Morella

The dark and ominous music was the highlight of this exercise in predictability. In Poe's original Morella, the narrator's wife dies giving birth to her daughter. In this mediocre modernized telling, Morella is a genetic scientist who creates a clone of herself before dying. While Poe's text was full of eloquence (The days have never been when thou couldst love me- but her whom in life thou didst abhor, in death thou shalt adore), this script is driven by pretentious voice-overs. The movie tries too hard to be moody and creepy, and ends up being cheesy.

This movie was so absurd it was hysterical. Okay, its the near future and this genius geneticist creates a clone of her screwed up self before she dies. Somehow this clone becomes the child of her on job paramour (Guest) and then everything goes straight to hell. The clone (Sarah) does the typical Bad Seed faire complete with cloying choir music and jarring violins. Add to this the annoying preponderace of poorly lit sets and the occasional but pompous narration and you have a film that literally drains the life out of you as you watch. I wouldn't recommend it not even on a whim.

This may be unfair because we only watched the first 25 minutes of this movie. I am the kind of person who NEVER turns off movies I've paid for, but this was a first. Not only were we so disgusted with the movie we turned it off not even half-way through, we went out and rented another to get the memory of this movie out of our minds. This was a great story idea gone very, very bad with HORRIBLE acting, bad camera work, and script caliber of no more than USA Up All Night.

This movie, based on Edgar Allen Poe's work, has some interesting points to it. It's an interesting play on the apocryphal theme of Lillith. It's a laudable attempt at putting a woman in the Frankenstein monster's role.

Too bad it was so slow moving. The ill-lighting and constant rain suggests that the movie was an attempt at gothic moodiness, but setting it in an antiseptic futuristic environment undermines the emotional impact. This is a true shame, as Poe's original work had mood & punch.

Nicholas Guest was disappointing in this movie, while the supporting actor, Robert Lipton did a much more convincing job. But the evolution of the story to a moralistic commentary on the current hot topic of cloning is a little heavy-handed and tiresome. Not easy stuff to work with.

Some neat ideas, but generally, a failed attempt at bringing a strong Victorian work into the modern age.

I feel sorry for whoever has the misfortune to get roped into seeing this: cliched and dull. A waste of whatever talent one or two members of the cast might have. I just happened to be visiting a friend who rented it...ironically, they fell asleep pretty early into it. (Recommended for any insomniacs with a VCR near their bed.)