Nostradamus

I must say I enjoyed this film, but I agree with the other comments that it was horribly disjointed. It was absolutely gorgeous to look at (I would rate it up there with Elizabeth or Rozencranz & Guildenstern are Dead in that respect), but it is pretty hard to follow. Having read a short bio on Nostradamus recently, it seems that they got their facts right (there was some speculation, but isn't there always in such films?), but it seems rushed, like the director is trying to fit too much into the time alloted. Overall an enjoyable picture.

Most Nostradamus movies have him as an older man, a gloomy sort constantly predicting doom. This movie doesn't. Tcheky Karyo plays a very involved, interesting, and engaging version of Michel de Nostredame. I particularly liked the "vision" sequences, where he suddenly is dropped into the future to observe. I thought the part of the movie where he is confronted by the Inquisition was effective as well. The movie is flawed; it moves slowly, and finicky history buffs will find a few bumps. But overall this features a fine performance by Tcheky Karyo, beautiful photography and sets, and (I have to say) a sex scene with Julia Ormond that manages to be really hot and very tasteful at the same time. Summing up, "Nostradamus" has some strong performances, and a good (if slow) story. It kept my interest all the way through. I'm looking forward to getting it on DVD.

Although sometimes tragic, this tale made me want to learn more about Nostradamus and his writings. I would recommend this movie to anyone with an interest in divination, the psychic and the future of mankind.

I watched this movie in 1998 and would like to know whether this movie told exactly about his life. Although i never read the prophecy of Nostradamus but i am amazed that he can know that there will be three world war. The fact is there were two already and the third one, we still can't judge it by ourselves. What i have to say is an excellent movie with huge casts and it has been narrated carefully by the writer and producer. Why not a remake? Will that be better?

Tcheky Karyo, most familiar to American audiences as Bob, the enigmatic secret agent by way of Pygmalion in Luc Besson's NIKITA, has his first English-language lead role as the 16th-century physician and prophet Michel de Nostradame, who predicted various events occurring hundreds of years into the future.

Filmed in Romania, the film is a grim, grubby depiction of the renaissance era, but seldom reaches any moments of true insight into Nostradamus' life. Instead of taking a scholarly approach required of the subject, and concentrating on the man's vision, director Roger Christian (whose claim to fame is being the art director on Ridley ScottÕs ALIEN and directing the pretty much forgetable horror flick THE SENDER) panders to the lowest common denominator by focusing on his love life, and his run-ins with pugnacious Inquisitors.

When he is shown having his prophetic visions, most of the sequences are stilted and hokey. Only one prediction sequence has any power, the vision of the Black Rain, filmed in Copsa Mica, which the National Geographic Society once branded as the most polluted city in Europe.

Academy Award Winner F. Murray Abraham (AMADEUS), called in to save the acting day, does serviceable work as Scalinger, Nostradamus' sometime mentor, and Rutger Hauer is weird and funny as the Mystic Monk. Do I hear laughs? His turn is actually quite enjoyable, with his candle-lit hat and his demolition of the loathsome flagellates.

Karyo consorts with a bevy of bold European actresses, including Julia Ormond, Maia Morgenstern (THE OAK), and Assumpta Serna (MATADOR, THE FENCING MASTER.) He makes a noble effort with his calm, cultivated, at times endearing performance but he can't carry the whole film.

The movie eventually dissipates in the scarcity of its low budget, borrowing footage (ironically enough) from ALIENS for its final sequence which depicts space travel.