Pontiac Moon

This is a good film for anyone who was a kid at the time of the Apollo Moon Landings and can remember how it felt to be alive at a momentous time in World History.

The film oozes period nostalgia and the scenery on the roadtrip to The Peaks of the Moon in Idaho is quite breathtaking, and the relationship between the Ted Danson character and his young son is quite touching.

You cant expect anyone who wasn't alive at the time this movie was set to appreciate the feelings that the story creates, this is one for those who still retain those feelings of innocense and the feelings of hope that you had; being young in 1969.

It's more than just a movie, it unlocks feelings and emotions you thought you had long forgotten. Not a movie for the cynical, or for the Nintendo generation whom have no historical perspective and no idea what it was like to alive when the World was a place of hope.

I really liked that movie for the originality of the plot. From the beginning, on the one hand, you have Apollo XI taking off to the Moon in the boldest and riskiest adventure in all the history of humanity, and on the other hand, you have Katherine Bellamy, who can't even step out of her house because she is too afraid of the world out there. And between those two extremes, you have Washington Bellamy, his husband, who has a drive to explore and discover but hasn't made a single trip with his 11-year old son because Katherine doesn't even want her son to step into a car.

Now Washington is too inspired by the Apollo odyssey and decides it is time for his son to discover something more than what you can find in books. They will drive from their home in California to a natural crater in Idaho, in exactly the same time as Apollo XI gets from Earth to Moon.

The parallelism between the father-and-son trip and the space journey is maintained from the beginning to the end. Of course, the father and the son will strengthen their ties during the trip, the son will learn why his mother is so timorous and... maybe there's a happy ending over there!

A beautiful, poignant film. An agoraphobic's imaginative but troubled husband takes off with their son in a 1949 Pontiac to mark the 1969 lunar mission with a 'perfect act:' To match the mileage on the Pontiac and their arrival at a national park 'moon' crater to coincide with the distance to the moon and the astronauts' landing at 'Tranquility Base.' The agoraphobic wife overcomes her self-imposed, seven-year confinement in their house to pursue them in another unusual vehicle from her husband's collection. Various misadventures ensue. Watch for 'cameos.'

As a movie collector for decades who considers himself very critical & picky about films, I can't help myself, I love this movie. Yeah, it's maybe a little far-fetched or corny sometimes but there isn't a second of it that's not enjoyable – it's just too charming and well directed with exactly that effect in mind, and with a beautiful musical score, superb cinematography and a tight script. I think Ted Danson possibly gives his best performance ever as Washington Bellamy, an enraptured-with-knowledge elementary school teacher who also collects beautifully oddball classic cars. The story line described above about trying to match the distance the Apollo crew travels by simultaneously driving over a large part of the country to the Spires of the Moon National Park is already a remarkably charming idea. This will be his "one perfect act" as he brings his very cute young boy with him, leaving behind an quirky paranoid wife who is always afraid to leave the house. Mary Steenburgen plays this part with superb humor as she sets off after her husband and son. Of course, interesting adventures and troubles occur during the journeys but it's Washington's never failing enthusiasm for life and its wonders that really make the film's ideas all work. I've watched this film a number of times and will watch it again into old age and when I'm no longer able to enjoy it I'll be ready to die.

Ted Danson snoozes his way through the film with real-life wife Mary Steenburgen. Very bad script, very bad direction, very boring - tries to be a grand epic with hidden meanings but it is just not. Bad acting, especially on the child's part. A Haley Joel Osment he is not. One to skip.

2/5 stars -

John Ulmer