Mute Witness

"Mute Witness" is a terrifying roller coaster ride, with lots of black humor thrown in to perfect balance. What makes it so totally different from the usual thriller/horror, apart from its Moscow setting, the Russians are played by real Russians actors, even the American mute woman - excellent casting idea, because she acts brilliantly. More twists to the plot than you could hope for and the main part of the nerve wrecking tension comes from suggestion or chases and less from graphic violence, which one would expect from a film of that genre and plot. Apart from Alec Guinness' guest appearance, no big names, which only makes the film more attractive. I would be surprised if "Mute Witness" hasn't got cult status by now among the fans of the genre.

I went into this film expecting a slasher, and while Mute Witness does take influence from said style of film-making, this is much more than just your average slash flick. There are a number of thrillers that focus on a certain disability - blindness is more common (Blind Terror, Wait Until Dark, Cat o'Nine Tails to name a handful), but the implications of having a mute lead in a thriller such as this are well portrayed, and actually integral to the plot as the fact that the lead character can't speak is often the reason why she finds herself in dangerous situations that would be easy for anyone else to get out of. Our mute witness is Billy Hughes, a make-up artist working on a horror film production at a studio in Moscow. She finds herself locked in after hours one night, and after attempting to phone her sister for help, she stumbles upon what at first appears to be the making of an illicit sex flick, but soon turns out to be a snuff movie! She tries to convince the authorities of what she's seen, but finds that no one believes her story...

Recently Hostel made the headlines for showing snuff movie making in a foreign country, but this film did it first and actually does a better job. It's maybe not quite as nasty as Eli Roth's opus, but the gore is more effective, and since director Anthony Waller (who went on to direct one of my favourite modern thrillers with 'The Guilty') implements a good sense of humour into the proceedings, Mute Witness is both sufficiently gory and fun to watch. The director certainly has a talent for crafting suspenseful thrill rides, as this one never stands still. The plot is put into action quickly, and Waller constantly introduces plot twists which give a big helping hand to the overall entertainment value of the film. The acting isn't bad for a B-movie, with young performers Marina Zudina, Fay Ripley and Evan Richards delivering good performances. The atmosphere is gritty, and the Russian locations are suitably unfriendly, which helps the film to retain a foreboding atmosphere. Overall, Mute Witness is a much better film than you might expect it to be. The plot flows well, and the atmosphere and tension are spot on.

Billy Hughes is a mute, American make-up artist working on a low-budget slasher in Moscow, directed by her sister's boyfriend. One night, Billy stays later than usual, looking for a prop. She isn't the only one on set, though, as she discovers to her horror. She stumbles upon members of the crew, who are making a snuff film. A frantic chase ensues. Will Billy be able to escape the killers and- if she does- will anyone believe her story?

Written and directed by Anthony Waller, 'Mute Witness' is a tension filled thrill-ride that will have viewers gripped from the get-go. A low-budget affair, it brims with suspense, and is genuinely frightening, though also contains moments of black humour. Waller's narrative is absorbing, despite a weak third act and a rushed ending, containing many unexpected moments of pure petrifying power. Billy, whose struggles to communicate compounds the dread, is a perfect conduit for the audience, as Waller takes us on a journey into fear.

In some ways, it is like Joel Schumacher's '8mm' and John Carpenter's 'Halloween' had a cinematic child; and is just as gruesome as that sounds. Intense and engrossing, it goes in directions one doesn't expect. Although the secondary characters aren't particularly well-written, and some of the dialogue is very stilted, Billy is compelling. We feel for her: isolated in a foreign country, unable to communicate, stalked by murderous thugs- her struggle to survive is engaging. At least, until the third act, when things descend, becoming rather mundane.

The best horrors are usually the ones that make effective use of sound design- such is the case with 'Mute Witness.' Noises- the scraping of a knife on a hard surface, the splatter of blood, footsteps in the dark- create agitation and alarm, while the use of silence heightens the suspense. Furthermore, Egon Werdin's cinematography is eerily atmospheric. His use of irregular angles, shaky cam movements and tracking shots evokes fear and creates tension.

Werdin also makes brilliant use of the sets and locations in the film, employing the lighting team to ominous effect. The shadow-play and utilisation of contrasts makes for a sinister looking picture, while the production design is of a high quality. Moreover, Peter R. Adam's editing is most effective, making a macabre mosaic of a movie, stitching scenes together with a rhythm that mirrors the viewer's racing heartbeat.

