are exploited by Khan--is also first-rate. THE SHADOW is the perfect Saturday Night movie: Fun to watch, attractive-looking, and not terribly taxing on the brain. Go see it.

This movie got poor-to-middling reviews when it was released in 1994 but I still hold out hope that it eventually gets its proper respect in TV and Cable reruns, because it's a terrificly entertaining film. Maybe it just takes a certain frame of mind or background to enjoy this movie, but I absolutely love it and frequently go back to it when I want to see how a dark, edgy, and FUN movie is done right.

Alec Baldwin is excellent as Lamont Cranston/The Shadow. Baldwin has never achieved the commercial sucess many predicted for him and this movie perhaps shows why; Baldwin doesn't play a straight protagonist. The movie begins with Cranston as a hedonistic warlord in China and then jumps to his reformed Shadow persona is 1930's New York, and it is Baldwin's performance, which teeters between serious and funny, nice and cruel, that bridges the gap.

Russell Mulcahy and crew did an excellent job creating a 1930's-noir feel to the picture. One of my friends complained that the movie sets were "too obviously fake", I think he missed the point. They re-created the feel of a 1930's movie set, not the 1930's itself!

The movie is a bit campy at times but thankfully maintains the dark edge of the Shadow character, who has no qualms about killing or maiming his opponents (hey, this guy was a bloodthirsty killer in his previous life, you think he's going to forget how to use that power when he changes sides?). John Lone does a nice job as the Shadow's opposite number, Shiwan Khan. The supporting cast is excellent as well (Jonathon Winters, Ian McKellan, Tim Curry) with perhaps the exception of Penelope Ann Miller, whose character and performance were rather annoying, but I can live with it.

Overall I give this movie a BIG thumbs up and recommend it to anyone that enjoys fun movies. I've gotten a mixed reaction from friends I've recommended it to but I think this is the kind of movie where if you like it all, you'll love it.

Before mentioning the story, I have to warn potential buyers of this DVD:

Universal Studios committed the unbelievable "sin" of photographing this in the original 1.85:1 widescreen but only offering it on DVD in formatted-to-TV, so you miss a good percentage of the great visuals. Not only that, they zoom the picture to fill the screen so it isn't sharp, either. I hope this situation is rectified. It's a disgrace.

As for the story, it's simply a very hokey-but very entertaining fantasy/adventure, based on the popular radio hero of the 1930s.

This is just pure escapism, not to be judged seriously because it's a dumb story. It's cartoon-like, an outlandish story that mixes action, comedy and a superhero with time-travel and all sorts of strange happenings. For someone who likes to gawk at the sights and sounds of the '30s and '40s, this is a fun film. The surround sound in here is fun, too, especially when The Shadow (Alec Baldwin) speaks.

Exciting version of the popular comic books and broadcasting tale about the immortal crusader called ¨The Shadow¨ with very watchable FX and lots of fun . Several visual designs provide the highlights for those in the mood for a journey back to the radio past or a quick superhero adventure . As our stalwart hero , a billionaire playboy named Lamont Cranston (Alec Baldwin) is a master of illusion and defender of justice thanks to his alter ego . Aided by companion Margo Lane (Penelope Anne Miller) and a Cabman (Peter Boyle) he battles super-criminal named Shiwan Khan (John Lone) . He discovers his destiny and a old legacy as a superhero called The Shadow , the invisible man who walks , a seemingly relentless crime fighter . A mask and raincoat he finds himself battling his nemesis , the deadliest descendant of Ghengis Khan . He's helped by an attractive woman and both of whom travel to dangerous streets N.Y. to thwart a nasty criminal . Khan is a cold and megalomaniac killer who murders cruelty his victims, he wants to take a power to dominate the world , he is supported by a particular ally , a smarmy villain (Tim Curry) and his hoodlums . The hero and villain have equal powers , yet the heroine can be hypnotised by one and no other . The picture charges into a tale of a hero who turned from evil in Tibet and reemerged in New York City as a superhero holding extraordinary power to fight in that most wretched lair if iniquity . As in 30's New York City, the Shadow battles his enemy who is building an atomic bomb. But the caped crusader is trapped inside a locked chamber being helped by his girlfriend .

The Shadow is shown in this highly stylized big screen adaptation of the 30's radio show , the once starred by Orson Welles . Film gets exotic locations , derring-do adventures ,rip roaring , action-packed , tongue in check , it's a cinematic roller coaster pretty entertaining and with well made set pieces action , including numerous and elaborate FX . This exciting picture provides splendid production design by Joseph Nemec , while done more dynamically elsewhere , are fun and outstanding . This is an ambitious fantasy adventure with breathtaking special effects ; it has some well-staged scenes whose effectiveness owes much to Russell Mulcahy's strong pictorial sense . Older kids , teenagers may find the proceedings a bit hokey and paying little attention to logic , but everyone seems to be having a good time . The picture is a crossover among comic-strip hero , superhero feats , Saturday matinée serials and old-fashioned thirties movies . As this runs like an old Republic serial of the thirties or Forties on a multi-million dollar budget . Its arresting visuals , lavish realization and crude energy put filmmaker Russell Mulcahy on the map . Much of the dialogue springs as if balloons from the printed page and the interpretation is appropriately rudimentary . The picture has great loads of action , special effects abundant , glamorous cinematography by Stephen Burum and spectacular Jerry Goldsmith's musical score , including an enjoyable leitmotif .

The motion picture includes an interesting script by prestigious David Koepp and was rightly directed by Russell Mulcahy . Russell for some time worked in Britain as a filmmaker of video clips , but returned to his native country , Australia , to make his first fictional movie , ¨Razorback¨ . He was able to get the backing for what proved to be his greatest success ¨Highlander¨ . It led to two sequels , the first of which was realized by himself titled ¨Quickening¨ . He subsequently directed ¨Resurrection¨with Charlie Sheen and ¨Talos the mummy¨ , among others . Despite major stars and big budgets with which to work have not fulfilled their potential and he seemed less commanding with players than with action . The flick will appeal to adventure fans and comic-books enthusiastic . Rating : Good and amusing. Well worth seeing.

A short comment about this movie from a German point of view, which may make a difference when we're talking about radio plays/comics adapted to the silver screen:

"The Shadow" as a radio play is virtually unknown around here. (I used the opportunity to check out some old recordings on the web, and it's _awesome_ to listen to!) So, German audiences will just walk into the theatre without any proconceived ideas about how it should be, expecting just any other adventure movie.

As such, IMHO it stood up well. Baldwin is cool; of course his demi-dark side begs for a comparision to Batman, but I think Baldwin wins in terms of credibility and depth of character. The gimmicks and gadgets are neat, Tim Curry as the half-villain is entertaining to watch as always (though he overdoes it a bit at times), the script is well-paced, the action is staged superbly, the music is gripping.

But most of all: Kudos to the production design/special effects/makeup team! They did a superb job in transforming the Shadow's 'invisibility' (as well as his overall looks) from a radio idea to the screen. It was awesome to watch, and at the same time a bit chilling and frightening.

Drawback: Beside the intentional jokes ("I'm not interested in your balls..."), some takes just seemed to be unintentionally funny- perhaps they went a little too far in trying to create a gloomy atmosphere...

Along with _The Rocketeer_, this one's also one of the unfortunately widely underrated films. Certainly not a milestone in film history, but a good and entertaining flick to watch with a bag of popcorn and a girl to hold in your arms during the scary moments. But I'm pretty sure- The Shadow... knows!