Nostradamus

I only saw this film a few days ago and was struck by the beauty of the film as a whole. I found it neither boring, nor disjointed. Instead I was amazed at the man's life, the portrayal of the religious fear and bigotry of the time, and the terror of the plague. While I assume much of it can be put down to artistic licence, I come away from the film understanding more about the man, especially the fact that he wasn't some grizzled old madman.

I loved it, only finding Rutger Hauer's section somewhat unnecessary and peripheral, and his vision of the distant future too stylised. I would like to have known more about the rest of his life after the death of the King though...

Michel de Nostredame, generally known as Nostradamus, was a sixteenth-century French physician, but is better known today as a reputed prophet and seer. His fame rests on a series of gnomic quatrains which, it has been claimed, contain predictions of future world events, including wars, political changes and natural disasters. The problem is that his quatrains are written in a language so obscure that they can be interpreted to mean virtually anything. Those who seek to interpret them generally do so with the benefit of hindsight, seeking to prove that Nostradamus predicted World War II, the atomic bomb, 9/11 or whatever; those seeking to use his works to foretell events which have not yet happened tend to come badly unstuck. Even when a particular quatrain can be "proven" to have predicted a particular event, this is normally done with the help of some creative rewriting or creative mistranslating of his words. (Anyone with any knowledge of the French of the period can find some spectacular examples of this on the internet, particularly those interpretations which try to prove that by "Hister"- a Classical name for the River Danube- Nostradamus meant "Hitler").

The obscurity of Nostradamus' prophecies was quite deliberate; had he clearly and unambiguously foretold specific events which then failed to occur, his reputation as a seer would have been destroyed for ever. The film, however, would have us believe that he deliberately obscured his meaning in order to ward off the attentions of the Church, although in the sixteenth century attempts to foretell the future were not forbidden and, indeed, astrology was regarded as an intellectually respectable, and theologically permissible, science.

As might be clear from my opening paragraph, I personally do not believe that Nostradamus possessed a supernatural power to foretell the future. (Indeed, I do not believe that any human being possesses or has possessed such a power). In the original French, his verses have a certain surrealist inventiveness, but I have never seen any reason to attribute any other significance to them. This film, however, is quite openly made on the assumption that its hero did indeed possess prophetic gifts; I was left with the definite feeling that Roger Christian was asking me to accept that Nostradamus really was a man tormented by horrifying visions of the future and whose prophecies were intended as warnings to mankind of the fate that awaited them.

Now I normally leave my scepticism about the supernatural at the cinema door; I have never, for example, allowed the fact that I do not believe in witchcraft to prevent me from enjoying the Harry Potter films. Suspension of disbelief, however, is something I find easier to accomplish in the context of a wholly fictional story than in the context of a biography of a real individual. Neither J K Rowling nor the makers of the "Potter" films are, after all, asking me to accept that witchcraft has any existence outside the realm of fiction, but when a film-maker asks me to give credence to the writings of a sixteenth-century charlatan I find it difficult to take his film seriously.

"Nostradamus" has other weaknesses, quite apart from its flawed central premise. Unlike many period dramas, this one is not particularly visually attractive, with dull, muddy colours. The action is slow-moving and at times difficult to follow. I understand that Tchéky Karyo is a well-known and respected actor in France, indeed the winner of a Cesar Award, so I presume that he can act in his own language far better than he can in English. (I have never seen any of his French-language movies apart from "Le Retour de Martin Guerre", in which he only had a small part). In the leading role here he is absolutely horrible, dull and wooden without any convincing attempt to convey emotions. Some of the supporting cast are better, including Julia Ormond as Nostradamus' wife, although I was left with the feeling that F. Murray Abraham had come down a long way since "Amadeus" and Rutger Hauer equally far since "Blade Runner". This was the first of Roger Christian's films I have seen, and I cannot say that it has inspired me with any great desire to explore his work further. 4/10

The Middle Ages, the Inquisition, the Black Death, Alchemy, etc... If a film has at least two of these themes, I'll watch it without hesitation... And this film has all of them, plus Tchéky Karyo (along with all the other talented actors)...

I first watched this film on VHS around the time it was released... Yes, looking at it today, it has many shortcomings and is an above-average film at best. Roger Christian, however, has once again demonstrated his skill in telling English lyrical stories, this time focusing on Michel de Nostredame. Despite its $12 million budget and earning less than $500,000 at the box office, this cult film remains a work that fans of its themes will still appreciate.

I personally thought that this movie was one of the better period pieces that are around. I felt that the actor playing Nostradamus did a wonderful job trying to portray a very illusive figure in our history books. Not many people (including historians) agree on what Nostradamus' personality type exactly was, so for this actor to portray anything at all is somewhat impressive to me... But, I do have to admit that the artistic attempts near the end (especially the vision of the future at the very last scene) were a bit much. I think that although it was important to get the point across that he was a visionary... that it should have been done throughout the piece... not just at two points throughout the whole film (during the carriage ride and at the end)... But, hat's off for trying!

One thing that I'm extremely interested in knowing is if his first wife (played by Julia Ormond) was really arrested by the Inquisition for having some Arabian Mysticism book... and if so... what was the title of the book!? I kept re-winding to get the name, but could not understand what she was saying! I keep trying to find any hint of this story online, but unfortunately have no luck... if anyone knows what book she supposedly had in the movie (or in real life), PLEASE e-mail me... I'm EXTREMELY interested in finding out about it!

C-ya, Stephen

Tcheky Karyo, most familiar to American audiences as Bob, the enigmatic secret agent by way of Pygmalion in Luc Besson's NIKITA, has his first English-language lead role as the 16th-century physician and prophet Michel de Nostradame, who predicted various events occurring hundreds of years into the future.

Filmed in Romania, the film is a grim, grubby depiction of the renaissance era, but seldom reaches any moments of true insight into Nostradamus' life. Instead of taking a scholarly approach required of the subject, and concentrating on the man's vision, director Roger Christian (whose claim to fame is being the art director on Ridley ScottÕs ALIEN and directing the pretty much forgetable horror flick THE SENDER) panders to the lowest common denominator by focusing on his love life, and his run-ins with pugnacious Inquisitors.

When he is shown having his prophetic visions, most of the sequences are stilted and hokey. Only one prediction sequence has any power, the vision of the Black Rain, filmed in Copsa Mica, which the National Geographic Society once branded as the most polluted city in Europe.

Academy Award Winner F. Murray Abraham (AMADEUS), called in to save the acting day, does serviceable work as Scalinger, Nostradamus' sometime mentor, and Rutger Hauer is weird and funny as the Mystic Monk. Do I hear laughs? His turn is actually quite enjoyable, with his candle-lit hat and his demolition of the loathsome flagellates.

Karyo consorts with a bevy of bold European actresses, including Julia Ormond, Maia Morgenstern (THE OAK), and Assumpta Serna (MATADOR, THE FENCING MASTER.) He makes a noble effort with his calm, cultivated, at times endearing performance but he can't carry the whole film.

The movie eventually dissipates in the scarcity of its low budget, borrowing footage (ironically enough) from ALIENS for its final sequence which depicts space travel.