Killer

How this sensational first feature failed to become a massive critical hit I am at a loss to understand. With just a few characters and a rudimentary plot, Mark Malone has fashioned a stare into the soul as bleak and uncompromising as anything since Last Tango in Paris. Lapaglia and Mimi Rogers make a heart-stopping duo thrust into a situation so replete with irony that it is almost Shakespearean. And to continue the theatrical reference, Malone uses Brechtian chapter titles to distance the audience and make the whole tragedy bearable. Finally under no circumstances should audiences miss the post-credit sequence (at the end) which perfects a classic circular structure and monumentalises the work. 'Nuf said!

I've searched for a copy of this movie on DVD in stores, on-line for 10 years and finally located a VHS copy from Amazon.

I truly do NOT understand why this movie isn't listed in Mimi Roger's or Anthony Lapaglia's Wikis as I regard it as their best work. I plan to copy the VHS to DVD ands share it on torrent sites.

No one else seems to give a flip about marketing it on DVD or I'd have ordered it by now.

Never play leapfrog with a Unicorn.

I'd rather have a bottle in front of me than a frontal lobotomy.

There's your ten lines, Bubba.

Before the Sopranos went on air we have a hired gun, a maffiosi, a killer who doubts the real meaning of it all. In fact he wonders the meaning of meaning. Without being to psychological it is a good thriller with the question 'Will he kill her'. Possibly a little too soon it is obvious whether he will or not but as a whole it is definitely worth watching albeit just for Mimi Rogers who till the end keeps you asking whether she - as an actress - is really terminally ill or just pulling everbody's strings

Although just a decade ago, Anthony LaPaglia was a wild guy in movies, not the subdued leader of the hit TV program "Without A Trace." He usually played very profane guys, too. That's certainly the case here in this film which I've always seen labeled "Bulletproof Heart," (not "Killer").

Actually, all four lead actors in this movie were interesting: assassin LaPaglia, love-sex- interest Mimi Rogers, comedians Matt Craven and Peter Boyle. The latter two play comedian-types, I should say. Craven is particularly funny in this movie. Rogers is here mainly to show off her huge breasts. She shows them off particularly in a bondage-type scene that is a bit sick. (This movie isn't exactly The Sound Of Music, morally-speaking. It's pretty sleazy.)

The film has a good mixture of drama, humor, sex, violence and suspense. However, it also is a good example of Hollywood's depravity, pagan views and fatalistic viewpoints. Seeing more and more of that with my second and third viewing of this , my rating went lower and lower until I finally canned this from my collection. It's just too sordid.....but, for the first-time viewer, a real eye-opener which keeps your attention.

"The hit must be done tonight. The mark is expecting you, and won't resist." That was the set up, but hardly comes close to what confronts Anthony LaPaglia.

A lot of important crooks want Mimi Rogers dead. Why? No one really says, but we start to understand at her first appearance in this marvelous film: she's assertive, smart, stylish, educated, curious, and, yes, very sexy.

Almost a cast of two - others only serve to set up the characters or the plot - with Matt Craven as superb comic relief, the story slowly exposes the soul of the hit man and the real reason for the hit.

Marvelous work by all in the cast; especially Rogers and LaPaglia.

I saw this fifteen years ago; powerful remembrances made me search for it and watch it again today.