IMDb रेटिंग
6.1/10
28 हज़ार
आपकी रेटिंग
1930 के दशक में न्यूयॉर्क शहर, द शैडो ने अपने नेमसिस शियावन खान से लड़ाई की, जो परमाणु बम बना रहा है.1930 के दशक में न्यूयॉर्क शहर, द शैडो ने अपने नेमसिस शियावन खान से लड़ाई की, जो परमाणु बम बना रहा है.1930 के दशक में न्यूयॉर्क शहर, द शैडो ने अपने नेमसिस शियावन खान से लड़ाई की, जो परमाणु बम बना रहा है.
- पुरस्कार
- 4 कुल नामांकन
Sinoa Loren
- Singer
- (as Sinoa)
फ़ीचर्ड समीक्षाएं
Before mentioning the story, I have to warn potential buyers of this DVD:
Universal Studios committed the unbelievable "sin" of photographing this in the original 1.85:1 widescreen but only offering it on DVD in formatted-to-TV, so you miss a good percentage of the great visuals. Not only that, they zoom the picture to fill the screen so it isn't sharp, either. I hope this situation is rectified. It's a disgrace.
As for the story, it's simply a very hokey-but very entertaining fantasy/adventure, based on the popular radio hero of the 1930s.
This is just pure escapism, not to be judged seriously because it's a dumb story. It's cartoon-like, an outlandish story that mixes action, comedy and a superhero with time-travel and all sorts of strange happenings. For someone who likes to gawk at the sights and sounds of the '30s and '40s, this is a fun film. The surround sound in here is fun, too, especially when The Shadow (Alec Baldwin) speaks.
Universal Studios committed the unbelievable "sin" of photographing this in the original 1.85:1 widescreen but only offering it on DVD in formatted-to-TV, so you miss a good percentage of the great visuals. Not only that, they zoom the picture to fill the screen so it isn't sharp, either. I hope this situation is rectified. It's a disgrace.
As for the story, it's simply a very hokey-but very entertaining fantasy/adventure, based on the popular radio hero of the 1930s.
This is just pure escapism, not to be judged seriously because it's a dumb story. It's cartoon-like, an outlandish story that mixes action, comedy and a superhero with time-travel and all sorts of strange happenings. For someone who likes to gawk at the sights and sounds of the '30s and '40s, this is a fun film. The surround sound in here is fun, too, especially when The Shadow (Alec Baldwin) speaks.
10Snatchy
This movie got poor-to-middling reviews when it was released in 1994 but I still hold out hope that it eventually gets its proper respect in TV and Cable reruns, because it's a terrificly entertaining film. Maybe it just takes a certain frame of mind or background to enjoy this movie, but I absolutely love it and frequently go back to it when I want to see how a dark, edgy, and FUN movie is done right.
Alec Baldwin is excellent as Lamont Cranston/The Shadow. Baldwin has never achieved the commercial sucess many predicted for him and this movie perhaps shows why; Baldwin doesn't play a straight protagonist. The movie begins with Cranston as a hedonistic warlord in China and then jumps to his reformed Shadow persona is 1930's New York, and it is Baldwin's performance, which teeters between serious and funny, nice and cruel, that bridges the gap.
Russell Mulcahy and crew did an excellent job creating a 1930's-noir feel to the picture. One of my friends complained that the movie sets were "too obviously fake", I think he missed the point. They re-created the feel of a 1930's movie set, not the 1930's itself!
The movie is a bit campy at times but thankfully maintains the dark edge of the Shadow character, who has no qualms about killing or maiming his opponents (hey, this guy was a bloodthirsty killer in his previous life, you think he's going to forget how to use that power when he changes sides?). John Lone does a nice job as the Shadow's opposite number, Shiwan Khan. The supporting cast is excellent as well (Jonathon Winters, Ian McKellan, Tim Curry) with perhaps the exception of Penelope Ann Miller, whose character and performance were rather annoying, but I can live with it.
Overall I give this movie a BIG thumbs up and recommend it to anyone that enjoys fun movies. I've gotten a mixed reaction from friends I've recommended it to but I think this is the kind of movie where if you like it all, you'll love it.
Alec Baldwin is excellent as Lamont Cranston/The Shadow. Baldwin has never achieved the commercial sucess many predicted for him and this movie perhaps shows why; Baldwin doesn't play a straight protagonist. The movie begins with Cranston as a hedonistic warlord in China and then jumps to his reformed Shadow persona is 1930's New York, and it is Baldwin's performance, which teeters between serious and funny, nice and cruel, that bridges the gap.
Russell Mulcahy and crew did an excellent job creating a 1930's-noir feel to the picture. One of my friends complained that the movie sets were "too obviously fake", I think he missed the point. They re-created the feel of a 1930's movie set, not the 1930's itself!
