Nadja

Nadja is a very refreshing version of the redundant vampire movies out there. It had beautiful and intriguing cinematography that at times seemed like a livening photograph. Although the average viewer that is used to watching "spoon-fed" movies that do not require any viewer intellect or imagination may find this movie to abstract for their taste, It will Certainly be their loss for this movie is a must see if you are any kind of a movie aficionado. I am very happy to have added this movie to my movie history repertoire. Enjoy.

I liked this very odd, surreal and somewhat camp vampire film much better on 2nd viewing, when I was prepared for its David Lynch like lack of naturalism, strange rhythms and odd blend of silly humor and almost melodramatic drama. (It's not surprising that Lynch executive produced this, and appears briefly in the film).

The black and white, stylized photography, the music, and parts of the dialogue are terrific; original and compelling. And setting a modern vampire tale in the nightlife of young hip 90s Manhattan yields some very interesting results. But at other times it can't seem to make up it's mind about what ratio of camp to reality it wants to be.

In the end, it's not as strong as its recent spiritual offspring: "A Girl Walks Home Alone at Night", but it's still worth seeing -- as is any work from the always inventive, ahead of the curve Michael Almereyda.

A strange, disarming feeling sits over this film, as if everyone is in a semi-comatic haze. That's a good thing. While a bizarre mix of humor, horror flick, and psychodrama, it also draws from (and pokes fun at) the vampire flick tradition. Full of highlights, not the least of which is a ratty haired Peter Fonda.

This is a very clever and enjoyable vampire movie. The film employs beautiful black-and-white photography (with scenes of Pixelvision) and an abundance of understated humor. Elina Löwensohn is both graceful and hilarious as Nadja, the daughter of Dracula. Peter Fonda gives a splendid performance as the world-weary Van Helsing. A delightful rendering of the 1936 film, "Dracula's Daughter".

I cannot believe how lame this movie is. The acting is terrible, and seeing as all these performers have a decent repertoire, one can only blame the writing. Cliches abound: a pet tarantula named Bela (oooh--you're soooooo Goth), ridiculous Romanian accents with forced ESL dialogue (e.g., "Why you show me this?", pathetic Philosphy 101 ruminations ("We've lost touch with God...I don't mean the man with the beard, the father, the punisher, but the Source"---oooh, deep), etc. My personal favorite laugh comes at the title character's large black hooded cape. Her description of her birthplace (I won't ruin the one true comic gem of this film) is similarly laughable..I had to rewind twice...

Was this project the brainchild of high school Goths, creatively malnourished and trapped in their under-stylized 80s haze? It truly looks like the directorial efforts of a novice who desperately wanted to update "The Hunger" for a new generation of bat-cavers. Too bad, cuz it doesn't hold a candle.

The video box describes two vampires hiding in the NY afterhours scene, but all we see of that potentially exciting "scene" is a quick montage of some fake club and a tiny bar with one other customer. Perhaps the most annoying attempt at hipness is the use of a highly-pixelated camera to show "vampire vision." DORKY!!!! The lack of consistent perspective makes this tool useless--whose vision is this? Nadja's? Her vampire brother's? God the Punisher's? LAAAAAAME...

I love the blood that spews forth from one actor--thicker than hershey's syrup and about as convincing. Things pick up a bit in the ending, but good luck making it that far. I can't stress enough how bad the writing is. It almost has to be seen to be believed, but why waste your 90 minutes?