Nowhere

reading the reviews already posted for this movie... I am saddened that so many people missed the point. it is about nothing and it is nowhere... as is just about everything that is popular now-a-days. this movie is about the absolute emptiness of pop culture and the absolute emptiness of most people's minds. I think most of you that didn't like this movie.. are either those being made fun of... or are so far out of anything doing with popular culture for you to get the joke.

secondly - this is a drug movie. i'm betting the average rating by people who've done acid is about 8.0 and the average for the others is about 3.0 --- check out the symbolism --- check out the colors --- check out the sound.

this culture is absolutely devoid of meaning - and that's all - and that's all.

I caught this film on IFC on some late night where I couldn't sleep. This film is a trip and a half. The colors are bold and the film is really about teenagers figuring out their place in life. The dialog is absolutely hilarious. I, myself, am a teenager and the stereotypical script really seemed to fit. Every character in this film, in my opinion, is just part of a high school stereotype that you get placed into during that age. Whether it be the awkward girl who wants to fit in, sex rampaging freaks or just some young 16 year olds trying to find a hoppin party. I wish I could find this movie on DVD. Really generation defining in my opinion. Try to not listen to the people who bash this movie saying it's trash and all of that. Well ... it is trash but the movie "knows" it's trashy and low-brow; so I guess it can pull it off. I'm actually surprised I haven't heard of it until now. Find it and watch it.

Man, I love trash! Serve me up Russ Meyer, Roger Corman, Ed Wood, Psych-Out, Rock'n'Roll High School or Angel, Angel, Down We Go and I'm a happy camper. But it's not so easy to make successful SELF CONSCIOUS trash. Troma try it and rarely succeed. The Chiodo brothers pulled it off with Killer Klowns from Outer Space, but Gregg Araki not only succeeds with Nowhere but takes it to the next level. Nowhere is the 90s Beyond The Valley Of The Dolls and then some. I can't even begin to tell you how cool this movie is! Look at the sensational cast which includes the debut of Mena Suvari, a couple of Bradys and best of all the wonderful find of Sarah Lassez. Add a spot on soundtrack of Sonic Youth, Elastica, JAMC, Portishead and Stacey Q(!) Plus Gibby from the Butthole Surfers, John Ritter playing a televangelist, an alien with a zap gun and Throbbing Gristle jokes! What more can you wish for?

The future is NOW, and Nowhere is THE place to be.

This, along with "The Doom Generation", is one of my many favorite films. I remember showing this to quite a few people at different times, and two things seem to upset people the most: the bisexuality/homoeroticism and the loads of sex scenes that, depending on the scene, serve various purposes. One person I watched it with (she thought she was an intellectual and felt it was beneath her to sit through it) said there was no way this film could be saying anything important and called it a "porno movie". Naturally, since this film shows not one exposed genital organ or even a bare female breast, her argument was ridiculous. As for the homosexual things that go on in the film, I think that that makes people upset because it depicts these characters as human beings with emotions (which homosexuals and bisexuals are) and/or because it turns them on. I love this movie for many reasons. It's very schizophrenic, always going back and forth from harsh realities to gutbusting humor, and sometimes managing to blend them together in a strange and equal mix. It seems that Gregg Araki was trying to defy expectations of him here, and that he was trying not to make a film easily judged as "exploitation". This movie has more sex scenes than "The Doom Generation", but they are not explicit at all. The reasons these scenes are erotic and entertaining is because Araki works with the characters and dialogue to make the sex interesting without showing any nudity other than the occasional male butt. Also, where there would be so many people to call "The Doom Generation" garbage for its constant use of obvious profanities, the dialogue in "Nowhere", if you'll notice, was done without hardly any cusswords, unless you count the myriad of VERY creative slang terms poured all throughout. And as for the gore, there's one big scene and one brief, minor scene. What I find amazing is that even with these differences, "Nowhere" is no less fascinating and brutally effective than "The Doom Generation". I love them both, and, no matter how many disagree, I believe Araki is a very important, skillful, and versatile cinematic artist. I've decided to include no spoilers, but I do want to add one more thing: If you don't see any meaning to this, that still doesn't mean that it is completely meaningless and without a point.

Just saw this movie and my first thoughts were: "Better than "Kids", but not as great as "Trainspotting"..!". Gregg Araki´s film appears like an MTV-documentary (or an episode of "The Real Life") about an MTV-generation, whose imagination of life exists of sex, drugs, party and Playstation - a lifestyle which is fast and exciting, but after all also very surface and empty! Shot in the style of video clip the film makes a satire from the daily life of some Generation X-kiddies, which is often too loud and too exaggerated to be really effective! However, it´s like a small wonder not to be entertained by this movie! Even actors that I normally used to dislike, in the first line Ryan Phillipe or Denise Richards, don´t make bad impressions! And the rest of the supporting cast is really de luxe: Christina Applegate, Heather Graham, Beverly D´Angelo, Traci Lords, Shannen Doherty, Rose McGowan and especially John Ritter as television preacher refine this strange but quite enjoyable shot! I´d give 7 out of 10 for a funny bubble gum-satire, that nobody should take too serious..!