Unfortunately, despite the technical expertise behind the camera, those in front disappoint. Although Marina Zudina does strong work as Billy, effectively displaying her fear and agitation silently, her co-stars let her down. As the director, Evan Richards delivers a shockingly hammy performance, seemingly hell bent on chewing as much scenery as he can. Fay Ripley does better than him in the role of Billy's sister, but still doesn't impress much, coming across as quite wooden.

Oleg Yankovskiy is good in a small role as a policeman, deserving of more screen time, while Igor Volkov and Sergei Karlenkov are terrific when silent and unconvincing when not. Furthermore, Alec Guinness- who thought the production was a student film and did not accept, nor was offered, payment for his services- is terrific, for the few seconds he's on screen. Blink and you'll miss him, in this case, is too generous, as even if you don't blink, you might miss him.

Despite a tepid third act, Anthony Waller's 'Mute Witness' is a tense and sinister horror that rockets along at a brisk pace. Boasting striking cinematography from Egon Werdin and creepily atmospheric sound design, it is a stirring picture. However, while it is well-edited and Marina Zudina does strong work as Billy, the supporting cast don't all impress- with Evan Richards' misjudged, over the top performance hampering the film's impact. Despite that, though, 'Mute Witness' is not a film you'll want to keep quiet about.

Waller's first feature film was this thriller, Mute witness (1995), filmed entirely in Moscow in 1993, and financed privately by himself and his co-producing partners. Some US filmers are making a cheap thriller in Moscow . Billy (Marina Zudina) is the mute make-up artist of the title who, returning to the studio for for a forgotten item is locked resulting in fateful consequences . As Billy is accidentally locked overnight in the strange studio where the movie is being made and she wanderers into the basement looking for someone to let her out. Then Billy witnesses some of the crew shooting a snuff movie with a real-life stabbing and along the way , she attempts communicate her sister Karen Hughes (Fay Ripley) . We dare you not to scream !. Nobody reduce the Silence !. She Can't Speak ! . She Can't Scream !. She Can't Beg For Mercy !. She Won't Be Silenced !. Nobody was able to silence her!

Low- budget British thriller lensed in Moscow film studio . Anthony Waller's witty , action-packed thriller seldom lets up . He milks the Moscow locations and the heroine's isolated predicament for all they're worth , only Billy's sister attempts to understand her sign-language , while brother-in-law is too obsessed by the film he's directing to attend to anyone but himself . First-timer Waller mocks both thriller genre and film biz , sometimes relying on , rather than cliched , spoofing elements . Highlight is 25-minute long chase scene with the murderers chasing Billy in the cavernous studio . Alec Guinness makes a surprise appearance in an uncredited cameo who he shot 8 years earlier in 1985.

The motion picture was well directed by Anthony Waller . Filming was complicated by its coincidence with Russia's October revolution, a diphtheria outbreak, -23 degree temperatures, local mafia extortion and last minute cast changes. Despite these initial difficulties, it was sold to Columbia TriStar as a completed movie, and was distributed worldwide in all major territories, and invited to 23 festivals, including the Cannes Film Festival, Courmayeur (Audience Award), Gerardmer (Audience and Grand Jury Award), Moscow (Audience Award), Birmingham (Grand Jury Award) Sundance, Toronto and Tokyo. In 1995, Waller co-founded the Amsterdam-based, Cometstone Pictures. In 1996, Cometstone's first production was An American Werewolf in Paris (1997), which Waller directed, co-wrote and executive produced. With a budget of $22 million, the movie was an entirely European co-production, sold to Hollywood Pictures in a negative pick-up deal for a Buena Vista release on Christmas Day 1997. Further projects Waller has directed are the psychological thriller, ¨The Guilty¨ (2000), and the supernatural thriller, ¨Nine Miles Down¨ (2009). As well as the dramatized Documentary "The Singularity is Near¨ and ¨Trader¨ and most recently, "The Piper" with Elizabeth Hurley. Rating : 6.5/10 . Well worth seeing .

An amazing piece of film that was well-conceived and kept me on the edge of my seat. Brilliantly orchestrated in its timing, and the comedy kicked in exactly when the tension needed a release. The acting was generally well-done (the "Director" should've asked Alec Guinness for acting lessons), and the shot selections were impressive (as in elongating the hall as Billy tries to race to the door in the studio). This movie didn't let up since the opening scene...