The movie is a bit campy at times but thankfully maintains the dark edge of the Shadow character, who has no qualms about killing or maiming his opponents (hey, this guy was a bloodthirsty killer in his previous life, you think he's going to forget how to use that power when he changes sides?). John Lone does a nice job as the Shadow's opposite number, Shiwan Khan. The supporting cast is excellent as well (Jonathon Winters, Ian McKellan, Tim Curry) with perhaps the exception of Penelope Ann Miller, whose character and performance were rather annoying, but I can live with it.
Overall I give this movie a BIG thumbs up and recommend it to anyone that enjoys fun movies. I've gotten a mixed reaction from friends I've recommended it to but I think this is the kind of movie where if you like it all, you'll love it.
I have watched the movie several times now after purchasing it and it actually gets better each time I view it. I would highly recommend the film to everyone.
At first (see my earlier comment) I found John Lone's villain to be too weak...but I see now why. The REAL foe in the film is not Khan..but the SHADOW himself. His inner darkside vs his good side. Lone is just there to show you what the darkside could be. HE isn't what scares the Shadow. It's his own past, his evil side, loss of control that plagues the hero.
I wish this had been better received because we could've enjoyed a few sequels by now. And the same goes for THE PHANTOM and THE ROCKETEER.
At first (see my earlier comment) I found John Lone's villain to be too weak...but I see now why. The REAL foe in the film is not Khan..but the SHADOW himself. His inner darkside vs his good side. Lone is just there to show you what the darkside could be. HE isn't what scares the Shadow. It's his own past, his evil side, loss of control that plagues the hero.
I wish this had been better received because we could've enjoyed a few sequels by now. And the same goes for THE PHANTOM and THE ROCKETEER.
I don't really understand the bad rep this movie has gotten. Sure, its not "high art" (then again, Shakespeare, Dickens and Herodetus weren't meant to be, or perceived as, high art when they were written). What The Shadow was, and remains, in my eyes, is one of the best super-hero adaptations ever (the best until X-Men came out, in my opinion).
I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.
Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).
What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.
This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)
I recommend watching it, but only with an open mind.
I'm not terribly familiar with the old radio drama Shadow, so I can't speak as to the details, but the feeling, the essence of the movie fits with what I've experienced. Much more importantly, it stand out well on its own.
Special effects play a major part, but are not of the over-played. Action is well done, and acting is acceptable, though rarely outstanding (the Shadow's cabbie Shrebnitz is an engrossing exception).
What really makes this movie stand out is the layering. Plots, characters, backgrounds, all are complex. The movie's basic plot is well-paced, occasionally a bit slow, but it makes up for it with the incredible wealth of details it packs in. Watching the movie, one gets the sense of an incredible amount of backstory for each character (little things, like the family life of some of the Shadow's agents, barely glimpsed, or even just the complex web of those agents across the city), or that around the corner there lies a world to explore.
This movie can be difficult to classify, which may lead to its unpopularity. Clearly its not a drama, not is it a comedy, nor even entirely an action. Scifi or fantasy are both possible descriptions, but they fail. The Shadow is comicbook style, in the truest sense of the genre. Complex characters, pull-pounding action, some jokes, some drama...it all mixes together. If you can get a bead on the style, its a very enjoyable movie, far ahead of most other super-hero films (Superman, Batman, the Phantom, etc.)
I recommend watching it, but only with an open mind.
Authentic 1930s sets, clothing, cars, interiors, etc. A deja-vue trip for those over 60, and a great visual experience for anyone at any age. Really good script! Nicely done! Alec Baldwin could be really menacing at times--notice his eye color change from blue to deep brown when he was feeling vibes of his past life of evil. This movie is super for the whole family! When I first got it, I watched it twice in 24 hours--and that was just the start of something good.... I think I can safely say--you will really enjoy it too!!
क्या आपको पता है
- ट्रिवियाWhen Shiwan Khan and Lamont Cranston first meet, their dialogue about where Cranston purchased his tie is a spoof on product placement during the radio airing of The Shadow.
- गूफ़Shiwan Khan says that he is the last living descendant of Genghis Khan, which is provably not true (see trivia). He is probably counting only the line of approved dynastic marriages, as opposed to by-blows from one-night stands and other "mongrel" branches.
- भाव
Margo Lane: Oh, God I dreamed.
Lamont Cranston: So did I. What did you dream?
Margo Lane: I was lying naked on a beach in the South Seas. The tide was coming up to my toes. The sun was beating down. My skin hot and cool at the same time. It was wonderful. What was yours?
Lamont Cranston: I dreamed I tore all the skin off my face and was somebody else underneath.
Margo Lane: You have problems.
Lamont Cranston: I'm aware of that.
- कनेक्शनEdited into Taylor Dayne: Original Sin (1995)
- साउंडट्रैकOriginal Sin (Theme from 'The Shadow')
Written, Produced and Arranged by Jim Steinman
Performed by Taylor Dayne
Courtesy of Arista Records, Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,20,63,435
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,17,13,845
- 4 जुल॰ 1994
- दुनिया भर में सकल
- $4,80,63,435
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- ध्वनि मिश्रण
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