सीरियल मॉम

John Waters' gleeful story of a suburban housewife who leads a prim and proper life on the surface, but has a malevolent side. Others catch on to the violence she commits pretty quickly, making the serial murders campy fun, but rather episodic. The best parts of the film were the little bits of satire Waters peppered into the script. The rock band Camel Lips continuing to play on while a man is immolated onstage, even adding to the fire. The woman's family trying to monetize her trial by hawking t-shirts and anticipating a TV dramatization. The priest who uses twisted logic to argue that Christ would have supported the death penalty. "Jesus said nothing to condemn capital punishment as he hung on the cross, did he?" he says. There's something inherently funny about a mom singing along to Barry Manilow's 'Daybreak' as she's on her way to committing more mayhem, and subversive too. I got a little less out of the various murders, like the bludgeoning with a leg of lamb, but was entertained.

An uproariously witty satire on "petty" bourgeois American values, John Waters brings his own distinctive madness to the screen by focussing on cardboard cut-out caricatures of pop culture Americana.

Turning his outrageous gaze on an archetypally perfect housewife and mother from the Baltimore suburbs in Maryland, supportive to her loving husband and teenage kids and possessing a real tlent for cooking, it appears that she is everything a stable, hard-working business man could want. However, there is a slight catch. She is also a serial killer.

Mom's tendency to take bloody revenge on any poor neighbouring housewife who fails to observe her rigid socially acceptable guidelines, like not recycling rubbish or driving too fast, is so barmy you are sure to find it absurdly and darkly funny. Kathleen Turner, alternating between dizzy, unquestioning devotion to her family and clinically cool, yet psychotic anger to offending neighbours, either appears to possess a martyr's yellow halo above her head, denoting divine lightness and freshness, or a focussed smile as she carefully contemplates her next victim.

If you are on the lookout for some perfectly vibrant, yet malicious black comedy, subscribe to "Serial Mom", one of the most ruthless, patronising skits on good manners and nosey, voyeuristic neighbours ever to hit the screen. If you like Waters' latest irreverent venture into visceral, cutting black humour, then get all his other movies, because they are all even more extreme and grotesque - "Pink Flamingos", "Hairspray", "Cry Baby" - all kitschy, underrated classics in their own right.

Beverly Sutphin (Kathleen Turner) seems to be a typical Betty Crocker suburban housewife. Unfortunately, people are dropping like flies around her! Could this perfect mom be a serial killer?

"Serial Mom" is a ridiculously charming and clever film that never really received the credit it deserved. It is John Waters' best mainstream film, and its tongue-in-cheek portrayal of suburbia, domesticity, the media, and conventional gender roles is delightfully subversive. Kathleen Turner was criminally underrated--this was her best performance to date. The dialogue is hilarious, the murders are wickedly funny, and the overall atmosphere of the film is disturbingly bright and shiny. Co-stars Waters regulars Mink Stole, Ricki Lake, Traci Lords, and features a dynamite cameo by grunge goddesses L7. My Rating: 9/10

Imagine this: the main character is a woman called Beverly Sutphin. Her husband is a dentist and she does her best to bring up her children. In short, she is a respectable human being with the particularity of being a real stickler for good manners . Maybe, a little too respectable so that when someone speaks ill of one member of her family, Beverly is ready to kill to defend her family!

Only one filmmaker seemed designated to shot this highly entertaining black comedy: John Waters, the king of bad taste and extravagance. In "Serial Mom", most of the comical situations are structured about the two quoted characteristics. The whole is condensed in one hour and a half. You don't get bored one moment and you honestly laugh in front of all these murders. In "Serial Mom", you also recognize Waters' strong taste for bloody, gore and horror movies. Moreover, for this extraordinary director, it is the occasion to harm the model image of the American family.

All in all, a delightfully politically incorrect comedy led by a Kathleen Turner on top form.

I saw Serial Mom for the first time as a fairly young kid, and thought it was pretty good. I've just seen it for the first time as an adult, and it turns out that I'd forgotten just how good this film really is! It's certainly not to everyone's taste, and if you can't handle high camp, you definitely don't want to see this; but if you like your films wild and wicked, Serial Mom is a treat indeed! The film follows a slasher plot line, but it's clear that director John Waters didn't want to merely make a slash flick. The film is a parody of life as a housewife, the media and modern society in general; with a heavy dosage of sick humour and a very unique mean streak running throughout. Serial Mom is the sort of film that puts a smile on your face, and it follows the story of a not quite so normal American mother. While her fellow housewives are cooking dinner and cleaning the house, Beverly R. Sutphin is out dispatching people that have got on hers and her family's nerves in a variety of nasty, yet hilarious, ways. Her kids think it's cool, and her husband is duly worried...

Kathleen Turner takes the lead role, and does an excellent job of performing in a serious, yet jokey way; which does the film no end of favours on the parody front. She looks the part, acts the part...and really, I cant think of a better middle-aged actress to take the lead in this film. The support cast, which includes Matthew Lillard and Ricki Lake, is good; but it's the director that's the real star of the show. John Waters has made a name for himself by creating odd and twisted films, and although I haven't seen a great deal of them; Serial Mom is his best as far as I'm concerned. It's one of those films that constantly make you laugh (providing you've got a sick sense of humour), while poking fun at society and offending all the right people all at once! I love originality in movies, and this really is one unique film. The nineties saw the release of lots of obscure social commentaries that were lost under films like Schindler's List and Fight Club, and Serial Mom, along with Francois Ozon's 'Sitcom', is one of the best 'under the radar' films of the decade. It's not a film that everyone will like, but everyone should see it just in case!