IMDb रेटिंग
6.3/10
5.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA man's search for his one true love whose birth he assisted in as a five-year-old.A man's search for his one true love whose birth he assisted in as a five-year-old.A man's search for his one true love whose birth he assisted in as a five-year-old.
Joseph Pilato
- Carlo
- (as Josef Pilato)
फ़ीचर्ड समीक्षाएं
Rail-thin, greasy-haired Jude Law falls for rail-thin, bizarrely-coiffed and made up Gretchen Mol in this uneven romantic comedy about a guy down on his luck who meets a gal from an eccentric family -- and decides he's going to marry her. He actually first meets her when she is born, but then doesn't meet her again until 25 years later. The only thing standing in his way is her highly successful, very handsome and unflappable fiancé, played by character actor Jon Tenney. Her mom is played by Brenda Blehtyn, but this is not a Bletheyn movie and she is relegated to intermittent appearances. She also has a younger sister (Jen Tilly) who has been blind most of her life and hasn't been out of the house in a good long while. There are several other quirky family members lurking about, including a married brother with an eye for the ladies (played by Jeremy Piven), although none of these folks get enough screen time to make much of an impression. The editing or perhaps the script itself leaves something to be desired. And unfortunately, there is absolutely no chemistry between Law and Mol. None. Zip. Zilch. This quasi-chick flick is recommended for undiscriminating female viewers only.
Just like the other comment above, I had never heard of this film before but saw it (twice!) on the in-flight entertainment of a long flight back from down under. The overall feeling of the film is a bit like a condensed John Irving novel (Hotel New Hampshire): a sprawling storyline concerning an eccentric family with delightful sub-plots involving the births, deaths and loves of the various members. But because the film works on a much smaller scale than a huge doorstop novel, the characters are developed very economically in the film. However, thanks to an absolutely inspired bit of casting, with the likes of Jeniffer Tilly and Brenda Blethyn as the dying mother, the film works extremely well. And of course the chemistry between the two leads, Jude Law and Gretchen Mol, is undeniable and provides much of the appeal of the film. An absolute must see love story which skips beautifully over the potential cliches of the genre, and will have you laughing and crying in equal measures.
7=G=
"Music From Another Room" is a romantic comedy with the sweetly sentimental flavor of a Hallmark or Disney production mixed with the occasional reality check to keep the goo from getting too thick. Sporting a fine cast, this dreamy film about a motley family and birth and death and love offers a fun scene to scene linear flow, keeps the sentimentality in check, builds its predictable love story, and manages several subplots all the while holding interest and easing a somewhat difficult buy-in resulting in a good all around romantic flick. Not for cynics, "Music From Another Room" will play best with sentimentalists. (B)
Music From Another Room is the story of Danny (Jude Law), returning to his US hometown after spending over 20 years in England with his father, who has now passed away. By coincidence, he runs into the Swan family, who his father and himself used to be acquainted with, and especially one of the daughters, the beautiful Anna (Gretchen Mol), catches his attention. Before Danny moved to England, he helped setting Anna to this world by removing the chord that was twisted around her neck during her birth, and at that point, he exclaimed a wish to marry her someday...
This is first of all a romantic comedy, with Danny's chase for Anna as the main plot, and quite a lot of interesting sub-plots and characters. It is most enjoyable, and in the end a real feel-good movie. The script is intelligent, and at times, extremely funny. Especially Danny's landlord, Mr. Klammer, has got some killer lines early on.
The acting is also excellent. Jude Law is his usual self, well-acting and beautiful, Brenda Blethyn can do no wrong on the screen, it seems, and Gretchen Mol shows that she is more than just a pretty face. But the real stand-out performance is Jennifer Tilly as the blind sister Nina...I'm really wondering when she's going to go get the recognition she obviously deserves... A great cast all together.
The film has a few flaws, the most notable being a rather predictable story, but excellent acting and witty writing more than make up for that. Overall, Music From Another Room is a highly recommendable romantic comedy, far better than most straight-on-video stuff.
This is first of all a romantic comedy, with Danny's chase for Anna as the main plot, and quite a lot of interesting sub-plots and characters. It is most enjoyable, and in the end a real feel-good movie. The script is intelligent, and at times, extremely funny. Especially Danny's landlord, Mr. Klammer, has got some killer lines early on.
