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A film that only get better with repeat viewings and age, The Lion King is a fantastic animated masterpiece that is among Disney's finest achievements. Stellar voice work, great musical score, beautiful to look at and emotionally complex and riveting.

This movie is, quite seriously, the Citizen Kane of Disney animation. Every animated movie from Disney ever since has been a failed attempt to recreate the masterpiece that this film is. This movie is an anomaly in a market usually dominated by formulaic kiddie-fare. Unlike most films from animation studios, this movie will enthrall you, whether you're 5 years old, or 50. An epic plot, intriguing characters, great music and hillarious moments make this film a family classic that will endure through the ages. 10/10

Released Christmas Day in 2002 to IMAX and large format screens, The Lion King makes a triumphant return to the screen after eight years. Its every bit as majestic and great as it has been before.

The Lion King Mufasa (James Earl Jones) just had a baby cub named Simba. All of the animals come to the ceremony, except for Mufasa's brother Scar (Jeremy Irons). Scar desperately wants to be King, but can't. As long as Mufasa and Simba are there. Soon Simba is able to walk and talk and is voiced by Jonathon Taylor Thomas. After hearing about an elephant graveyard from Scar, he and his friend Nala (Niketa Calame) visit it. They meet three bumbling hyenas: Banzai (Cheech Marin), Shenzi (Whoopi Goldberg), and Ed (Jim Cummings), but they manage to leave unhurt. Scar is upset that the hyenas didn't do the job, so he orders a stampede to wipe out both of them, but it only takes care of Mufasa. Scar convinces Simba that he killed Mufasa, not Scar. So Simba flees into exile.

The Lion King really benefits from the larger screen. Its lavish landscapes will be able to capture you more, and you can really savor the animation. Disney didn't need any humans, so they could spend all of the time on a great story and lush landscapes. In fact, its camera movement was so majestic that you actually felt like you were part of the pride of lions.

The music boomed and really created the atmosphere. Although I had seen this picture before, I still was tense because of the way the music played out. Most of the time, I would just roll my eyes at the attempt to make me nervous. But Hans Zimmer's music really bowled me over and made my heart do calisthenics. Unlike such new Disney pics like Lilo and Stitch, the songs actually did some good. They took you out of a somewhat dreary mood and put a smile on your face and made your feet want to tap along. There were only a few, but they were very entertaining. And the Circle of Life song at the beginning was beautiful, with its perfect pictures and perfect sound.

I really like James Earl Jones (he's pretty diverse), and this time was no exception. He seemed to act like he didn't want to do this role, but he couldn't contain his excitement for wanting to do voice-overs again (he had done some work in The Simpsons before). Matthew Broderick redeemed himself for me (after the atrocious Ferris Bueller's Day Off) by showing a strong voicing as the adult Simba. Cheech Marin, Whoopi Goldberg, and Jim Cummings really had good chemistry together, even though they didn't have much screen time. Irons was really good and creepy as Scar (one of those who you can't help but hate), and if that is him really singing, brava!

Be warned, The Lion King isn't really for youngsters. It had intense thematic elements that should have warranted a PG, instead of those that don't deserve it (Lilo and Stitch, again). The mood that the music and the script brought out could damper your day, so be warned.

This is one movie where you can feel for the characters. You don't say `haha, he's dead', you say `Gasp! I'm so sad!' If it weren't for the gifted scriptwriters, this movie would be kaput and a nothing, not the best Disney movie ever made.

The Lion King is a majestic movie, not without humor, that is for almost all to see.

My rating: 9/10

Rated G for intense thematic elements.

This was a foundational text for little me - saw it multiple times theatrically to the point my dad just dropped me off at the Teaneck theater (3 bucks in those days) and watched it by myself for the first time - and back then as it still does today it manages to fill your belly in under 90 minutes with Mythical and even Mystical dimensions while also including Broadway stalwarts like Nathan Lane and Ernie Sabella singing about flatulence. It isn't enough to channel Hamlet or other sources (or even other Disney epics), it's simply that the Lion King is a master's class in pacing and tone and economical storytelling. At heart what strikes me is that it's a saga that can mean a lot to children (and I'm sure adults/parents) because it's at core about that scene where Mufasa tells Simba he's disappointed. That is the worst.

Tones are not clashing haphazardly, but flowing from one into another at just the right moments and intervals. You may be lulled into complacency in Hakuna Matata, and then you're reminded times are still dark (how Zazu lived so long is kind of a miracle IMO). It earns its sorrow and painful moments, but only dwells long enough for you to feel its impact. It's a serious film, but there's joy and bright colors when need be and boundless creativity in the set pieces (and my God does Be Prepared play as a lot more sinister after the past several years in this country).

It doesn't need to explain why animals who would normally be prey for ravenous lions hang with them, because it has this dimension where things are precisely, comfortably and when necessary harrowingly metaphorical. The filmmakers and animators and storyboard artists have such a solid base for a story that the character work takes center stage: I love animation that is this expressive and soulful, and the director's know that as much as the lines may convey intentions and feelings, sometimes what isn't said speaks even louder (look at Scar and Simba's faces and eyes for like every second they are on screen, some of the best film acting of the decade).

I'm glad I still love this movie. Of course there are some seams (its obvious to me now where Jim Cummings came in on Prepared to step in when Jeremy Irons broke his voice on the song), and the comic relief isn't as funny as in Aladdin or Great Mouse Detective from that golden age. But it's powerful and it's a strong example of how cinema can elevate problematic politics (how Mufasa explains the Circle of Life is... hmm...)

Delightful animated feature from Walt Disney Pictures about a naive young lion cub destined for greatness. Born the son of a beloved and authoritative king he's groomed to be the next ruler of the kingdom, but along the way he encounters tragic detours at the hands of his villainous uncle and scheming hyena henchmen. Years later—as an adult—he decides to embrace his destiny and take his proper place in the Circle of Life. Warm, intelligent, laugh-out loud funny film is a triumph in every aspect; unforgettable songs, snappy dialogue, remarkable animation, and a stellar cast of voices make this a treat for all ages. A rousing adventure that you can enjoy again and again, and arguably one of the finest animated films ever made. ****