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3.4/10
28 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibal... सभी पढ़ेंA group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.A group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.
- पुरस्कार
- कुल 1 नामांकन
Renée Zellweger
- Jenny
- (as Renee Zellweger)
Tonie Perensky
- Darla
- (as Tonie Perenski)
Lisa Marie Newmyer
- Heather
- (as Lisa Newmyer)
Tyler Shea Cone
- Barry
- (as Tyler Cone)
फ़ीचर्ड समीक्षाएं
Well said, Rothman. Whatever this movie is supposed to be, it fails on every level. It's not scary, it's not disturbing, it's not entertaining, it's only funny periodically when you can't believe how stupid it is, and it essentially killed the Texas Chainsaw Massacre franchise until it was rebooted a decade later.
The only reason anyone would have any inclination to watch this is because of its leads - Renee Zellweger and Matthew McConaughey - who were young and naive back then, but they did they best they could with the material they had. Renee played a fine damsel in distress and McConaughey was perfect as an insane cannibalistic psychopath. You can tell he was having fun with the part, and the fun he has is contagious sometimes especially knowing how huge he has become since.
The movie itself is downright horrendous. It starts off as a typical slasher: a few teens leaving prom get stranded in the woods, then they encounter strange characters, and from then it devolves into a nonsensical screaming battle between everyone. Literally there are scenes in this movie where the only lines are "AHHHH!" Leatherface has gone full transvestite for this installment. They also end the movie with some sort of conspiracy that these cannibals have been around for thousands of years and there are men in suits that check up on them or something. It makes absolutely no sense and trying to piece it together will ensure a loss of brain cells.
This is the worst of the pre-millennial TCMs by a long shot. Only watch if you're a die-hard TCM completist or you want to watch McConaughey yell like crazy for a while. Either way, you're bound to be disappointed.
The only reason anyone would have any inclination to watch this is because of its leads - Renee Zellweger and Matthew McConaughey - who were young and naive back then, but they did they best they could with the material they had. Renee played a fine damsel in distress and McConaughey was perfect as an insane cannibalistic psychopath. You can tell he was having fun with the part, and the fun he has is contagious sometimes especially knowing how huge he has become since.
The movie itself is downright horrendous. It starts off as a typical slasher: a few teens leaving prom get stranded in the woods, then they encounter strange characters, and from then it devolves into a nonsensical screaming battle between everyone. Literally there are scenes in this movie where the only lines are "AHHHH!" Leatherface has gone full transvestite for this installment. They also end the movie with some sort of conspiracy that these cannibals have been around for thousands of years and there are men in suits that check up on them or something. It makes absolutely no sense and trying to piece it together will ensure a loss of brain cells.
This is the worst of the pre-millennial TCMs by a long shot. Only watch if you're a die-hard TCM completist or you want to watch McConaughey yell like crazy for a while. Either way, you're bound to be disappointed.
Let's be frank. You don't complain to the manager of your local McDonald's when you don't get a five star meal. Guess what folks, you just ordered the value meal that's been sitting in the warmer just a little too long. The fourth installment of the Texas Chainsaw Massacre sucks... appropriately so.
Let me reiterate that this is the third sequel to the Texas Chainsaw Massacre. If anyone is still surprised that it didn't land any Oscars, please please seek help. Personally, for yet another recycled dimestore drive-in flick, I thought this one paid off quite nicely... true, the writing was just this side of atrocious (although I had heard word of an original cut of the film I have had neither the luck to procure one nor the drive to even attempt to), the acting - for the most part - was terrible, but it's still fun to single out the future stars who actually did give performances of startling quality. I must say that I enjoyed the movie for being a regurgitated horror film... I got a few good scares out of it and quite frankly some scenes flat out disturbed me. Sound design was nice, and there were quite a few decent shots here and there, making good (though endless) use of lighting through dust and fog. Editing was nothing superb but oftentimes, the better the cutting, the less we notice it. Altogether, it was a technically aware movie. Not one to expect the unexpected I wasn't disappointed with the film's shortcomings, and when you try to dissect the plot there are some pretty substantial ones. Still, a fine delivery, particularly after the style-sterile attempt of the third film.