The acting is also excellent. Jude Law is his usual self, well-acting and beautiful, Brenda Blethyn can do no wrong on the screen, it seems, and Gretchen Mol shows that she is more than just a pretty face. But the real stand-out performance is Jennifer Tilly as the blind sister Nina...I'm really wondering when she's going to go get the recognition she obviously deserves... A great cast all together.
The film has a few flaws, the most notable being a rather predictable story, but excellent acting and witty writing more than make up for that. Overall, Music From Another Room is a highly recommendable romantic comedy, far better than most straight-on-video stuff.
When I check my voting history, I see I have voted for movies rather generously. But I never actually gagged to give a movie a 9 and felt inhibited not to go beyond 7. I wish this movie let me love it a little bit more.
The story is very simple and popular. Actually, in my country, at least a dozen movies are made every decade on a plot like this one. So, it's not the catchy story or an end twist that people love these kinda movies for. So, when you already know what is gonna happen and how, complete attention falls on things like cinematography and compelling conversations.
This movie has wonderful moments. Well, with Jude Law, that is no surprise. I wanted to see this movie for Gretchen Mol. She is spontaneous, but not brilliant. The thing is, for this movie, she did not have to be. But when a sensitive viewer is watching the film, certain things should be left unsaid for his mind to synthesize and derive. If everything is discussed on a round table (not literally), it becomes more educational and less charming. That is what is pulling this movie down. Movies like French Kiss or Addicted to Love never surprised any viewer with a climax. But those films took their breaths away no doubt. I wish this one was a little more subtle and metaphoric. That way, I would not have to settle for a 7.
Though there is no surprise in the end, the end is very beautiful. Feels like it's filmed by some different director than the one who filmed the educational speeches. But anyway, this is a lovely film to see. You might find it very good, or just good, depending on how forgiving you are in real life. There is no way you are gonna regret spending your good money on it. I recommend it. Who am I to recommend? You don't wanna know.
The story is very simple and popular. Actually, in my country, at least a dozen movies are made every decade on a plot like this one. So, it's not the catchy story or an end twist that people love these kinda movies for. So, when you already know what is gonna happen and how, complete attention falls on things like cinematography and compelling conversations.
This movie has wonderful moments. Well, with Jude Law, that is no surprise. I wanted to see this movie for Gretchen Mol. She is spontaneous, but not brilliant. The thing is, for this movie, she did not have to be. But when a sensitive viewer is watching the film, certain things should be left unsaid for his mind to synthesize and derive. If everything is discussed on a round table (not literally), it becomes more educational and less charming. That is what is pulling this movie down. Movies like French Kiss or Addicted to Love never surprised any viewer with a climax. But those films took their breaths away no doubt. I wish this one was a little more subtle and metaphoric. That way, I would not have to settle for a 7.
Though there is no surprise in the end, the end is very beautiful. Feels like it's filmed by some different director than the one who filmed the educational speeches. But anyway, this is a lovely film to see. You might find it very good, or just good, depending on how forgiving you are in real life. There is no way you are gonna regret spending your good money on it. I recommend it. Who am I to recommend? You don't wanna know.
क्या आपको पता है
- ट्रिवियाAll of the Swan sisters' names derive from "Anna Karenina" - Anna, Karen and Nina.
- गूफ़When Anna is born, she is quickly wrapped in a blanket and handed to her mother. As her mother holds her you can see the disposable diaper where the blanket slipped down.
- भाव
[On what love is like]
Danny: You know how when you're listening to music playing from another room? And you're singing along because it's a tune that you really love? When a door closes or a train passes so you can't hear the music anymore, but you sing along anyway... then, no matter how much time passes, when you hear the music again you're still in exact same time with it. That's what it's like.
- कनेक्शनReferenced in Forever Mine (1999)
- साउंडट्रैकTruly Madly Deeply
Written by Darren Hayes and Daniel Jones
Performed by Savage Garden
Courtesy of JWM Productions/Columbia Records
By Arrangement with JWM Pty Ltd./Sony Music Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Music from Another Room?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Музика з іншої кімнати
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,18,475
- दुनिया भर में सकल
- $1,18,475
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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