I Love Trouble

That this film fails on so many levels and still remains watchable, if not actually enjoyable, must be a credit to someone involved in the production; it's just not immediately clear who.

There are three main problems with the movie. One, the attempt to graft the noirish elements onto a hi-tech industrial-intrigue plot, which results in an uncomfortable mix of pulp culture from two generations: the hardboiled detectives of the '40s thrust into the realm of today's potboiler mystery bestsellers. Whereas the earlier style was streamlined, and relatively simple and focused, today's genre authors seemingly compete for who can make the most convoluted plot with sidetracks, red herrings and subplots galore. This contrast leaves the film trying to go in two directions at once.

Two, the relationship between the leads is never quite satisfactory. Roberts and Nolte are just not cut out for their cut-out roles, and while they try gamely, it's tough to buy them as reporters who bicker, and almost impossible to imagine them falling in love, even though its obvious from the first reel that this is where the story will take them. Three, the film is far too long, and it becomes a chore to maintain attention and interest in what happens.

On the plus side, there are some redeeming features. The plot plays its cards close enough to its chest that some elements of the ending come as an untelegraphed surprise. The comic touches are successful enough, especially in the bickering between the two as they try to out-do each other in getting the scoop for their respective newspaper. The camera work and editing employ some tricks to freshen up some scenes and the cuts between them. The only problem here is that once the same trick is employed more than once or twice it becomes a little tiresome.

We're left with a very standard piece of work, but one that works just hard enough to keep it relatively entertaining but not quite memorable, even for Nolte and Roberts fans.

This movie is a fun mystery with all the elements I enjoy - one of my favorites in a long list of good movies. The chemistry between the main characters is very good. I like that I knew the two would get together, and throughly enjoyed that their getting together was so entertaining. He said she said, was tasteless and full of junk John Hughes' style, and this one is way better than that one, even if Kevin Bacon and Elizabeth Perkins are two good actors, and it had one scene that is a memory in itself...

The main reason I like it, though, is that the idea of news reporters actually digging into a story because there is something being hidden is a nice thought. I rarely see a news story these days that I feel like they have even made any effort. They sure don't follow up with anything locally so this movie is a nice difference. I realize there were complaints by some that there was too much going on and that the story didn't follow one thing, but that's kind of the way that movies go. There was the main story being chased by two reporters that were rivals and had an obvious attraction. The "love story" is kind of behind the scenes which is better in my opinion because it is really more of an action suspense movie anyway. The humor is OK but not horrible. It is a 90's movie so you can't expect it to be as good as one from nowadays!

Overall rating: 7 out of 10.

This one was okay, but a bit too long. The funniest part is actually the scene where Nick Nolte and the boyscouts find Julie Roberts skinny dipping. And isn't Nolte a bit old for Roberts here? Well, if you're looking for a contrived romantic comedy, look no further.

1st watched 2/8/2002 - 6 out of 10 (Dir-Charles Shyer): Nolte/Roberts starpower make this rather convuluted, unbelievable story watchable. A very simple title for a very over-the-top complex story that starts with two rival reporters covering a train de-railment in Chicago and ends with having something to do with a chemical that helps cows produce milk at an early age. As silly as the story plot is, we follow Nolte as a well-known name for the Chicago Chronicle, and Roberts as a newcomer for the Chicago Globe with both of them having one thing on their minds - their egos!! The movie starts out slow but once the two heroes start acting like they're actually trying to work together, things heat up. The exchanges between the two are comical and classic at times. Roberts seems to always to be matched up with some of the best male actors in Hollywood and she usually comes out holding her own, this is no exception and the movie, it's ok too.

When a train crash happens, veteran newspaperman Peter Brackett is sent from the Tribune to cover the story despite him being a columnist. At the scene of the crash he meets the beautiful young reporter Sabrina Peterson who he tries to hit on without much success, before dismissing her as an inexperienced youth. The next morning she scoops him in the Globe, getting an angle on the story that he didn't have. This sparks a rivalry between the two journalists but, as they find out more about the story they find themselves in mortal danger and are forced to form an uneasy partnership.

In case you are film-illiterate, this film has even called a character `Thin Man' to help you realise what it is clearly aspiring to be. The fast talking, battling characters aspire to be like those in the Thin Man series. However the main problem here is that this film has none of the wit, spark or fun of that series at it's best; instead it is all a bit lifeless and flat. The plot is good but it doesn't decide to be a mystery thriller until very late in the game; the final set piece is good but, because the film had been aiming for `playful' up till that point, it just doesn't work out well and it can't just suddenly create tension out of nowhere.

The rest of the film tries to be light and witty but it doesn't manage it either. A major fault in this regard is with the script; it doesn't have any really good lines or sequences. As much as I accept that Woody Allen is not everyone's cup of tea, he would have been the perfect part of a writing team here - witty dialogue in The Thin Man style is really his thing. The other problem is with the cast. Nolte and Roberts may both be big names, but they sadly have ZERO chemistry and this is a big problem. The two have no lines and their lack of spark just makes it worse, to compare this with the Thin Man series does that a great disservice. The support cast fares a bit better and contains quite a few famous faces such as Rubinek, Rebhorn, Loggia, Dukakis, Levy, Martin Smith and Gleason. They all do OK but they can't help the failings in the script, atmosphere and in the two stars.

Overall this is just about watchable but it's hard to ignore what it clearly intended to be. It is pretty much a big failure as it fails to amuse, excite or entertain on anywhere near the level that it was aiming for.