Not the greatest film ever, but far from being the worst.
Let me reiterate that this is the third sequel to the Texas Chainsaw Massacre. If anyone is still surprised that it didn't land any Oscars, please please seek help. Personally, for yet another recycled dimestore drive-in flick, I thought this one paid off quite nicely... true, the writing was just this side of atrocious (although I had heard word of an original cut of the film I have had neither the luck to procure one nor the drive to even attempt to), the acting - for the most part - was terrible, but it's still fun to single out the future stars who actually did give performances of startling quality. I must say that I enjoyed the movie for being a regurgitated horror film... I got a few good scares out of it and quite frankly some scenes flat out disturbed me. Sound design was nice, and there were quite a few decent shots here and there, making good (though endless) use of lighting through dust and fog. Editing was nothing superb but oftentimes, the better the cutting, the less we notice it. Altogether, it was a technically aware movie. Not one to expect the unexpected I wasn't disappointed with the film's shortcomings, and when you try to dissect the plot there are some pretty substantial ones. Still, a fine delivery, particularly after the style-sterile attempt of the third film.
Not the greatest film ever, but far from being the worst.
At one point, a terrorized Jenny screams "I don't understand!" And Vilmer replies "Welcome to the real world." For me, this sums up everything I like about this movie.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The latest Texas Chainsaw Massacre, is absolutely no rest from the bizarre first three horror films. Leatherface here is performed just like Gunnar Hansen's take in the 1974 granddaddy of all horror films, " The Texas Chainsaw Massacre." The actors seem to overact sometimes, it's pretty corny...still the humor and craziness of the flick are entertaining, as well as the music and atmosphere. Definitely the best film of the two leading stars, who would go on to become Hollywood heartthrobs. You'll have a lot of fun if you're a horror fan who likes to see some weird B-ish stuff.
This movie is definitely not winning any awards., but it is definitely a guilty pleasure for alot of people who like B quality horror movies and ridiculous cult movies. You know the ones, "So bad that it's good."
क्या आपको पता है
- ट्रिवियाMatthew McConaughey had just graduated college and planned on moving to California when he auditioned for this movie. He read for the part of a young motorcyclist who rescues Jenny at the end and rides off with her into the sunset (a role that was eventually eliminated). Before he left, writer / producer / director Kim Henkel asked if he knew of anyone who might be right for the role of the villain, Vilmer. McConaughey suggested two friends from acting class and left. He was about to get in his truck and drive to California when he stopped and realized, "What was I thinking?" He immediately turned around and asked Henkel, "Hey, can I audition for Vilmer?" Henkel gave him a spoon from the kitchen, told him to pretend it's a knife and tasked him with scaring his secretary. Then, in the middle of the audition, he told him to pretend his mechanical leg was malfunctioning. McConaughey was so convincing that he won the role of Vilmer on the spot.
- गूफ़When Vilmer says to Jenny, "I asked you a goddamn question," Darla is looking inside a cabinet in the background. In the next shot she's at the table putting make-up on.
- क्रेज़ी क्रेडिटIn the end credits, the "Patient on Gurney" actress was credited as ANONYMOUS.
- इसके अलावा अन्य वर्जनThe Finnish video version excludes numerous scenes including violence. Cut by more than 15 minutes.
- कनेक्शनFeatured in The Return of the Texas Chainsaw Massacre: The Documentary (1996)
- साउंडट्रैकTorn And Tied
Written by David Derrick, Jared Toten, Kyle Ellison and Sims Ellison
Performed by Pariah
Produced by Tom Werman
Killingbird Music (ASCAP)
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Masacre en Texas: la nueva generación
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,85,898
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $28,235
- 24 सित॰ 1995
- दुनिया भर में सकल
- $1,85,898
- चलने की अवधि
- 1 घं 27 मि(87 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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