Next Stop Wonderland

Take a tour through some gorgeous Boston sights, even some kinda grubby under the (soon-to-be-erased by the Big Dig) elevated streets. I loved the Puffer-fish in our wonderful New England aquarium. And is this Gelfant guy sexy-----whoah!!! The sight of him and the flirty student he's mentoring eating each other up on the whale-watching boat was OUTSTANDING!! With all his obvious knowledge of the girl's crush and her wiley ways, he STILL gives into the animal chemistry in a surprising rush. I am SO tired of obviously phony kisses onscreen that this one caught me off-guard.

If you've ever done a dating ad thing, you'll empathize with the heroine's disgust at the pitiful and revolting lines of the many 'candidates' she meets. When one lowers his pseudo-intellectual facade long enough for you to see the human being behind, you want to scream, "Why didn't you show THIS part of yourself to her before you lost the chance?" Of course, the 3-way bet by the scum bums ends well as they get their just desserts. The well-meaning but meddling mother behind it all who placed the ad is well-written and well-played.

It's enough to watch the superb photography to buy this movie, but the many boy-girl angles portrayed also make it worthwhile. It could have been entitled, "What Not to Do on a First Date". I own it and am looking forward to giving it to my unmarried son as a tutorial. I also lend it out to people I want to lure to Boston.

Unlike most romantic comedies that get distributed, Next Stop Wonderland is neither star-peopled nor entirely plot-driven. Although the film was marketed as another Nora Ephron knockoff, it is very different from the slick, syrupy Meg Ryan vehicles viewers were led to believe it would resemble. Brad Anderson's beautiful, shimmering treatment of light, and his pleasingly idiosyncratic manner of filming the Boston urban landscape (and the lovely Hope Davis), well serve the sympathetic honesty with which he treats the search for love in the modern American city. A magnificent film.

This is a very enjoyable movie. I must admit that I had my doubts at first, as it looked far too sugary for my taste. Poor marketing I guess. However, this is the first movie in years which I watched and then watched again the next day. Hope Davis' character, Erin, elicits many emotions -- the first of which is pity. Having been dumped by what is clearly the wrong man, we witness her attempt to re-enter the dating scene. She is immediately catapulted back into the world of losers, married men, and guys who are downright scary. She handles all of this with grace, but more than a hint of cynicism. You can often see the depression in her face, as she moves from one date to the next, always telling her friends that "there's no such thing as destiny." And yet, there is (as she discovers.)

Her character seems very much the essence of the modern young single person: She tells herself she is happy alone, but quietly yearns for the depth of true love. She is never rude, except when it's deserved, but she is never particularly friendly either. She inadvertantly wears the scars of years of dating on her sleeve. A very subtle and clever performance from the ethereal and under-appreciated Hope Davis. HIGHLY RECOMMENDED

Erin (Hope Davis) is recently single (her boyfriend moved out), a nurse and looking for Mr. Right. Alan (Alan Gelfant) works at the New England Aquarium, is a student and has no time for love. Naturally they're made for each other. We watch their separate lives all through the movie slowly intertwining them and drawing them to each other.

This is a very small independent film, shot in Boston and picked up by Miramax. If you know Boston and the surrounding cities some of this is amusing. Erin lives in a huge apartment in Beacon Hill--there's no way a nurse could afford that. Also she meets all her dates a bar called the Burren which is located two towns away in Somerville! But they did get Wonderland right--that's a station on the Blue Line subway where Alan lives near.

Those little goofs aside (actually they're pretty funny) this is a very nice, romantic film. A perfect date movie. It's got a very laid-back feeling that is absolutely charming. This is helped with a very soothing music score. But be warned--this movie is only for true romantics! If you look at it in a serious frame of mind you're gonna hate it. But if you're a romantic (like me) you'll love it! Davis gives a very nice low-key performance (but she could have lightened up a little); Gelfant is good also--and has beautiful eyes. Also well-directed by Brad Anderson. Not believable for a moment but boy--is it romantic! I recommend it. I give it an 8.

I love this movie's realism, juxtaposed with a certain magic, i.e., fate, karma, destiny - and the question of whether these elements exist in real life. Here, the possibilities unfold and are played out as quietly, subtly and unexpectedly as they can and often do in real life.

What surprised me most is that when I was doubting whether our heroes (Alan and Erin) would get together at all, I realized that it was okay - disappointing, but okay - if they didn't; as long as they found happiness, that would be fate calling the shots. The movie as a whole puts a positive spin on being alone with yourself, on the importance of taking the time to find what you really want and need. Which is something we all need in life, but how often does Hollywood promote that philosophy?

All the actors were terrific, especially the two leads, Alan Gelfant and Hope Davis; they were people you might really know - quietly passionate in their pursuits, sometimes just struggling to get through the day. There's a lot of humor too: in the prickling, loving tension between Erin and her mom; in the bar-table philosophies spouted by various characters; and particularly the in blind-dating montage - I will attest to how true to life this is!

See this movie - heck, buy it. The more you watch it, the more you get out of it.