तीन साल पहले, कीट विज्ञानी डॉ सुसान टायलर ने आनुवंशिक रूप से एक विषाणुजनित बीमारी ले जाने वाले तिलचट्टे को मारने के लिए एक कीट बनाया था।तीन साल पहले, कीट विज्ञानी डॉ सुसान टायलर ने आनुवंशिक रूप से एक विषाणुजनित बीमारी ले जाने वाले तिलचट्टे को मारने के लिए एक कीट बनाया था।तीन साल पहले, कीट विज्ञानी डॉ सुसान टायलर ने आनुवंशिक रूप से एक विषाणुजनित बीमारी ले जाने वाले तिलचट्टे को मारने के लिए एक कीट बनाया था।
- पुरस्कार
- 3 जीत और कुल 8 नामांकन
- Yang
- (as Glen Bang)
फ़ीचर्ड समीक्षाएं
I recently rewatched this movie in 2019 after someone told me it's actually a Guillermo Del Toro movie and as a big fan of his movies I wanted to see what I had missed all those years ago and honestly I have a bigger appreciation for this movie as an adult and movie buff what I thought was a simple monster movie was actually a lot more interesting and thought out than I realised with great cinematography suspence and a dark and gritty look to the movie that after watching the characters move around in disgusting wet and moldy subway tunnels makes you wanna take a shower afterwards.
The movie follows Dr Susan Taylor (Mira Sorvino) a scientist and insect specialist and her husband Dr Peter Mann (Jeremy Northam) who is a specialist on diseases for the CDC who after an outbreak of a deadly disease that is carried by Cockroaches that is deadly to children they work together to create a new breed of Cockroache that when released into the insect population kills all other Cockroaches then dies unable to breed or survive longer than designed to three years pass and all signs of the disease have vanished but now people have been dissappearing in the subways of the city and Susan comes across a new breed of Cockroache with the same genetic markers as the ones she created only these are much bigger smarter and have evolved to mimic there predators humans now she and her husband take to the subway tunnels to find out how the Cockroaches survived and undo the mess they created.
I highly recommend this movie to any horror movie fan and fans of monster movies Del Toro brings his unique style of writing and directing to this movie and even though this is considered a B movie and Del Toros early work its still worth your time and gives the effort of an A movie.
I recommend getting the 2017 Directors Cut release of the movie either on Blu Ray or DVD it is much better than the theatrical release and has added scenes and is remastered for better quality also the special features and interviews with Del Toro are interesting and in them he is quoted as saying "This version of the movie is what I wanted to create from the start"
So I fairly enjoyed MIMIC . It`s not as good as QUATERMASS AND THE PIT which is the greatest film to have the underground transport system as its setting but it`s a whole lot better than other subway or bug movies
This film best be avoided by those of us who hate insects, because it doesn't portray them in a good light. From the creepy opening titles - showing a montage of pinned butterflies - to the icky and slimy creatures running around in the subways, they're everywhere, and MIMIC takes every opportunity to zoom in on their ugly features. The film has a good range of actors and actresses in it. Mira Sorvino, in the title role, is a typically tough and yet realistic heroine, and thankfully much less annoying than her counterpart in THE RELIC, Penelope Ann Miller. Jeremy Northam is somewhat bland in his macho leading role but the show stealer is Charles S. Dutton, better known to audiences for his role as the tough Dillon in ALIEN 3, and he here plays a tough, wise-cracking comic relief policeman who finds himself caught up in the activities. Dutton is probably the most sympathetic character of the lot.
As for the action sequences, they are long and varied. Good use is made of the creepy shadows and rubble in the subways, and the best scene of the film comes when the band of survivors group up in a train carriage while the insects attack from outside. The gore isn't excessive but is used sparingly, and therefore more effective. The main fault of the film lies in the high number of clichés and scenes stolen from other countless horror films, a fault which seems to plague cinema these days. Take for example the bit where an insect bursts into the carriage and then disappears under a cabinet, a cross-breed of similar scenes from NIGHT OF THE LIVING DEAD, Friday the 13th and ALIENS. These scenes are numerous and come across as disappointing, as does the tacked-on happy ending where Northam survives the huge gas explosion and they all live happily ever after. Speaking of the explosion, there's a great pyrotechnic display at the end, which really closes up all the loose ends and harks back to horror films from the 1930s such as THE BLACK CAT and FRANKENSTEIN where all creatures and villains met a fiery demise.
However, one great thing MIMIC has going for it are the special effects, which pretty much surpass a lot of what's gone before. The scenes with the insects in their human disguise are chilling, but there's an excellent centre piece where one of them spreads its wings, takes off and carries Sorvino away! CGI obviously plays a big part here and fortunately doesn't look too fake, computer graphics seem to be improving all of the time. The CGI effects are used sparingly and therefore are more effective and realistic than other CGI-fests such as GODZILLA. These flying insects are really something to see and definitely worth looking out for. MIMIC may be simply a new take on an old cliché, but it's a heck of a lot of fun and is simply one of the best-made monster films of the '90s.
क्या आपको पता है
- ट्रिवियाDirector Guillermo del Toro disowned the film after constant clashes with Harvey Weinstein and Bob Weinstein. The latter complained that early footage of the film wasn't scary enough, and would frequently visit the set to make unreasonable demands about what should be shot, deviating away from the script. When that did not solve the matter, Weinstein threatened to fire del Toro and replace him with another director. However, del Toro was saved by the intervention of Mira Sorvino, who was a recent Oscar winner for Mighty Aphrodite (1995) (produced by Weinstein's company Miramax). She threatened to quit the film if del Toro's vision wasn't respected, and she received support from her then-boyfriend Quentin Tarantino, who has made several films for Miramax. The Weinsteins finally agreed to let del Toro stay on, but they oversaw the final cut of the film. Since then, del Toro has never worked with the Weinsteins again, but he made his peace with the film after creating a Director's Cut that was closer to his vision.
- गूफ़When Susan goes into the abandoned subway office looking for Manny, she calls out "Chuy?" and not "Manny?" Chuy is hiding in the office, but at that point in the film she doesn't know it yet; she has no reason to expect to encounter Chuy and no reason to call his name. In fact, as far as we know, she shouldn't even know his name.
- भाव
Peter Mann: Leonard, have you ever seen anything like this before?
Leonard: Why you asking me if I've seen some shit like this before? Do I look like I've seen some shit like this before? Hell, no I a'int never seen no shit like this before. Who the fuck would wanna climb up one of these walls and hang one of these? Musta been a big elephant-ass motherfucker.
- इसके अलावा अन्य वर्जनGuillermo del Toro released a director's cut in 2011. It runs at 112 minutes.
- कनेक्शनEdited into The Blood Pact: The Making of 'Blade II' (2002)
- साउंडट्रैकGive Me Central 209
By Robert Ellen
Used with permission by Molique Music
c/o Warner Chappell Music Canada
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Judus
- फ़िल्माने की जगहें
- Lower Bay Station, टोरोंटो, ओंटेरियो, कनाडा(subway station)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,54,80,490
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $78,18,208
- 24 अग॰ 1997
- दुनिया भर में सकल
- $2,54,80,803
- चलने की अवधि1 घंटा 45 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1